How far would you go to follow your dream?Queensland, 1994 When location manager Claire Montgomery arrives in rural Queensland to work on a TV mini-series, she's captivated by the beauty of Starlight Creek and the surrounding sugarcane fields. Working in a male-dominated industry is challenging, but Claire has never let that stop her pursuing her dreams-until now. She must gain permission to film at Australia's most historically significant art deco cinema, located at Starlight Creek. But there is trouble ahead. The community is fractured and the cinema's reclusive owner, Hattie Fitzpatrick, and her enigmatic great nephew, Luke Jackson, stand in her way, putting Claire's career-launching project-and her heart-at risk.Hollywood, 1950 Lena Lee has struggled to find the break that will catapult her into a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship battle, Lena's timing is wrong. Forced to keep her love affair with actor Reeves Garrity a secret, Lena puts her career on the line to fight for equality for women in an industry ruled by men. Her generous and caring nature steers her onto a treacherous path, leaving Lena questioning what she is willing to endure to get what she desires.Can two women-decades apart-uncover lies and secrets to live the life they've dared to dream?

    No one can hear her, just us boys. We're the dead Finnegans – Ma, Thomas, Ben and me.Ten-year-old John Finnegan can't leave his garden. Ever since they were murdered he, his brothers and his ma have been stuck there, caught between the worlds of the living and the dead. Unseen and unnoticed, he watches the events after his life unfold – including the actions of his murderer.James Stack is born dirt-poor on an Irish tenant farm and the great famine shadows his childhood. But his clever sister's lace making may save the family – until Aileen is sent to the other side of the world on a convict ship. To save her, James joins the redcoats and follows her across dangerous waters to a hopeful new land. But can he ever leave the death and hunger of his homeland behind?Based on the 1865 Otahuhu murders, Purgatory is a startling, gripping novel from an immensely talented new author.

    Following his dream of becoming a writer, he turns away from everything he knows, and enters adulthood embittered, angry, and resentful.As he struggles to make a name for himself, he is presented with the opportunity of a lifetime. Although it requires a betrayal of his principles as an artist, he resigns himself to what appears to be fate. The writer’s compromise brings money and recognition, but these are fleeting and he soon finds himself caught in a web of depression and financial hardship. Desperate and sinking quickly, the writer begins taking trips to Michigan’s Upper Peninsula, where he hopes to reconnect with his muse. During one of these excursions, he meets Nigel Moon, a grizzled fellow author nearing the end of his career. Moon gives the writer a second golden opportunity and the chance to prove himself in the face of personal doubts—but only if the writer is able to set his past aside.Equal parts witty and dark and wry and tragic, the text uses simplicity as its focus. Raw and honest, Becoming Moon is an unforgettable book about exorcising past demons and finding personal redemption.

    A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.For nearly half a century, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films, who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film-history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments and reels in desperate need of restoration, and Claude’s memories of the woman who inspired and beguiled him.

    Madness, cruelty, and sexuality permeate the family's upper-crust Australian world. Lilian Una Singer starts life at the beginning of the 20th century as the daughter of a prosperous middle-class Australian family. She ends it as a cheerfully eccentric bag-lady living on the streets, quoting Shakespeare. This book traces the progress of her life's journey, and why she made the choices she did. She's a person large in spirit as well as body, who wants to invent her own story, rather than allow it to be invented for her. Life presents her with many obstacles, including the sinister advances of her father—but in spite of this she succeeds. Triumphantly she makes her life her own, savoring every moment with the reminder that "everything matters."

    Melbourne, 1941. Headstrong young Mae meets and falls head over heels in love with Harry Parker, a dashing naval engineer. After a whirlwind courtship they marry and Mae is heavily pregnant when she hears that Harry has just received his dream posting to HMAS Sydney. Just after Mae becomes a mother, she learns Harry's ship is missing.Meanwhile, Grace Fowler is battling prejudice to become a reporter on the afternoon daily newspaper, The Tribune, while waiting for word on whether her journalist boyfriend Phil Taylor, captured during the fall of Singapore, is still alive.Surrounded by their friends and families, Mae and Grace struggle to keep hope alive in the face of hardship and despair. Then Mae's neighbour and Grace's boss Sam Barton tells Mae about a rumour that the Japanese have towed the damaged ship to Singapore and taken the crew prisoner. Mae's life is changed forever as she focuses her efforts on willing her husband home.Set in inner Melbourne and rural Victoria, We That Are Left is a moving and haunting novel about love and war, the terrifyingly thin line between happiness and tragedy, and how servicemen and women are not the only lives lost when tragedy strikes during war.

    AFTER FIVE YEARS OF SILENCE, HE IS BACK AGAIN, SEEKING HIS NEXT VICTIM. ONLY ONE MAN CAN STOP HIM - PROFESSOR BLACK. Maher was found unconscious in the middle of the highway and later, in the hospital, she revealed that she had escaped from a killer's house. All the details and patterns matched the serial killer 'Kansa,' who had disappeared five years ago after murdering forty pregnant women. ACP Saargi Desai was assigned to the case. She appealed to her department to bring back Professor Black to help her catch the killer. The Professor, who had a haunting past that had kept him away from the world of crime and investigation for several years, was not willing to take on this case. But the ACP managed to convince him to get on board just for this one last time. Soon after agreeing to help, the Professor realized that for the first time in his life, he had met his match. As he dug deeper into the case, everything got dirtier, the stakes went higher, and nothing was what it seemed.

    Indian mythology is replete with tales of Dévas battling the Asuras constantly. The interesting thing to note is that whether it is a God or an incarnation of a deity in human form, aka an Avatār, there was also a human element involved in these stories. The teachers of the Dévas (gods) and the Asuras were human sages, known as Rishis.    Find out what happens when seemingly unconnected individuals get drawn into a world of suspense and action, as mythology collides with their world in the book 'The Mahāsiddha Field', the first in a new sci-fi/fantasy series!   An elderly wandering mendicant in South India, two young Indian-American men, two soldiers from the Indian Army and a mysterious sage from high up in the Himalayas are thrown together in an adventure unlike any other; as a most unlikely adversary leaps out of the world of Indian Mythology to challenge their beliefs, their sanity and their courage.

    She passes her eleven-plus and wins a scholarship to go to a good grammar school, but her father refuses to believe that girls have the right to do anything other than look after their husbands and raise children.Struggling to fit in at her new school and picked on by the other girls, Janet befriends, Ruth, another lonely pupil whose Jewish family have suffered many hardships. Janet and Ruth forge a strong friendship through her school life and beyond. But will their friendship survive when Janet falls for Ruth’s brother, Ben –marriage to a Catholic girl would go against everything his community hold dear. When the whole world seems stacked against her, can Janet hold onto her dreams?

    Inspired by a real-life case of an IVF laboratory mix-up.Grace and Dan Arden are in their forties and have been on the IVF treadmill since the day they got married. Six attempts have yielded no results, and with each failure a little piece of their hope dies. Priya Laghari and her husband Nick Archer are being treated at the same fertility clinic, and while they don’t face the same time pressure as the Ardens, the younger couple have their own problems. On the same day that Priya is booked for her next IVF cycle, Grace goes in for her final, last-chance embryo transfer. Two weeks later, both women get their results. A year on, angry and heartbroken, one of the women learns her embryo was implanted in the other’s uterus and must make a devastating choice: live a childless life knowing her son is being raised by strangers or seek custody of a baby who has been nurtured and loved by another couple.

    . . THE LEGEND BEGINS When the Ridgeway family staked their claim on more than 40,000 acres of land in northwest Texas, they knew they had their work cut out for them. Located on a sharp bend of the treacherous Red River, their new home—the Rocking R Ranch—was just a stone’s throw away from Indian territory. It was as lawless and wild as the West itself, crawling with unsavory characters, cattle rustlers, horse thieves, outlaws, robbers, and worse. But still, the Ridgeways were determined to make the Rocking R a success—and a home—for their four remarkable children: Percy, Eli, Abigail, and Rachel. This is their story. Together, the Ridgeways could endure anything. Floods, tornadoes, Commanche raids in the dead of night. But when one of their own is kidnapped . . . that’s when all hell breaks loose. This is their story. The story of the American West.

    That voyage also brought me friendship with another intrepid Jane: Lady Franklin. Her husband, Sir John, the Arctic Lion, was Lieutenant Governor of Van Diemen's Land during the six turbulent years when Jane Eyre and Edward Rochester had good reason to be closely interested in the island.'Harriet Adair has come to Van Diemen's Land with Mrs Anna Rochester, who is recovering from years of imprisonment in the attic of 'Thornfield Hall'. Sent to the colony by Jane and Rochester, they are searching for the truth about Anna's past, trying to unearth long-buried secrets.Captain Charles O'Hara Booth, Commandant of Port Arthur Penal Settlement, fears some secrets of his own will be discovered when Sir John Franklin replaces Colonel Arthur as Governor. Franklin and his wife Jane arrive in Hobart Town to find the colony is run by a clique of Arthur's former army officers who have no intention of relinquishing their power.This dazzling modern recreation of a nineteenth century novel ingeniously entwines Jane Eyre's iconic love story with Sir John Franklin's great tale of exploration and empire. A brilliant and historically accurate depiction of Van Demonian society in the 1800s, as well as a vivid portrayal of the human cost of colonisation, Wild Island shows us that fiction and history are not so different after all. Each story, whether it be truth or fiction, is shaped by its teller.

    Ross Grant has always felt like the black sheep of his wealthy Scottish family. An explorer at heart, he dreams of life on Waybell, their remote cattle station in Australia's last remaining wilderness, the Northern Territory.Then his brother Alastair is branded a deserter after going missing during the Great War. To help restore the Grants' damaged reputation, Ross is coerced into marrying Darcey Thomas, a woman he has never met. Disgusted by his manipulative family, he turns his back on his unwanted wife just hours after the ceremony, and heads to Waybell with no plans to return. He carries with him the hope of carving his own empire in the far north.But Ross has not counted on Darcey's determination to be his wife in more than just name. Nor did he anticipate meeting Maria, a young, part-Chinese woman who will capture his heart. And he certainly wasn't prepared for how this beautiful yet savage land will both captivate and destroy his soul . . . From nineteenth-century Adelaide and the red dirt of mid-north South Australia, to the cattle stations and buffalo plains of the far north Ross's journey is one of anger and desire, adventure and determination, to the heart of stone country and beyond.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    Cate and Richard felt an immediate and undeniable spark, but Richard also felt the weight of the world more deeply than most. As the three matured, he receded further and further into darkness until he disappeared altogether. Now, four years after Richard’s passing, Cate is let go from her teaching job and can’t pay the rent on the London flat she shares with her and Richard’s son, Leo. She packs the two of them up and ventures to Richard’s grandfather’s old Victorian museum in the small town of Crouch-on-Sea, where the dusty staff quarters await her. Despite growing pains and a grouchy caretaker, Cate falls in love with the quirky taxidermy exhibits and sprawling grounds and makes it her mission to revive them. When the museum is faced with closure because of a lack of visitors, Cate stages a grand reopening, but threats from both inside and outside the museum derail her plans and send her spiraling into self-doubt. As Cate becomes more invested in Hatters, she must finally confront the reality of Richard’s death—and the role she played in it—in order to reimagine her future. Perfect for fans of Evvie Drake Starts Over, The Museum of Forgotten Memories masterfully weaves life with death, past with present, and grief with hope.