With pithy, razor-sharp prose, Sennah dissects and reassembles pop culture through personal anecdotes, crafting a love-hate letter to the media and the microaggressions that have shaped how she sees herself and the world. How Do I Look? is a raw and vulnerable reflection on identities real and imagined.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    I am a Very Productive Entrepreneur is poignant & brilliant; it's worth the investment.Christian Hawkey, author of Ventrakl

    Playful, erotic, at times mysterious, his work describes the immanent value of everyday experience. Straightforward language and simple narratives become gateways to the most powerful formulations of beauty, wisdom, and divine love.

    It is an acquired taste, for those who do not mind profanity and dishevelled emotions.

    I'd give my eyes one hundred times again to have the chance to do what I have done, and what I can still do."-Brad Snyder speaking with First Lady Michelle ObamaOn the night Osama bin Laden was killed, US Navy Lieutenant Brad Snyder was serving in Afghanistan as an Explosive Ordnance Disposal officer with SEAL Team Ten. When he learned of SEAL Team Six's heroics across the Pakistani border, Brad was thankful. Still, he knew that his dangerous combat deployment would continue.Less than five months later, Brad was engulfed by darkness after a massive blast caused by an enemy improvised explosive device. Suddenly Brad was blind, with vivid dreams serving as painful nightly reminders of his sacrifice.Exactly one year after losing his sight, Brad heard thousands cheer as he stood on a podium in London. Incredibly, Brad had just won a gold medal in swimming at the 2012 Paralympic Games.Fire in My Eyes is the astonishing true story of a wounded veteran who refused to give up. Lieutenant Brad Snyder did not let blindness build a wall around him-through tenacity and courage, he tore it down.

    Actually, she’s not loving at all. Unable to move on from a tormented childhood of abuse she’s now at risk of losing her own family. Hopeless, she goes to bed every night secretly longing to not wake up the next morning. That all changes the day her mother is murdered while living on the streets. Emma must now face all of the pain she has spent years trying to numb with pills and alcohol when she is forced to travel back to her hometown to identify her mother’s body. If only it were that easy…Will reliving the abuse all over again help Emma forgive her mother or send her spiraling back into a world she fought so hard to survive?

    Archeophonics, defined as the archeology of lost sound, is one way of understanding the role and the task of poetry: to recover the buried sounds and shapes of languages in the tradition of the art, and the multitude of private connections that lie undisclosed in one's emotional memory. The book takes seriously the opening epigraph by the late great James Schuyler: "poetry, like music, is not just song." It recognizes that the poem is not a decorative art object but a means of organizing the world, in the words of anthropologist Clifford Geertz, "into transient examples of shaped behavior." Archeophonics is a series of discrete poems that are linked by repeated phrases and words, and its themes and nothing less than joy, outrage, loss, transhistorical thought, and day-to-day life. It is a private book of public and civic concerns.

    CURATED AND INTRODUCED BY CERYS MATTHEWS.Tell Me the Truth About Life is an indispensable anthology which celebrates poetry’s power to tap into the truths that matter. Curated and introduced by Cerys Matthews, this collection draws on the wisdom of crowds: featuring poems nominated for their insight into truth by a range of ordinary and extraordinary people: from Britain’s first astronaut, Helen Sharman, to sporting heroes and world-famous musicians, teachers, artists and politicians.Their choices include contemporary work by Yrsa Daley-Ward, John Cooper Clarke and Kei Miller alongside classics by W H Auden, Emily Dickinson and Dylan Thomas. Here you will find poems to revive the spirit, ballads to mobilize and life-lines to hold you safe in the dark.Compiled for National Poetry Day’s twenty-fifth anniversary, Tell Me the Truth About Life is a book that reminds us we are never completely alone in our search to glimpse the truth.Containing nominations from a number of high-profile poetry lovers and poets, including Michael Morpurgo, Mark Gatiss, Dolly Alderton, and Helen Sharman, among others.

    Nye writes of local life in her inner-city Texas neighborhood, about rural schools and urban communities she’s visited in this country, as well as the daily rituals of Jews and Palestinians who live in the war-torn Middle East. The Day I missed the day on which it was said others should not have certain weapons, but we could. Not only could, but should, and do. I missed that day. Was I sleeping? I might have been digging in the yard, doing something small and slow as usual. Or maybe I wasn’t born yet. What about all the other people who aren’t born? Who will tell them?Balancing direct language with a suggestive “aslantness,” Nye probes the fragile connection between language and meaning. She never shies from the challenge of trying to name the mysterious logic of childhood or speak truth to power in the face of the horrors of war. She understands our lives are marked by tragedy, inequity, and misunderstanding, and that our best chance of surviving our losses and shortcomings is to maintain a heightened awareness of the sacred in all things.Naomi Shihab Nye, poet, editor, anthologist, is a recipient of writing fellowships from the Lannan and Guggenheim foundations. Nye’s work has been featured on PBS poetry specials including NOW with Bill Moyers, The Language of Life with Bill Moyers, and The United States of Poetry. She has traveled abroad as a visiting writer on three Arts America tours sponsored by the United States Information Agency. In 2001 she received a presidential appointment to the National Council of the National Endowment for the Humanities. She lives in San Antonio, Texas.

    Henriksen opens ORDINARY SUN by insisting that "an eye is not enough." Resisting solipsism, these poems negotiate that conflict between the mind and what exists outside the mind. Though pain intrinsically resides in that conflict Henriksen strives for an honest happiness, a kind of gorgeous suffering that blesses our days. To this end, these poems emerge from images of all those innumerable things that embody both visceral and ethereal beauty rocks, trees, broken glass, baseball, angels.... Here we find immediacy immersed in the image, and in the reading of these poems becomes ourselves immersed in the immediate."

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    Rankine's short, lyric poems are sharp, agonized, and exquisite, exploring themes of doubt and identity. The collection's sense of continuity and coherence comes through recurring poem types, including "still lifes," "instructions," and "symptoms."From "Symptoms of Aftermath":…When I am saved, a slim nurseleans out of the white light. I needto hear your voice, sweetheart. I seemy escape. I walk into the water.The sky is blue like the ocean,which is blue like the sky.Camille Rankine is the author of the chapbook Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America's Chapbook Fellowship. The recipient of a 2010 "Discovery" / Boston Review Poetry Prize and a MacDowell fellowship, her poetry appears in Boston Review, Denver Quarterly, Tin House, and other publications. Currently, she is assistant director of the MFA program in creative writing at Manhattanville College and lives in Harlem.

    Strongly political, the poem touches on issues of racism, intolerance, and environmental destruction, amongst others.

    The author of eight books of poetry and one collection of essays, Proofs and Theories: Essays on Poetry, she has received the National Book Critics Circle Award for Poetry, the William Carlos Williams Award, and the PEN/Martha Albrand Award for Nonfiction. She was named the next U.S. poet laureate in August 2003. Her most recent book is The Seven Ages. Louise Glück teaches at Williams College and lives in Cambridge, Massachusetts.