His name represents steamy, suspenseful fiction, chilling encounters on the dark and sultry landscape of urban America in the 1930s and 1940s. Here, in this special collection, are his classic thrilers, including 'Rear Window', the story of Hal Jeffries who, trapped in his apartment because of a broken leg, takes to watching his neighbours through his rear window, and becomes certain that one of those neighbours is a murderer. Also included are such haunting, heart-stopping tales as those involving a man who finds his wife buried alive; a girl trapped with a deranged murderer who likes to knife his victims while dancing; and a woman seizing her chance to escape a sadistic husband, only to find her dream go terrifyingly wrong.Rear window --I won't take a minute --Speak to me of death --The dancing detective --The light in the window --The corpse next door --You'll never see me again --The screaming laugh --Dead on her feet --Waltz --The book that squealed --Death escapes the eye --For the rest of her life

    Someone is murdering Storyville prostitutes and marking each killing with a black rose. As Creole detective Valentin St. Cyr begins to unravel the murder against this extraordinary backdrop, he encounters a cast of characters drawn from history: Tom Anderson, the political boss who runs Storyville like a private kingdom; Lulu White, the district's most notorious madam; a young piano player who would come to be known as Jelly Roll Morton; and finally, Buddy Bolden, the man who all but invented jazz and is now losing his mind.No ordinary mystery, Chasing the Devil's Tail is a chilling portrait of musical genius and self-destruction, set at the very moment when jazz was born.

    

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

    Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder—one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

    Until now. Downsized from his job, Devore is slipping away: from his wife, his family, and from all civilized norms of behavior. He wants his life back, and will do anything to get it. In this relentlessly fascinating novel, the masterful Westlake takes readers on a journey of obsession and outrage inside a quiet man's desperate world.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Her husband Paul is gone and a thrashing hangover has wiped her memory clean. At first, she’s relieved for the break from her tumultuous marriage; perhaps Paul just needed some space. But when his car is found abandoned on the highway, Gray must face the truth: Paul is gone. And Gray may not want him found.Her life is unraveling.When a stranger named Annie calls claiming to know Paul’s whereabouts, Gray reluctantly accepts her help. But this ally is not what she seems: soon Annie is sending frightening messages and revealing disturbing secrets only Gray could know. As Annie’s threats escalate and Gray’s grip on reality begins to slip, the life she thought she had and the dark truth she’s been living begin to merge, leaving an unsettling question: What does Annie want? And what will she do to get it?A chilling look at marriage, madness, and the lives we think we lead, WHEN YOU FIND ME is a daring debut from a talented new voice in psychological suspense.

    The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    Meet Mason, an ex-con and former drug addict who's trying hard to give up his old life. He's got more important things to live for now: a wife struggling to contain her own addiction and a young daughter who needs them both. When threatened with losing his daughter, Mason falls into old habits, stumbling through a string of desperate criminal acts whose repercussions quickly become deadly serious.

    Twenty fighters. One wire-fence ring. Fight until only one man is left standing while a rowdy festival of onlookers—drunk and high on whatever's on offer—bet on the fighters. Jarhead is a desperate man who'd do just about anything to feed his children. He's also the toughest fighter in southeastern Kentucky, and he's convinced that his ticket to a better life is one last fight with a cash prize so big it'll solve all his problems. Meanwhile, there's Chainsaw Angus—an undefeated master fighter who isn't too keen on getting his face punched anymore, so he and his sister, Liz, have started cooking meth. And they get in deep. So deep that Liz wants it all for herself, and she might just be ready to kill her brother for it. One more showdown to take place at the Donnybrook. As we travel through the backwoods to get to the Donnybrook, we meet a cast of nasty, ruined characters driven to all sorts of evil, all in the name of getting their fix—drugs, violence, sex, money, honor. Donnybrook is exactly the fearless, explosive, amphetamine-fueled journey you'd expect from Frank Bill's first novel . . . and then some.

    "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations".--"Washington Post Book World".