He has been named Time Out’s Comedian of the Year, Best Newcomer at the British Comedy Awards, and Most Stylish Man by GQ’s Men. His UK stand-up tour was sold out and his BBC Radio 6 show became a cult phenomenon, the second most popular podcast of the year. Before the fame, however, Russell’s life was anything but glamorous. His father left when he was three months old, he was bulimic at age 12, and began drinking heavily and taking drugs by age 16. He regularly visited prostitutes in Soho, began cutting himself, took drugs on stage during his stand-up shows, and even set himself on fire while on crack cocaine. In 2003 Russell was told that he would be in prison, a mental hospital, or dead within six months unless he went into rehab. He has now been clean for three years, and hasn’t looked back since. This is Russell’s amazing story.

    We were five years old."So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums-such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me-remain among the best-loved and most influential of all time.As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didn't have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowie's "Berlin Trilogy." First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like "Boys Don't Cry," "Just Like Heaven," and "Why Can't I Be You?," spearheading a new subculture dubbed "Goth" by the press. The music of The Cure was not only accessible but also deeply subversive, challenging conventional notions of pop music and gender roles while inspiring a generation of devoted fans and a revolution in style.Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly "normal" young man, Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent.But there was also a dark side to The Cure's intense and bewildering success. Tolhurst, on drums and keyboards, was nursing a growing alcoholism that would destroy his place in The Cure and nearly end his life. Cured tells the harrowing and unforgettable story of his crash-and-burn, recovery, and rebirth.Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened-and even before it all began.

    Great rock 'n' roll Babylon stuff."- Booklist (Starred Review)"The epic tale of an obsessive teenager who launched a Rolling Stones fanzine and spent the next two decades capturing the band’s whirlwind metamorphosis from behind the scenes….First-rate, firsthand account of the world’s greatest rock ’n’ roll band, and a disenchanted chronicle of its increasingly crass commercialization."- Kirkus ReviewsAs a teenager, Bill German knew exactly what he wanted to do with his life: chronicle the career and adventures of his favorite rock band, the Rolling Stones. And in 1978, on his sixteenth birthday, he set out to make his dream a reality. Feverishly typed in his Brooklyn bedroom, and surreptitiously printed in his high school’s mimeograph room German’s Stones-only newsletter, Beggars Banquet, was born. His teachers discouraged it, his parents dismissed it as a phase, and his disco-loving classmates preferred the Bee Gees, but, for German, this primitive, pre-Internet fanzine was a labor of love. And a fateful encounter with his idols on the streets of New York soon proved his efforts weren’t in vain.Impressed with Beggars Banquet, the Stones gave the ’zine instant cred on the rock scene by singing its praises–and by inviting German to hang with the band. At first a fish out of water in the company of rock royalty, German found himself spilling orange juice on a priceless rug in Mick Jagger’s house and getting pegged as a narc by pals of Keith Richards and Ron Wood. But before long he became a familiar fixture in the inner sanctum, not just reporting Stones stories but living them. He was a player in the Mick-versus-Keith feud and was an eyewitness to Keith’s midlife crisis and Ron’s overindulgences. He even had a reluctant role in covering up Mick’s peccadilloes. “In the span of a few months,” German recalls, “I’d gone from wanting to know everything about my favorite rock stars to knowing too much.”In this warts-and-all book, which includes many never-before-seen photographs, German takes us to the Stones’ homes, recording sessions, and concerts around the world. He charts the band’s rocky path from the unthinkable depths of a near breakup to the obscenely lucrative heights of their blockbuster tours. And ultimately, German reveals why his childhood dream come true became a passion he finally had to part with.Under Their Thumb is an up-close and extremely personal dispatch from the amazing, exclusive world of the Rolling Stones, by someone who was lucky enough to live it–and sober enough to remember it all.

    MacGowan's music, innovative and powerful, is as distinctive as his chaotic, breakdown-scarred, drug and alcohol-fuelled lifestyle. MacGowan has an enormous fan-base hungry for stories of his wild behaviour, but this is also a book that celebrates this unique and charming musician, and offers insight into his remarkable perspective on this world - and the next!

    Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs–including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the Year of the Monkey.” For Smith–inveterately curious, always exploring, tracking thoughts, writing–the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

    While ostensibly purporting to be a history of that much derided (though currently fashionable) four-letter word, 'folk', Electric Eden will be a magnificent survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake, John Martyn and Aphex Twin. For the first time the full story of the extraordinary period of folk rock from the mid 1960s to the mid 1970s will be told in a book with the breadth of a social history touching on sonic worship, pagan architecture, land art, ley lines and ther outer fringes of the avant garde. Electric Eden identifies a particularly English wellspring of imagery and imagination, an undercurrent that has fed into the creative and organic strand of Britain's music over the past century.

    Her tragic murder, at the young age of twenty-three, stripped the world of her talent and boundless potential, her tightly knit family of their beloved angel, and her husband, Chris Perez, of the greatest love he had ever known.For over a decade, Chris held on to the only personal thing he had left from his late wife: the touching and sometimes painful memories of their very private bond. Now, for the first time, Chris opens up about their unbreakable friendship, forbidden relationship, and blossoming marriage, which were cut short by Selena’s unforgivable death.Chris’s powerful story gives a rare glimpse into Selena’s sincerity and vulnerability when falling in love, strength and conviction when fighting for that love, and absolute resilience when finding peace and normalcy with her family’s acceptance of the only man she called her husband. While showcasing a side of Selena that has never been disclosed before and clarifying certain misconceptions about her life and death, To Selena, with Love is an everlasting love story that immortalizes the heart and soul of an extraordinary, unforgettable, and irreplaceable icon.

    Once regarded as a joke, their music little more than an adrenaline rush of one minute five second noise, The Ramones have come to be regarded as having influenced almost every star struck guitarist who knew just three chords and wanted to write a song.

    Influenced in equal parts by the consciousness-expanding ambitions of Timothy Leary and the cerebral humor of Douglas Adams, in "Infinite Tuesday," Nesmith spins a spellbinding tale of an unexpected life, in which stories about meeting John Lennon, or recording with Nashville greats, or inventing the music video trace an arc from Hollywood to Silicon Valley, illuminating a remarkable mind along the way.

     On Friday, April 8, 1994, a body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew then, however, is that the deceased -- Kurt Cobain, the superstar frontman of Nirvana -- had been murdered. Drawing on case tapes made by a P.I. hired by Courtney Love when her husband escaped from drug rehab and went missing -- and on new forensic evidence and police reports obtained under the Freedom of Information Act -- Love & Death explodes the long-standing theory that Kurt Cobain took his own life. Award-winning investigative journalists Max Wallace and Ian Halperin have conducted a ten-year crusade for the truth, and in Love & Death they present a stunning, convincing argument that the whole truth has yet to be revealed.