An ancient dead thing finds its way back to life via others' dreams. An isolated man learns what it's like to be abandoned by existence itself. These stories and many more in this collection of short horror from the creator of Candle Cove. Contains work originally printed in Ichor Falls: A Visitor's Guide and But In The Dead of Night: Selections from Thirty Years of Nightmares.

    King. Do not let the lack of light stop you from discovering more adventures and stories that will keep you up at night and ignite the imagination. There is no place to hide in, THE DARKNESS!

    HochThe Bargain by A.M. BurrageThe Sins of the Father by Carole BuggeThe Moving Finger Types by Henry SlesarThe Story of Obbok by Darrell SchweitzerRevised Expectations by Kathleen C. SzajThe Pandora Heart by Tanith LeeDon't Open That Book! by Patricia MullenGenesis for Dummies by Patrick LobruttoTurn the Page by Zenna HendersonBecome So Shining That We Cease to Be by Chelsea Quinn Yarbro The Resurrection by Christine JacobsenThe Confession of Brother Blaise by Jane YolenNever Again the Same by L. Jagi LamplighterThe Temple by H.P. LovecraftThe Green Thumb by John Gregory BetancourtFamous First Words by Harry HarrisonThe Super Alkaloid by Jack Snow"I Am a Fine Musician..." by Roberta RogowObituary by Isaac AsimovOne-Shot Beamish and His Wonderful Feminals by Jack Sheckley Patent Pending by Arthur C. ClarkeThe Monster-Maker by William C. MorrowThe Maladjusted Classroom by H. Nearing, Jr.Black Bargain by Robert BlochThe Devil in Manuscript by Nathaniel HawthorneFeeling Lucky by Laura J. CatanzaritiMendoza by Andrew WarrenSatan's Home Page by Ron GoulartProfessor Lubermayer's Final Lecture by Marvin KayeCinnabar by Jean PaivaMessage from Hell by Robert SheckleyA Child of Earth and Hell by Jessica Amanda SalmonsonThe Master's Thesis by David MaddenDP! by Jack VanceRepeating Echo by J. Timothy HuntThe Shadowy Street by Jean RayThe Bear Garden by Aline Myette-VolskyThe Testament of Magdalen Blair by Aleister Crowley

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    Brockmeyer, the award-winning author of KIND NEPENTHE. In "Mine" a child hangs precariously between the isthmus of innocence and evil, shedding his humanity for the altar of a wolf pup.A horrifying and ancient legend reveals itself with a shocking new twist in "A Dirty Winter Moon.""Have a Heart" teaches us that nature always prevails over the follies of man, sometimes in an extremely gruesome manner.In "Rumpelstiltskin" the troll under the bridge is very real, and wants your children for unspeakable deeds.In "The Gym Teacher" a boy's obsession with serial killers leads him to discover the true nature of a monster.These twenty stories traverse the outskirts of society to reveal the brutality of humanity in all its gory glory.

    Bey had spent his entire life running through the woods and never once saw anything to convince him there were creatures worth fearing. When his littler sister, Chensei, whines about the trip home at night, Bey only mocks her. Until she disappears beyond the treeline. I, PONTIANAK Everyone hates and fears monsters, except for when you’re the monster. I never asked for it, and honestly I can’t say I’ve really enjoyed it. But I am what I am, and I can’t change it. Hell, I can’t even control it. My name used to be Anastasia, and I am a Pontianak.

    Contents include: The Horror at Oakdeene; the Viking's Stone; Aunt Hester; No Way Home; The Cleaner Woman; the Statement of Henry Worthy; Darghud's Doll; Born of the Winds4000 copies printed.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Driven to investigate his grandfather's account of the four Mackenzie children and their monstrous family history, Ezra embarks on a horrific voyage of discovery, deception and revelation.

    Hearts bigger than planets devour light and warp the space around them; the city of London has a menstrual flow that gushes through its underground pipes; gobs of phlegm cement friendships and sexual relationships; and a floating fetus larger than a human becomes the new town pastor. In this debut story collection, Shelley Jackson rewrites our private passages, and translates the dumb show of the body into prose as gorgeous as it is unhygienic.

    In Light Boxes the inhabitants of one closely-knit town are experiencing perpetual February. It turns out that a god-like spirit who lives in the sky, named February, is punishing the town for flying, and bans flight of all kind, including hot air balloons and even children's kites. It's February who makes the sun nothing but a faint memory, who blankets the ground with snow, who freezes the rivers and the lakes. As endless February continues, children go missing and more and more adults become nearly catatonic with depression. But others find the strength to fight back, waging war on February.

    Sylvia would take long walks in the country; Pam would have tea ready by the fire for when she returned. Nice fantasies...The house had that kind of effect on people. It felt cosy, lived-in, though it had been empty for many years. Oddly, there was rubbish everywhere, but there was no other sign of a squatter's brief inhabitation.And though the windows were unbroken. the doors securely locked, Pam could never entirely rid herself of the thought that she and her sister might not be alone in the house...One of 13 terrifying tales of terror...

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    From the tortured mind of Edgar Allan Poe, these three tales, "The Black Cat," "The Fall of the House of Usher," and "The Cask of Amontillado," speak to the hidden places inside us all.Capturing the mist and shadows rising from the stories are illustrations by prominent artist Gary Kelley. Angular and dark, his work heightens the Gothic terror that is Poe's trademark and creates windows into Poe's world.

    Kiernan’s short fiction was first published in 1995. Over the intervening decade and a half, she has proven not only one of dark fantasy and science fiction’s most prolific and versatile authors, but, to quote Ramsey Campbell, “One of the most accomplished writers in the field, and very possibly the most lyrical.” S. T. Joshi has written, “Kiernan’s witchery of words creates a mesmerizing effect that we haven’t seen since the days of Lovecraft and Bradbury.”Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) presents a stunning retrospective of the first ten years of her work, a compilation of more than two hundred thousand words of short fiction, including many of her most acclaimed stories, as well as some of the author’s personal favorites, several previously uncollected, hard-to-find pieces, and her sf novella, The Dry Salvages, and a rare collaboration with Poppy Z. Brite. Destined to become the definitive look at the early development of Kiernan’s work, Two Worlds and In Between is a must for fans and collectors alike, as well as an unprecedented introduction to an author who, over the course of her career, has earned the praise of such luminaries as Neil Gaiman, Peter Straub, Charles De Lint, and Clive Barker.