An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    But as soon as Lucy Armstrong arrives on set, she discovers that the staff is in chaos, the make-up artist is suicidal, and the stunt director just happens to be her ex-husband. That, and the temperamental lead actor has just acquired as an advisor a Green Beret who has the aggravating habit of always being right.HE thought that hiring on as a military consultant for a movie star was a to-die-for deal: easy work, easy money, easier starlets. But his first day on the job, Captain J.T. Wilder ends up babysitting a bumbling comedian, dodging low-flying helicopters, and trying to find out who's taking "shooting a movie" much too literally.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    A lifetime of regrets.Sweet sixteen. It’s an exciting coming of age, a milestone, and a rite of passage. Jeff and Kim Sanders plan on throwing a party for their daughter, Hannah—a sweet girl with good grades and nice friends. Rather than an extravagant, indulgent affair, they invite four girls over for pizza, cake, movies, and a sleepover. What could possibly go wrong?But things do go wrong, horrifically so. After a tragic accident occurs, Jeff and Kim’s flawless life in a wealthy San Francisco suburb suddenly begins to come apart. In the ugly aftermath, friends become enemies, dark secrets are revealed in the Sanders’ marriage, and the truth about their perfect daughter, Hannah, is exposed.Harkening to Herman Koch’s The Dinner, Christos Tsiolkas’s The Slap, and Liane Moriarty’s Big Little Lies, The Party takes us behind the façade of the picture-perfect family, exposing the lies, betrayals, and moral lapses that neighbors don’t see—and the secrets that children and parents keep from themselves and each other.

    She goes there to heal—and to help her brother, Keith, a deeply troubled man who's asked her to come home. But she refuses to stay in the family house. The last person she wants to see is the wealthy, controlling mother she escaped years ago. Instead, she finds herself living next door to someone else she'd prefer to avoid—Rafe Romero, the wild, reckless boy to whom she lost her virginity at sixteen. He's back on the island, and to her surprise, he's raising a young daughter alone. Maisey's still attracted to him, but her heart's too broken to risk… Then something even more disturbing happens. She discovers a box of photographs that evoke distant memories of a little girl, a child Keith remembers, too. Maisey believes the girl must've been their sister, but their mother claims there was no sister. Maisey's convinced that child existed. So where is she now?

     In the aftermath of a devastating wedding day, two families, the Tetherlys and the Copakens, find their lives unraveled by unthinkable loss. Over the course of the next four summers in Red Hook, Maine, they struggle to bridge differences of class and background to honor the memory of the couple, Becca and John. As Waldman explores the unique and personal ways in which each character responds to the tragedy—from the budding romance between the two surviving children, Ruthie and Matt, to the struggling marriage between Iris, a high strung professor in New York, and her husband Daniel—she creates a powerful family portrait and a beautiful reminder of the joys of life.  Elegantly written and emotionally gripping, Red Hook Road affirms Waldman’s place among today’s most talented authors.