50,000 first printing.

    Claire Goddard is thirty-four years old, of modest means and looks. She has raised her teenage daughter, Emma, by herself, working as a designer, but without the confidence or means to fully realize her talent. Her only indulgence, once a week, is buying a lottery ticket. Then, one week, she wins sixty million dollars. Overnight everything changes. She quits her job, indulges in the shopping spree of a lifetime - new house, new clothes, new car, new hairstyle and makeup - and then treats herself and Emma to a celebratory cruise in Alaska. There they meet Quentin and Brix Eiger. Handsome, glamorous, a wealthy entrepreneur, Quentin sweeps Claire into his fast-lane fashionable world, while his temperamental son, Brix, engages Emma in her first love affair. Suddenly Claire and Emma are living in the glittering, colorful world of wealth and power. But inside the rainbow, all is not what it seems - Brix persuades Emma to choose a modeling job over college, and has seduced her into his dangerous round of fashion, sex, and drugs. And as Claire discovers a shallowness and predatory drive in Quentin that has been disguised by his manipulative charm, she realizes that his world is in no way superior to hers and that in buying a new life she is losing touch with everything that has always meant the most to her - her daughter, her friends, her work, her sense of home. But Quentin will not let Claire go easily: he and Brix have their own plans for the Goddard women. And when another man, more open and idealistic, more real than Quentin, enters Claire's life, she discovers what she always possessed but never fully recognized - an ability to love deeply and to protect those she loves - strengths and inner resources more valuable than any pot of gold. Judith Michael creates a world as fabulous as a glossy dream, as exciting as a once-in-a-lif

    He did, however, once have a lover he later dubbed Faithless McBride. For eight years, he'd suppressed thoughts of Faith McBride's abandonment with whiskey and women. That is, until visions of her imminent death started to haunt him. Only James can save her from a killer; but can Faith trust the one man who destroyed her faith in love?

    His name? Vincent Easton. But, while fleeing London with Vincent for Paris and beyond to a new life, she learns of the financial collapse of Richard's business - and soon discovers that more than just his job is at stake.The short story was previously published in the print anthologies 'The Golden Ball and Other Stories', and 'Problem at Pollensa Bay and Other Stories'. It first appeared in 'Royal Magazine' in 1926.

    Stepsisters Cory and Diana Foster run Beautiful Living magazine. Diana handles the business side of things and Cory organizes the gorgeous photo layouts that the magazine is known for. When Diana arranges a photo shoot for the "perfect wedding", Cory is reunited with an old flame and a chance for romance to spark again.

    

    As a ragged impoverished boy, he had been one with the villagers. Now, as the new Earl, he's met with hostility and resentment, especially from his childhood sweetheart, Marged Evans. To make things right with his people (and to win back Marged), he masquerades as a "Rebecca," one of the bewigged, white-cloaked leaders of the 1842 riots against Welsh toll roads. Disguised as a man, Marged rides as one of Rebecca's "daughters," and, as to be expected, falls in love with the man behind the mask.

    Phyl Forster was intrigued by the lovely woman who had been recovered from a San Francisco hillside and taken to the hospital where Forster was a resident psychiatrist. When Jane Doe regained consciousness, Dr. Phyl was at her side. It was then she realized that the patient had lost all memory of who she was or why she was in a hospital. Was it an accident, or was she, as Detective Franco Mahoney was beginning to suspect, the victim of attempted murder?In an attempt to reconstruct her past, patient and doctor travel back in time across continents to Hawaii, Paris, and the South of France. It is a long and circuitous journey - one that leads to mortal danger and thrilling romance.

    Unfortunately, she was engaged to the sheik’s brother. But before she could rectify that mistake, a terrible tragedy happened. Devastated, Maya retreated to her old life, wondering how her life had gone so wrong. Jalil, the tall, powerful, shockingly handsome brother was everything she wanted in life…and the one man she could never have!Years later, Jalil tried very hard to remember that Maya was basically his sister-in-law. Jalil’s brother had died and Maya was very much alive, but she’d buried herself in work instead of embracing life and moving on. Somehow, he had to convince Maya to live her life…even if he could never have her for himself. Or could he? When Maya looked at him now, was she thinking about his long-dead brother? Or was Maya thinking about…him?!Enjoy the first book in the Scandalous Sheiks series!

    Things are wonderful, and she's ready to start a family. Everything changes when Brad is involved in a car crash and dies for thirteen minutes. Previously an agnostic, Brad comes back to life on a mission. Unbeknownst to his wife, he buys a lighthouse on the Hudson River and plans to turn it into a bed and breakfast. Bailey reluctantly joins him, but she's overwhelmed by business stresses, eclectic guests, and strange rumours. And as Brad's behaviour grows increasingly erratic, she must find a way to get him to come back down to earth if their marriage is to survive...

    Touching stories about people who overcame disabilities and disadvantages, or, who overcame all odds in fields from which they were excluded teach us the lessons of a lifetime. Return to the touching stories and anecdotes over and over again. Then, pass them on to others and discover the good feelings and valuable lessons found in side "Something to Smile About's " pages.

    Their old friend from college days, Sam Sharp, who has since become a successful screenplay writer, drops by unexpectedly on the way to Los Angeles. Sam is fuming over a scathing profile of himself by Fanny Tarrant, one of the new breed of pugnacious interviewers, in that day's newspaper. Together, Sam and Adrian plan to take revenge on the journalist, though Adrian is risking what he values most: his privacy. What follows is unexpected and upsetting for all of them, including Fanny.David Lodge's delicious novella examines with characteristic wit and insight the tensions between private life and public interest in contemporary culture.

    She is without pretext and assumes that a bright future awaits her as the bride of the wealthy Oliver Foy. Too soon she discovers that her life is a masquerade and pretense her only salvation. No one is whom he or she appears to be.Brushing against the concealed identities and hidden motives of others, Emma quickly acquires secrets of her own. When murder compels Emma to flee her husband's Jamaican plantation, she and her faithful friend find sanctuary wandering the Caribbean. Tragedy cuts short their ocean idyll and delivers Emma from her sea roamings. Once again, she adopts another name, another home, another appearance.

    A waiter rushes out to find a girl he fancied who hasn't paid her bill, only to find a diary in which their fictitious flirtation is anatomised. But the story actually begins with a man taking a leak after making love to his wife. He has the inklings of a novel, but thoughts will keep intruding, with all their seductive possibilities. The man on the train is living in an England that has decided, with characteristic diffidence and lack of fuss, that it no longer wants to live under a totalitarian regime which has lasted for 40 years. I say totalitarian, but think more of Brazil, a world of terribly genial tyranny, where officialdom tries so hard to be accommodating. And Duncan has another story, one prompted by the memory of his father's car crashing down a slope. As with all good postmodernist novels, the endless digressions are more soothing than jarring."Murrough O'Brien in The Independent on Sunday The strikingly inventive structure of this novel allows the author to explore the similarities between fictions and history. At any point, there are infinite possibilities for the way the story, a life, or the history of the world might progress. The whole work is enjoyably unpredictable, and poses profound questions about the issues of motivation, choice and morality." The Sunday Times"A writer more interested in inheriting the mantle of Perec and Kundera than Amis and Drabble. Like much of the most interesting British fiction around at the moment, Music, in a Foreign Language is being published in paperback by a small independent publishing house, giving hope that a tentative but long overdue counter-attack is being mounted on the indelible conservatism of the modern English novel.With this novel he has begun his own small stand against cultural mediocrity, and to set himself up, like his hero, as ' a refugee from drabness. From tinned peas, and rain.'"Jonathan Coe in The Guardian

    Megan, young widow and workaholic at a television station, desperately tries to avoid her late husband's former boss - with whom she once shared a kiss - but Josh wants her again and will stop at nothing to have her.