The book has been translated into numerous languages and was chosen by QBR Black Book Review as one of Africa's 100 best books of the twentieth century. No African woman had ever been so frank, in an autobiography, or written so poignantly, about the intimate details of her life—a distinction that, more than two decades later, still holds true. Abandoned by her mother and sent to live with relatives in Dakar, the author tells of being educated in the French colonial school system, where she comes gradually to feel alienated from her family and Muslim upbringing, growing enamored with the West. Academic success gives her the opportunity to study in Belgium, which she looks upon as a "promised land." There she is objectified as an exotic creature, however, and she descends into promiscuity, alcohol and drug abuse, and, eventually, prostitution. (It was out of concern on her editor's part about her candor that the author used the pseudonym Ken Bugul, the Wolof phrase for "the person no one wants.") Her return to Senegal, which concludes the book, presents her with a past she cannot reenter, a painful but necessary realization as she begins to create a new life there. As Norman Rush wrote in the New York Times Book Review, "One comes away from The Abandoned Baobab reluctant to take leave of a brave, sympathetic, and resilient woman." Despite its unflinching look at our darkest impulses, and at the stark facts of being a colonized African, the book is ultimatelyinspirational, for it exposes us to a remarkable sensibility and a hard-won understanding of one's place in the world.CARAF Books: Caribbean and African Literature Translated from French

    In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he encounters skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca and T.E. Lawrence in a tent.

    It follows the adolescent plans and dreams of Li as she struggles for independence against the traditional values of her family home, marriage and the lure of the city and all it can offer.

    The highway is known as the 'Highway of Tears', and it has come to symbolize a national crisis.Journalist, Jessica McDiarmid, investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women are over-policed, yet under-protected. Through interviews with those closest to the victims--mothers and fathers, siblings and friends--McDiarmid offers an intimate, first-hand account of their loss and relentless fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada--now estimated to number up to 4,000--contextualizing them within a broader examination of the undervaluing of Indigenous lives in this country.Highway of Tears is a powerful story about our ongoing failure to provide justice for missing, and murdered, Indigenous women, and a testament to their families and communities' unwavering determination to find it.

    Fisher, one of the most admired writers of our time, embraces age as St. Francis welcomed Brother Pain. With a saint to guide us, she writes in her Foreword, perhaps we can accept in a loving way "the inevitable visits of a possibly nagging harpy like Sister Age" But in the stories, it is the human strength in the unavoidable encounter with the end of life that Mrs. Fisher dramatizes so powerfully. Other themes -- the importance of witnessing death, the marvelous resilience of the old, the passing of vanity -- are all explored with insight, sympathy and, often, a sly wit.

    Is Journalism Worth Dying For? is a long-awaited collection of her final writing.Beginning with a brief introduction by the author about her pariah status, the book contains essays that characterize the self-effacing Politkovskaya more fully than she allowed in her other books. From deeply personal statements about the nature of journalism, to horrendous reports from Chechnya, to sensitive pieces of memoir, to, finally, the first translation of the series of investigative reports that Politkovskaya was working on at the time of her murder—pieces many believe led to her assassination.Elsewhere, there are illuminating accounts of encounters with leaders including Lionel Jospin, Tony Blair, George W. Bush, and such exiled figures as Boris Berezovsky, Akhmed Zakaev,  Vladimir Bukovsky. Additional sections collect Politkovskaya’s non-political writing, revealing her delightful wit, deep humanity, and willingness to engage with the unfamiliar, as well as her deep regrets about the fate of Russia.

    Yet those gains are now being eroded in China's post-socialist era. Contrary to many claims made in the mainstream media, women in China have experienced a dramatic rollback of many rights and gains relative to men. "Leftover Women" debunks the popular myth that women have fared well as a result of post-socialist China's economic reforms and breakneck growth.

    Among many other unintended consequences, it resulted in both an enormous gender imbalance—with a predicted twenty million more men than women of marriage age by 2020—and China’s first generations of only-daughters. Given the resources normally reserved for boys, these girls were pushed to study, excel in college, and succeed in careers, as if they were sons.Now living in an economic powerhouse, enough of these women have decided to postpone marriage—or not marry at all—to spawn a label: "leftovers." Unprecedentedly well-educated and goal-oriented, they struggle to find partners in a society where gender roles have not evolved as vigorously as society itself, and where new professional opportunities have made women less willing to compromise their careers or concede to marriage for the sake of being wed. Further complicating their search for a mate, the vast majority of China’s single men reside in and are tied to the rural areas where they were raised. This makes them geographically, economically, and educationally incompatible with city-dwelling “leftovers,” who also face difficulty in partnering with urban men, given the urban men’s general preference for more dutiful, domesticated wives.Part critique of China’s paternalistic ideals, part playful portrait of the romantic travails of China’s trailblazing women and their well-meaning parents who are anxious to see their daughters snuggled into traditional wedlock, Roseann Lake’s Leftover in China focuses on the lives of four individual women against a backdrop of colorful anecdotes, hundreds of interviews, and rigorous historical and demographic research to show how these "leftovers" are the linchpin to China’s future.

    Think of films such as Casablanca and The English Patient, of novels such as Wuthering Heights and Rebecca. Think of romantic, obsessive love, the hot bed of passion we fall into, the emotion we call true love. This is the subject of Rosemary Sullivan's provocative and fascinating book. Beginning with her own telling of a fictional love story, she then, chapter by chapter, deconstructs it, skillfully pushing back the layers of meaning to look at what is really happening. Using literature, mythology, film, and personal anecdote; with graceful writing and an intimate knowledge of the subject, Rosemary Sullivan has written an exploration of our desire for romantic love.

    When she arrived in Colorado in 1907, Dr. Susan Anderson had a broken heart and a bad case of tuberculosis. But she stayed to heal the sick, tend to the dying, fight the exploitative railway management, and live a colorful, rewarding life.

    Many of us are familiar with the popular slogan “Well-behaved women seldom make history.” But that adage is taken to the next level in this book, which looks at women from the past who weren’t afraid to break the law or challenge gender norms. From pirates to madams, gamblers to bootleggers, and serial killers to outlaws, women throughout the ages haven’t always decided to be sugar, spice, and everything nice.In Lawbreaking Ladies, author Erika Owen tells the stories of 50 remarkable women whose rebellious and often criminal acts ought to solidify their place in history, including:- The swashbuckling pirate Ching Shih- “Queen of the Bootleggers” Gloria de Casares- The Prohibition-era gangster Stephanie Saint-Clair- And a band of prisoners who came to be known as the Goree GirlsThe perfect gift for true crime fans and lovers of little-known women’s history, Lawbreaking Ladies serves as an engaging and informative guide to gals who were daring, defiant, and sometimes downright dangerous.

    These short fictions capture Rodoreda's full range of expression, from quiet literary realism to fragmentary impressionism to dark symbolism. Few writers have captured so clearly, or explored so deeply, the lives of women who are stuck somewhere between senseless modernity and suffocating tradition-Rodoreda's "women are notable for their almost pathological lack of volition, but also for their acute sensitivity, a nearly painful awareness of beauty" (Natasha Wimmer).

    Based on her diary, the tale of Libby, her husband, and the powerful first officer is told in all its passion. 20 line drawings.

    The “angel in the house” rarely expressed an opinion, and certainly not one that challenged the status quo.But not so within the social sphere of the seance–a mysterious, lamplit world dominated by enterprising women whose apparent ability to move between the realms of the dead and the living rewarded them with otherwise unthinkable fame and power. Such talents allowed them to cross rigid boundaries of gender and class, and to summon unique political voices–voices capable of reaching some of the era’s most famous personalities, including even Victoria herself.Out of the Shadows, which draws on original diaries, letters, and memoirs, tells the stories of six such visionary Victorians. The clairvoyance of Kate, Leah, and Maggie Fox, three sisters from upstate New York, inspired some of the era’s best-known female suffrage activists and set off an international séance craze. British performer Emma Hardinge Britten left behind a career on Broadway for the life of a “trance lecturer,” whose oration on the death of Abraham Lincoln was celebrated by tens of thousands. The meteoric rise of Victoria Woodhull, born into poverty in Ohio, took her from childhood medium to Wall Street broker to America’s first female presidential candidate. And Georgina Weldon, whose interest in spiritualism nearly saw her confined to an asylum, went on to become a favorite of the press and a successful campaigner against Britain’s archaic lunacy laws.

    This pioneering naturalist novel tells the story of a hard-working, spirited young woman who finds herself in a soul-destroying battle with the imprisoning duties of motherhood and of managing an impoverished household. The novel is particularly noteworthy for its heartbreaking depiction of a woman who suffers not from a lack of love, but from an unrequited longing for self-expression and freedom.