Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    She’s visiting her old friend, the Earl’s heir Jimmy Yoxall—but she wants to spend a lot more time with Jimmy’s fiancée. The irrepressible Miss Fenella Carruth, with her laughing eyes and lush curves, is the most glorious woman Pat’s ever met, and it quickly becomes impossible to remember why she needs to stay at arm’s length.But while the women’s attraction grows, the tensions at Rodington Court get worse. Affairs, secrets, betrayals, and blackmail come to light. And when a body is discovered with a knife between the shoulderblades, it’s going to take Pat and Fen’s combined talents to prevent the murderer destroying all their lives.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

    Revolving around three interlocking lives, it offers, among other things, a detailed inside look at the work of paramedics, and entertaining celebrity gossip.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    Published on the 40th anniversary of the disease's first reported cases, this story is both a tribute to a generation lost to the pandemic as well as a powerful exploration of heartbreak, recovery, and how love can defy grief. Two years after his partner, Francesco, died, twenty-eight-year-old Kevin Doyle is dusting off his one good suit jacket for yet another funeral, yet another loss in their close-knit group. They had all been young, beautiful, and living the best days of their lives, though they didn’t know it. That was before New York City began to feel like a war zone, its horrors somehow invisible, and ignored by the rest of the world.Some people might insist that Francesco is in a better place now, but Kevin definitely isn’t. He spends his days in a mind-numbing job and his evenings drunk in Francesco’s old apartment, surrounded by memories. Francesco made everything look easy, and without him, Kevin struggles to keep going. And then one night, he stops trying. When Kevin awakens in a hospital, he knows it’s time to move back home to Minnesota and figure out how to start living again—without Francesco.With the help of a surviving partners support group and old and new friends, Kevin slowly starts to do just that. But an unthinkable family betrayal, and the news that his best friend is fighting for his life in New York, will force a reckoning and a defining choice. Drawing on his experience as part of the AIDS generation, Brian Malloy brings authenticity, insight, sensitivity, and humor to a story that is distinct yet universal in its powerful exploration of heartbreak and recovery, and the ways in which love can defy grief.

    Together and apart, the two undertake an odyssey of carnage, a holocaust of erotic. "An elegy for the world of our fathers," as Kathy Acker calls it, where the terrorists and the wretched of the earth are in command, marching down a road charted by Genet to a Marseillaise composed by Sade.

    The richly textured novel details Gutke Gurvich’s odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.

    I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself . . . 'New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn. But this young Englishman's fate lies in the arid desert, where a many-breasted fertility goddess will wield her scalpel to transform him into the new Eve.

    Poppy Jenkins makes everyone smile. She’s the heart of Wells, a beautiful village in mid-Wales, leaving light and laughter in her wake. She has a doting family, an errant dog and a little sister with a nose for mischief. But she’s the only gay in the village and it’s a long time since she kissed a girl: the chance of romance in sleepy Wells is rarer than a barking sheep. If she doesn’t think too hard, life is cosy, until a smart sports car barrels into town with the last woman Poppy wants to see behind the wheel. Beautiful Rosalyn Thorn was once Poppy’s high school BFF even though she was trouble. Then one day she abandoned Wells and Poppy without explanation. Now the highflier is back and bound to cause fresh havoc in the village and with Poppy’s heart; folk are not happy. Wells needs to wake up to the 21st century and Rosalyn can help, but old prejudices die hard. If they can be friends it could be the chance to make everyone’s happy ever after. Couldn’t it?

    1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garréta won France's prestigious Prix Médicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

    In A Ghost in the Closet, dark-haired, muscular Frank and his lovable kid brother Joe return from a gay trip to Europe to find that their parents -- world-famous detective Fennel P. Hardly and his wife, Mrs. Hardly -- have been kidnapped! Even worse, so have six poodles from the Lake Merrimen Dog Show! Pals Nancy Clue, Cherry Aimless, R.N., and Police Detective Jackie Jones help the Hardly boys track down the criminals -- and in the meantime, pick up useful tips on fingerprinting, evidence retrieval, and the laundering of sporty twill slacks. Like her beloved camp classics, The Case of the Not-So-Nice Nurse and The Case of the Good-For-Nothing Girlfriend, Mabel Maney's A Ghost in the Closet brilliantly parodies 1950s boys and girls adventure series. Pull on a casual rayon shirt and join the queer caper!

    . .Ava Simon designs storage boxes for STÄDA, a slick Brooklyn-based furniture company. She’s hard-working, obsessive, and heartbroken from a tragedy that killed her girlfriend and upended her life. It’s been years since she’s let anyone in.But when Ava’s new boss—the young and magnetic Mat Putnam—offers Ava a ride home one afternoon, an unlikely relationship blossoms. Ava remembers how rewarding it can be to open up—and, despite her instincts, she becomes enamored. But Mat isn’t who he claims to be, and the romance takes a sharp turn.The Very Nice Box is a funny, suspenseful debut—with a shocking twist. It’s at once a send-up of male entitlement and a big-hearted account of grief, friendship, and trust.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.