Dealing with her return to Western civilization, her long-divorced parents dating again and the feelings she is trying not to develop for the dashing doctor may just drive her crazy. Then again, if he reciprocates . . .Robin relishes her job as an executive sous-chef in a trendy restaurant almost as much as she savors her friendship with its owner, Michael. But Robin knows she wants much more. So how do you make someone who knows you so well look at you with fresh eyes? Then, artsy Lilith. When she and her boyfriend realize they've been getting more sleep than sex, they agree to "see other people," which turns into quite a nightmare. Lastly there are sisters Riv and Anne. Between them, they've got enough secrets to keep anyone awake at night. Part Sex and the City, part Little Women Stacey Ballis's Sleeping Over examines relationships both romantic and platonic (and platonic wanting to be romantic), and looks at the various configurations of what it means to spend the night together. Stacey Ballis is the Director of Education and Community Programs at The Goodman Theater in Chicago. In addition to writing, she throws a heck of a dinner party. You can find out more about her at www.staceyballis.com.

    Her friends know it, her parents know it—even Laura acknowledges she lives either with her head in the clouds or buried in a romance novel. It’s proved harmless enough, even if it hasn’t delivered her a real-life dashing hero yet. But when her latest relationship ends in a disaster that costs her friendships, her job, and nearly her sanity, Laura swears off men and hopeless romantic fantasies for good. With her life in tatters around her, Laura agrees to go on vacation with her parents. After a few days of visiting craft shops and touring the stately homes of England, Laura is ready to tear her hair out. And then, while visiting grand Chartley Hall, she crosses paths with Nick, the sexy, rugged estate manager. She finds she shares more than a sense of humor with him—in fact, she starts to think she could fall for him. But is Nick all he seems? Or has Laura got it wrong again? Will she open her heart only to have it broken again?

    A producer for Britain’s most popular morning show working under a nightmare boss, Tash is well-versed in the trials and tribulations of twenty-first century dating. She and her three best friends certainly haven’t lived the fairy tale they thought they would: there’s Andy, who’s hooked on passion, but too much of a tomboy to have moved much beyond the beer-drinking contest stage; Mel, stuck in a steady but loveless relationship; and Emma, endlessly waiting for her other half to propose. Their love lives are only complicated by the sort of men who seem to drift in and out: Andrew—suave, good-looking and head over heels in love . . . with himself; Simon, who is allergic to commitment but has a bad-boy nature that’s impossible to resist; and Adam—perfectly attractive, but too sweet to be sexy. The bestselling first novel that launched Jane Green, one of the brightest stars in contemporary women’s fiction, Straight Talking sets the record straight regarding the real world of dating, and follows the adventures of Tash and her friends as they search for fulfillment and the right kind of love. Funny, flirty, and ultimately tender, Straight Talking gets at the heart of modern romance.

    Evie Nicholson is in love . . . with the past. An antiques appraiser in a London shop, Evie spins fanciful attachments to Victorian picture frames, French champagne glasses, satin evening gloves, and tattered teddy bears—regardless of their monetary value. Alice Nicholson is in love . . . with Fraser Graham, a dashing Scotsman whom Evie secretly desires. As crisply neat and stylish as Evie is cheerfully cluttered, Alice is a professional organizer determined to pull her sister out of her comfort zone—and who presents her with an irresistible offer. As a favor to friends of Fraser's family, Evie jumps at the chance to appraise a Scottish castle full of artifacts and heirlooms. What could be more thrilling than roaming the halls of Kettlesheer and uncovering the McAndrews' family treasures—and dusty secrets?But crossing paths with moody heir Robert McAndrew has Evie assessing what she wants the most . . . and at an upcoming candlelight gala, a traditional dance will set her heart reeling.

    Now that still-single Ava is closing in on thirty, no one even remembers she was once "engaged" to the Markowitz boy. But when their mother is diagnosed with cancer, Ava's prodigal little sister Lauren comes home to Los Angeles where she stumbles across the decades-old document.Frustrated and embarrassed by Ava's constant lectures about financial responsibility (all because she's in a little debt. Okay, a lot of debt), Lauren decides to do some sisterly interfering of her own and tracks down her sister's childhood fiancé. When she finds him, the highly inappropriate, twice-divorced, but incredibly charming Russell Markowitz is all too happy to re-enter the Nickerson sisters' lives, and always-accountable Ava is forced to consider just how binding a contract really is . . . "This sparkling novel about two sisters is both witty and stylish. Even if you don't have a sister of your own, you won't be able to resist LaZebnik's charming take on modern relationships. Read it!"- Holly Peterson, bestselling author of The Manny

    Because Lara left her family and boyfriend Flynn eighteen years ago without a word to anyone. Why has no one heard from her since? Her childhood best friend Evie is thrilled Lara's back and able to share her happiness. Evie's about to walk down the aisle with her dream man, Joel. Or so she thinks... Then there's Flynn Erskine, even more attractive now and stunned to see Lara again. The spark between them is as strong as ever, but how's Flynn going to react when he discovers the secret she's been keeping from him? Oh yes, there's a lot of catching up to be done...

    And life without ahusband at thirty-one is just fine, thank you very much.She has a steady job working as a private investigator(albeit a mediocre one); a devoted boyfriend of fiveyears, Jason; and a wonderful relationship with her dad(it's a shame her mother is such a lost cause). Then, ona romantic weekend retreat to a faux-ancient castle,Jason proposes marriage, leaving Hannah with nochoice but the obvious: to turn him down cold.Much to her horror, four weeks later, Jason becomesengaged to his next-door neighbor, a fine bakerand "proficient seamstress." Has Hannah blown herlast chance at a solid relationship as her familyclaims? Jason agrees to give her another chance -- butonly if she meets his terms, among them a promise todust off the many skeletons in her closet.Brimming with her characteristic blend of humorand heartache, Anna Maxted's Being Committed is a perceptivelook at intimacy (and its substitutes), commitmentphobia, and the power others have over us.

    Ralph, a ne'er-do-well artist, suddenly realizes he's head over heels in love with his new flatmate Jem, the most fun and sensible girl he's ever encountered. Unfortunately, Ralph's best friend, Smith, has already won Jem's affections, although Smith has not entirely given up his passion for the femme fatale, Cheri, who lives upstairs. Across the hall, Karl and Siobhan have been happily unmarried for years, until Karl gets a smashing job as a London rush-hour DJ and momentarily gets tempted into Cheri's cozy lair. These six star-crossed tenants become more enamored, and more confused, as the story progresses-until their true destinies are revealed on one crucial night-the evening of the extravaganza that is . . . Ralph's party. This wonderfully hip new novel was an instant popular success when it was first published in England, and American readers are sure to be captivated by the debut of a talented new writer.

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    In a delightful mix of charm, cheek, and satire, Sykes returns to the glittering world of her New York Times bestselling debut Bergdorf Blondes to introduce the Debutante Divorces--high society's newly unwed heiresses.

    Bearing all the attributes of a modern-day Mr Rochester, Matthew Ballinger is less than happy with the whirlwind that has arrived on his doorstep.The last thing either of them want is to fall in love.But will a trip to France change their minds?

    Her Slightly Significant Other, Will, will be returning from summer stock in September, to pick up where they left off. (Or will he?) But, in the days after Will's departure, Tracey decides it's time for a reality check. Her un-air-conditioned East Village apartment is a dump, her entry-level ad job sucks, her thighs don't seem to be getting any thinner, and Will seems to have dropped off the face of the earth. So, Tracey, with the help of her friends and one very attentive guy, decides to spend her summer reinventing herself . . . and taking a chance on liking the new woman she becomes. A refreshingly honest account of universal female dilemmas, Slightly Single is an engaging story of one young woman's search for happiness.

    Plus, she's got no job, no friends and no idea how she's supposed to build the life she's dreaming of. Buying a one-way ticket might have been a little rash.Armed with little more than her enthusiasm, she charges headlong into the city, baffling the locals in her pursuit of a new life, new love and sense of herself.

    . . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    This is the story for anyone who has ever wondered: How can I truly love the one I'm with when I can't forget the one who got away?Ellen and Andy's first year of marriage doesn't just seem perfect, it is perfect. There is no question how deep their devotion is, and how naturally they bring out the best in each other. But one fateful afternoon, Ellen runs into Leo for the first time in eight years. Leo, the one who brought out the worst in her. Leo, the one who left her heartbroken with no explanation. Leo, the one she could never quite forget. When his reappearance ignites long-dormant emotions, Ellen begins to question whether the life she's living is the one she's meant to live. Love the One You're With is a powerful story about one woman at the crossroads of true love and real life.