In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    But when the lively aspiring equine trainer tangles with British aristocracy, she meets her match--and a murderer . . . Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts--he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son . . .Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be, the roguish Viscount "Lyndy" Lyndhurst. The unlikely pair could actually be on the right track with each other . . . until they find the vicar who was to marry them dead in the library.With culture clashes mounting between families, a scandalous murder case hangs over Morrington Hall. Now, Stella and Lyndy must go from future spouses to amateur sleuths as they team up to search for the truth--and prevent an unbridled criminal from destroying their new life together right out of the gate . . .

    Set in London in 1921, 'Murder Offstage' is full of intrigue and red herrings. This is a classic murder mystery which will appeal to fans of Agatha Christie and Downton Abbey.When Posie Parker’s childhood friend is robbed of a priceless jewel and becomes a suspect in a cold-blooded murder case, budding detective Posie vows she will clear his name. Aided by her seriously gorgeous assistant Len, Posie soon realizes things are not quite as they seem, and the darkly-glamorous world of London’s theatre and glittering nightclubs prove far more dangerous than she ever could have imagined.Just who exactly is the dangerous Lucky Lucy Gibson? And who is it she has killed in the lobby of the Ritz Hotel? And more importantly, what on earth has happened to Mr Minks, the much-loved office cat?

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    He recruits his unwanted protégé Thomas Clarady to do the tiresome legwork. The son of a privateer, Clarady will do anything to climb the Elizabethan social ladder. Bacon's powerful uncle Lord Burghley suspects Catholic conspirators of the crime, but other motives quickly emerge. Rival barristers contend for the murdered man's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall to the London streets. Bacon does the thinking; Clarady does the fencing. Everyone has something up his pinked and padded sleeve. Even the brilliant Francis Bacon is at a loss — and in danger — until he sees through the disguises of the season of Misrule.

    When the ship’s captain is found dead, Ginger is only too happy to lend her assistance to the handsome Chief Inspector Basil Reed.The SS Rosa delivers a convincing array of suspects - the wife, the mistress, a jealous crew mate. To Ginger’s dismay, her name has been added to the list! With a little help from Ginger’s dog Boss, Ginger and Haley navigate the clues (those wartime operative skills come in handy.) They must solve the case and clear Ginger’s name before they dock–and oh, whatever shall she wear!

    Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers' Club--dead with a knife in his throat.When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society.When a second body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a complex web of stolen gemstones and a mysterious gang of thieves who have no qualms about killing again to protect their secrets.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.