It further develops themes explored by the author in a previous work, "By His Bootstraps", published some 18 years earlier.

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    A short story.

    Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards. This volume collects 8 classic stories:WITCH OF THE DEMON SEAS (1951)DUEL ON SYRTIS (1951)SECURITY (1953)SENTIMENT, INC. (1953)THE SENSITIVE MAN (1954)THE CHAPTER ENDS (1954)THE VALOR OF CAPPEN VARRA (1957)INDUSTRIAL REVOLUTION (1963)And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 entries in the MEGAPACK™ ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    It was first published in the May 1954 issue of Universe Science Fiction, and has since been republished in several collections and anthologies, including Earth Is Room Enough (1957) and The Best Science Fiction of Isaac Asimov (1986). Like many of his stories, it is told as a conversation, in this case between two professors at a college faculty's annual Christmas party.It is likely that Asimov wrote this short story after seeing how literary academia viewed his own writing. His autobiography, In Memory Yet Green, describes how science fiction gradually became more "respectable", while at the same time, professors of literary studies wrote things about SF — even about Asimov's own stories — which he completely failed to grasp. "The Immortal Bard" is an expression of Asimov's own deep admiration for William Shakespeare which also satirizes the interpretations built upon Shakespeare's work — such as symbolic, Freudian, and New Critical.

    P. Lovecraft's last major story. It was first published in Astounding Stories for June 1936. And yet, this text has never been published as Lovecraft wrote it--until now. The recent discovery of Lovecraft's handwritten manuscript allows readers to appreciate this magnificently cosmic story exactly as originally written.All previous editions of the story contain hundreds of serious errors, including errors in paragraphing, omissions and mistranscriptions of many words and passages, and erroneous punctuation. Leading Lovecraft scholars S. T. Joshi and David E. Schultz have provided an exhaustive introduction and commentary on the story, elucidating names, places and other elements in this richly evocative story. A must for all devotees of Lovecraft and weird fiction!

    Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness.The story "Omelas" was first published in New Dimensions 3, a hard-cover science fiction anthology edited by Robert Silverberg, in October 1973, and the following year it won Le Guin the prestigious Hugo Award for best short story.It was subsequently printed in her short story collection The Wind's Twelve Quarters in 1975.

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

    It can also be maintained that it is best to provide the machine with the best sense organs that money can buy, and then teach it to understand and speak English. This process could follow the normal teaching of a child. Things would be pointed out and named, etc. Again I do not know what the right answer is, but I think both approaches should be tried."The first approach has been tried many times in both science fiction and reality. In this new novella, at over 30,000 words, his longest work to date, Ted Chiang offers a detailed imagining of how the second approach might work within the contemporary landscape of startup companies, massively-multiplayer online gaming, and open-source software. It's a story of two people and the artificial intelligences they helped create, following them for more than a decade as they deal with the upgrades and obsolescence that are inevitable in the world of software. At the same time, it's an examination of the difference between processing power and intelligence, and of what it means to have a real relationship with an artificial entity.

    

    One of the copies of Cater-Zimmermann, Paolo Venetti, arrives at Orpheus; a water-world inhabited by floating mats that perform as a Turing machine.

    http://www.baenebooks.com/chapters/97...

    Humor and a somewhat postmodern outlook carried over into his novels as well. One of his stories, "Arena," is officially credited for an adaptation as an episode of the landmark television series, Star Trek. With no more room left on Earth, and with Mars hanging up there empty of life, somebody hit on the plan of starting a colony on the Red Planet. It meant changing the habits and physical structure of the immigrants, but that worked out fine. In fact, every possible factor was covered -- except one of the flaws of human nature. . . ."