Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn’t been back to the South since.Thirty years later, Billie returns, but her father’s home is unnervingly secluded; her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger.Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country.

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    Now she must run, not only to escape the dark secrets in her past, but to outwit the man who is stalking her every move.On the other side of the country, Allison's mother is desperate for news of her daughter, who is missing, presumed dead. Maggie refuses to accept that she could have lost her only child and sets out to discover the truth.Mother and daughter must fight - for survival and to find their way through a dark web of lies and back to one another, before it's too late...

    The first in a series, the book expertly lays the groundwork for Liv Bergen, amateur sleuth, and her love interest, FBI Agent Streeter Pierce. Liv becomes involved in the investigation of the murder of Jill Brannigan, a summer intern at the limestone mine Liv manages near Fort Collins, Colorado (a breathtaking setting that unwittingly becomes an accessory to crime). In doing so, she inadvertently puts her friends, her family, and herself at risk of being swallowed in the belly of a madman bloated with perverse appetites for women, surrealistic art, and renown.As the gripping plot of In the Belly of Jonah unfolds, Liv Bergen takes her place alongside the best female crime-solvers as a woman with smarts, self-confidence, and intuitive savvy.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    Greenwood follows one woman's journey through heartbreak and loss to courage and resolve, as she searches for the truth about a missing child. Eight years ago, Tess and Jake were considered a power couple of the New York publishing world--happy, in love, planning a family. Failed fertility treatments and a heartbreaking attempt at adoption have fractured their marriage and left Tess edgy and adrift. A visit to friends in rural Vermont throws Tess's world into further chaos when she sees a young, half-dressed child in the middle of the road, who then runs into the woods like a frightened deer. The entire town begins searching for the little girl. But there are no sightings, no other witnesses, no reports of missing children. As local police and Jake point out, Tess's imagination has played her false before. And yet Tess is compelled to keep looking, not only to save the little girl she can't forget but to salvage her broken heart as well. Blending her trademark lyrical prose with a superbly crafted and suspenseful narrative, Where I Lost Her is a gripping, haunting novel from a remarkable storyteller.

    But, as the sky darkens over the Adirondacks and a heavy snowfall looms, an escaped murderer with the power to take it all away draws close.In her isolated home in the shadowy woods, Sandy prepares dinner after a fight with her daughter, Ivy. Upstairs, the fifteen-year-old—smart, brave, and with every reason to be angry tonight—keeps her distance from her mother. Sandy’s husband, Ben, a wilderness guide, arrives late to find a home simmering with unease.Nearby, two desperate men on the run make their way through the fading light, bloodstained and determined to leave no loose ends or witnesses. After almost twenty years as prison cellmates, they have become a deadly team: Harlan the muscle, Nick the mind and will. As they approach a secluded house and look through its windows to see a cozy domestic scene, Nick knows that here he will find what he’s looking for . . . before he disappears forever.Opening the door to the Tremont home, Nick brings not only a legacy of terror but a secret that threatens to drag Sandy with him into the darkness.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

    . . Wouldn’t you? But the Hunter family are deaf, and don’t hear a thing when a shocking crime takes place in the middle of the night. Instead, they wake up to their worst nightmare: the murder of their daughter.The police call Paige Northwood to the scene to interpret for the witnesses. They’re in shock, but Paige senses the Hunters are hiding something.One by one, people from Paige’s community start to fall under suspicion. But who would kill a little girl?Was it an intruder?Or was the murderer closer to home? This mystery will keep you up all night – perfect for fans of The Silent Patient and Cara Hunter

    Built in 1770, the newly renovated inn hosts a roster of special events celebrating books, genres, and authors. It's the perfect literary retreat--until a rare book dealer turns up dead in the carriage house during a celebration of Golden Age mystery author Josephine Tey.The victim's daughter points the finger at forty-two-year-old widow and former schoolteacher Charlotte Reed, who inherited the B&B from her great-aunt Isabella. Charlotte is shocked to discover that the book dealer suspected Isabella of being a thief who founded Chapters on her ill-gotten gains. Charlotte has successfully learned the B&B business in a year, but nothing has prepared her to handle a death on the premises. Armed with intelligence and courage and assisted by her vibrant older neighbor, a visiting author, and members of a local book club, Charlotte is determined to prove her innocence and to clear her great-aunt's name. But the murderer is still at large, and equally determined to silence anyone who might discover the truth behind the book dealer's death. Now, Charlotte must outwit an unknown killer--or end up writing her own final chapter.

    Where better to repair those severed ties than on a girls’ getaway to the beautiful paradise of Tulum, Mexico? But even after they’re reunited, no one is being completely honest about the past or the secrets they’re hiding. When Ashley disappears on their girls’ night out, Natalie and Lauren have to try to piece together their hazy memories to figure out what could have happened to her, while also reconciling their feelings of guilt over their last moments together.Was Ashley with the man she’d met only days before? Did she pack up and leave? Was she kidnapped? Or worse—could Natalie or Lauren have snapped under the weight of her own lies?As the clock ticks, hour by hour, Natalie and Lauren’s search rushes headlong into growing suspicion and dread. Maybe their secrets run deeper and more dangerous than one of them is willing—or too afraid—to admit.

    The truth doesn't matter in a trial.The only thing that matters is what the prosecution can prove.Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren't that different.It's been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn't have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie's back and kidnapped his ten-year-old daughter Amy.Eddie only has 48 hours to defend Volchek in an impossible murder trial—and win—if he wants to save his daughter.Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his 'client' and ensure Amy's safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible?Lose this case and he loses everything.

    Now it's an authors' getaway, but Cat won't let anyone get away with murder . . . The bed-and-breakfast is open for business, and bestselling author Tom Cook is among its first guests. Cat doesn't know why he came all the way from New York, but she's glad to have him among the quirkier-and far less famous-attendees. Cat's high school sweetheart Seth, who's fixing up the weathered home, brings on mixed emotions for Cat . . . some of them a little overpowering. But it's her uncle, the local police chief, whom she'll call for help when there's a surprise ending for Tom Cook in his cozy guest room. Will a killer have the last word on the new life Cat has barely begun?

    . . Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out . . .While the Mena House has its share of charming guests, Anna Stainton isn't one of them. The beautiful socialite makes it clear that she won't share the spotlight with anyone--especially Jane. But Jane soon becomes the center of attention when she's the one standing over her unintentional rival's dead body.Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie's unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?