Four years later, Toni’s judgment is overturned, but the damage is already done. She walks from the prison a free woman, but she’s hardly free. Actually, she’s hardly alive. A prison without rules can do that to a person. She was raised amidst garden parties, stables and tennis courts, but now a dingy flat in a decrepit building is what Toni calls home. It’s cold, dark and barren just like her heart, but it suits her. She doesn’t want to leave much behind when she’s gone, but the simplicity of her sheltered existence begins to unravel when a beautiful stranger comes into her life. How does anyone survive in a world that terrifies them? How do you learn to trust again when everyone is your enemy? How do you take your next breath and not wish it were your last? And if your past returned...what would you do? Author’s Note: Give Me A Reason contains elements of angst, and while it may be found under several genres, its primary listing is lesbian fiction.

    It’s not just that the curvaceous beauty is up all hours, hauling suitcases in and out of her car. It’s that the mysterious, maddening, probably married woman was her schoolgirl fling from years ago—a girl who blew up her life, then blew out of town without a word.What’s she doing back in town? And what on earth is she up to?Bella McBride can’t believe her life. A job transfer has landed her back home and she’s wound up living next door to the woman who stole her heart as a teenager. Worse, Lisa won’t even give her the time of day—and she can’t really blame her.Life would be so much easier if they just stayed on their own side of the fence. But how can they with the pull of attraction constantly teasing them, and so much left unsaid?A heated, enemies-to-lovers lesbian romance about daring to take a second chance.

    She’s searching for some peace, something to end her guilt and chase away her trauma. Two weeks at a resort hotel, owned by her future sister-in-law’s father, seems like the perfect antidote for her blue mood.Shelby Sutton doesn’t trust women. Her father’s money seems more on their minds than she ever is. But at her sister’s request she vows to make friends with the withdrawn Reagan, a woman whose sad and haunted eyes intrigue her. Can she help Reagan heal and ease her pain…perhaps chase away the blue?

    Being rescued by three sexy lumberjacks is fine as a fantasy, but in reality the biggest of the bears is awfully cranky and seems ready to gobble Frankie right up.Marcus Gardner wasn’t always a lumberjack—once a high-powered Minneapolis lawyer, he’s come home to Logan to lick his wounds, not play with a sassy city twink who might as well have stepped directly out of his past. But as the northwinds blow and guards come down, Frankie and Marcus find they have a lot more in common than they don’t. Could the man who won’t live in the country and the man who won’t go back to the city truly find a home together? Because the longer it snows, the deeper they fall in love, and all they want for Christmas is each other.

    Xania, who takes the job to avenge her murdered father.Faced with dangerous plots and hidden enemies, can Lia and Xania learn to rely on each another, as they discover that all is not fair in love and treason?In a world where the throne means both power and duty, they must decide what to sacrifice for their country – and for each other …

    She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?Finds her own heartFor the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to know Molly’s secrets has her behaving in ways she never imagined as she begins to fall for the impertinent woman.Has been stolenWhen an unwelcome specter from Alice’s past shows up unexpectedly at a house party, Molly volunteers to help the only way she knows how: with a little bit of mischief.

    Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    He’s too old, too imperfect to ever attract a Dom again. Until Rhys. When Rhys gives him commands, Cornell yearns to obey. When Rhys takes care of him, Cornell wants to kneel for him. When Rhys is everything he’s dreamed of, Cornell aches to call him Sir. And when Rhys makes him fly, Cornell soars higher than ever before. But there’s one problem. Rhys is twenty years his junior…and he’s Jonas’s son. How can you call your best friend’s son Sir…or Daddy? Firm Hand is a standalone slow burn MM romance with daddy kink, an age gap, a very caring Daddy and a boy who needs it, hurt/comfort, mild D/s play, and all the feels.

    Hazel is already in a happy relationship when she meets Argent, a woman who works as a dominatrix, but is sweet and tender outside the bedroom. How will she negotiate this new romance with her boyfriend back home? And what about his other girlfriend?

    The rules are the same but the players have changed. Mandy still runs her unique nightclub. These days she’s ready to bring love and passion back into her own life, but finding it? Well, maybe the universe has a sense of humour. Lindsey has come out late in life and is looking for a confidence boost, and a club regular is only too happy to help her out. Caitlin would love to test her limits after being shamed by an ex for her desires. Jody thinks no one will want to be intimate with her again after a tragic accident left her body forever changed. Her best friend Kris has other ideas. Joanna and Suzanne have been together for years. They’re still in love but something’s missing. Maybe The Club can help add some zest to the bedroom? Laura has overcome most of her grief from losing her wife, but wonders if she still has it in her to be intimate with someone.Whatever they need, they can find. Anonymity, sweetness, sexiness, and unexpected opportunities abound at The Club, as Mandy watches over them all.

    . . and finding out that real life romance is better than anything on screen.Emma is a die-hard romantic. She loves a meet-cute Netflix movie, her pet, Lady Catulet, and dreaming up the Gay Rom Com of her heart for the film festival competition she and her friends are entering. If only they’d listen to her ideas. . . Sophia is pragmatic. She’s big into boycotts, namely 1) relationships, 2) teen boys and their BO (reason #2347683 she’s a lesbian), and 3) Emma’s nauseating ideas. Forget starry-eyed romance, Sophia knows what will win: an artistic film with a message.Cue the drama. The movie is doomed before they even start shooting . . . until a real-life plot twist unfolds behind the camera when Emma and Sophia start seeing each other through a different lens. Suddenly their rivalry is starting to feel like an actual rom-com.

    Holly tells herself that the reason she hasn’t asked her girlfriend to move in (after four years of dating) is that she’s too busy–but it isn’t true. A very book-obsessed librarian, Holly has buried herself in so many romantic and magical stories, that at night, she dreams of a woman who will sweep her off her feet–something her indifferent girlfriend has never done. But one night, during an unusually vicious storm, magic and romance appear in Holly’s backyard in the form of a mysterious, gorgeous woman…wielding a sword. The dashing stranger’s name is Virago. She claims that she’s a warrior on the hunt for a great and terrible beast; that she, and the beast, slipped through a portal from their world into ours. Holly isn’t sure what to believe, but she is now responsible for a (possibly crazy) swordswoman who is bewildered by modern-day conveniences like escalators, but not by the chivalry of sweeping a woman off her feet. Can Holly help Virago find her own world again, or will that falling-in-love thing get in the way? And, of course, there’s the tiny problem of the beast Virago wounded that is now seeking revenge…

    Taylor doesn’t talk – to anyone. When Jordan’s curiosity about the athlete overpowers her predisposition to being guarded, the two strike up an unlikely romance. In the midst of desolation left by being disowned and forbidden from seeing her little brother, Jordan finds that sometimes the biggest risks reap the greatest rewards.

    Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.StoriesRoja - Anna-Marie McLemoreThe Sweet Trade - Natalie C. ParkerAnd They Don`t Kiss at the End - Nilah MagruderBurnt Umber - Mackenzi LeeThe Dresser & the Chambermaid - Robin TalleyNew Year - Malinda LoMolly`s Lips - Dahlia AdlerThe Coven - Kate ScelsaEvery Shade of Red - Elliot WakeWillows - Scott TraceyThe Girl with the Blue Lantern - Tess SharpeThe Secret Life of a Teenage Boy - Alex SanchezWalking After Midnight - Kody KeplingerThe End of the World as We Know It - Sara FarizanThree Witches - Tessa GrattonThe Inferno & the Butterfly - Shaun David HutchinsonHealing Rosa - Tehlor Kay Mejia