Like the flaming projectiles his protagonists often launch into the sky, these stories crackle with energy and violence and a furious beauty. Benjamin Percy is a force. -- Anthony Doerr

    Over 175,000 copies have been sold of this perennially popular collection of America's favorite poems.

    Mick Short considers how meanings and effects are generated in the three major literary genres, carying out stylistic analysis of poetry, drama and prose fiction in turn. He analyses a wide range of extracts from English literature, adopting an accessible approach to the analysis of literary texts which can be applied easily to other texts in English and in other languages.

    How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and Jane Austen to Samuel Beckett and J. K. Rowling.

    This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    Writing with a pitch and heat that gets to the heart of the unforgiving classical world, Carson, a poet and classicist, translates four of the eighteen surviving plays by Euripides.Includes Heracles, Hecuba, Hippolytus, Alcestis.

    They were, after all, born as conjoined twins. But a horrific revelation drives a wedge between the siblings, plunging Chandan into a cycle of guilt and blame from which he cannot escape. One of Mahesh Dattani's most popular works, Tara was also one of the first Indian plays in English to highlight the dangers of gender discrimination, and the insidious ways in which it operates in our society.

    But six weeks later, a second examination revealed there was no cancer -- he had won "a reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is Soul Mountain.Bold, lyrical, and prodigious, Soul Mountain probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.

    The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton’s book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poeets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant.

    Jack Spielvogel's engaging, chronological narrative weaves the political, economic, social, religious, intellectual, cultural, and military aspects of history into a gripping story that is as memorable as it is instructive. Each chapter offers a substantial introduction and conclusion, providing students a context for these disparate themes. The clear narrative of a single gifted author makes it easy for students to follow the story of Western civilization. Spielvogel gives the book depth by including over 150 maps and excerpts of over 200 primary sources--including official documents, poems, and songs--that enliven the past while introducing students to source material that forms the basis of historical scholarship. Available in many split options: WESTERN CIVILIZATION, Comprehensive, 6th Edition (Chapters 1-29), ISBN: 0534646026; WESTERN CIVILIZATION, Volume I, To 1715, 6th Edition (Chapters 1-16), ISBN:0534646034; WESTERN CIVILIZATION, Volume II, Since 1500, 6th Edition (Chapters 13-29), ISBN:0534646042; WESTERN CIVILIZATION, Volume A: To 1500, 6th Edition (Chapters 1-12), ISBN: 0534646050; WESTERN CIVILIZATION, Volume B: 1300-1815, 6th Edition (Chapters 11-19), ISBN:0534646069; WESTERN CIVILIZATION, Volume C: Since 1789, 6th Edition (Chapters 19-29), ISBN: 0534646077; WESTERN CIVILIZATION, Since 1300, 6th Edition (Chapters 11-29), ISBN:0534646085.

    In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.

    Mao Zedong's Cultural Revolution engulfed millions of Chinese citizens, and the Red Guard enforced Mao's brutal communist regime. Chen's family belonged to the despised landlord class, and his father and grandfather were routinely beaten and sent to labor camps, the family of eight left without a breadwinner. Despite this background of poverty and danger, and Da Chen grows up to be resilient, tough, and funny, learning how to defend himself and how to work toward his future. By the final pages, when his says his last goodbyes to his father and boards the bus to Beijing to attend college, Da Chen has become a hopeful man astonishing in his resilience and cheerful strength.

    They have a daughter, but desperate for a son to carry on his illustrious family line, Kongzi gets Meili pregnant again without waiting for official permission. When family planning officers storm the village to arrest violators of the population control policy, mother, father and daughter escape to the Yangtze River and begin a fugitive life.For years they drift south through the poisoned waterways and ruined landscapes of China, picking up work as they go along, scavenging for necessities and flying from police detection. As Meili's body continues to be invaded by her husband and assaulted by the state, she fights to regain control of her fate and that of her unborn child.

    In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.