Presented in a numbered series of e-books, each containing one year's worth of strips, this is a goldmine for all Big Nate fans to see many cartoons that have never been published in books. Aspiring cartoonist Nate Wright is the star of Big Nate. As a popular middle-grade book character, Nate is 11 years old, four-and-a-half feet tall, and the all-time record holder for detentions in school history. He's a self-described genius and sixth grade Renaissance Man. Nate, who lives with his dad and older sister, has a habit of annoying his family, friends, and teachers with his sarcasm.

    . . It's a glorious summer and Erin and Martha are both stuck at Oak Hill Home for the Elderly. Misunderstood and feeling ignored, they are equally frustrated by the situation. But as Erin learns to listen to Martha, she discovers some very important lessons about making her own voice heard.

    For the wolfman it's a silver bullet. For Superman it's kryptonite. For me it was a letter. With one letter, my dad was sent back to Afghanistan to fly Apache helicopters for the U.S. army. Now all I have are his letters. Ninety-one of them to be exact. I keep them in his old plastic lunchbox—the one with the cool black car on it that says Knight Rider underneath. Apart from my comic books, Dad's letters are the only things I read more than once. I know which ones to read when I'm down and need a pick-me-up. I know which ones will make me feel like I can conquer the world. I also know exactly where to go when I forget Mom's birthday. No matter what, each letter always says exactly what I need to hear. But what I want to hear the most is that my dad is coming home.

    This book is about me.It tells the deeply hideous storyof what happens when my mother diesand I'm dragged three thousand miles awayfrom my gorgeous boyfriend, Ray,to live in L.A. with my father,who I've never even metbecause he's such a scumbag that hedivorced my mom before I was born.The only way I've ever even "seen" himis in the movies,since he's this megafamous actorwho's been way too busytrying to win Oscarsto even visit me once in fifteen years.Everyone loves my father.Everyone but me.

    When Daniel Anderson’s older brother dies, he wonders which category Eli’s death falls into. In an attempt to understand, Danny creates a Book of the Dead — an old binder that he fills with details about dead people, how they died, and, most important, for what purpose. Time passes, and eventually Daniel is prompted to look up from his notebook of death and questions to make new friends and be swept into their imaginings. With gentle humor and genuine emotion, Rebecca Rupp examines the questions that arise following a profound loss and the moments that start life rolling again.

     Ben and Annie Flurry have the perfect family, until an accident takes Annie's life and leaves their daughter severely injured. Now Ben struggles to come to terms with his own grief and guilt. As the past he tried to leave behind threatens all he holds dear, Ben makes the difficult decision to move back to his childhood home to seek the help of his mother — and the father he remembers as abusive and an alcoholic. His mother claims his father is a changed man, but Ben isn't so sure. Can he find the strength to be the dad and man his father never was? Or will the wounds of the past ruin Ben's chance to love again?

    The sky is blue, the sun is blazing, and the days brim with possibility. But Leah feels. . . lost. She has been this way since one terrible afternoon a year ago, when everything changed. Since that day, her parents have become distant, her friends have fallen away, and Leah’s been adrift and alone.Then she meets Jasper, a girl unlike anyone she has ever known. There’s something mysterious about Jasper, almost magical. And Jasper, Leah discovers, is also lost. Together, the two girls carve out a place for themselves, a hideaway in the overgrown spaces of Atlanta, away from their parents and their hardships, somewhere only they can find.But as the days of this magical June start to draw to a close, and the darker realities of their lives intrude once more, Leah and Jasper have to decide how real their friendship is, and whether it can be enough to save them both.

    On a foggy beach. In the seconds when Abby Mason—photographer, fiancée soon-to-be-stepmother—looks into her camera and commits her greatest error. Heartbreaking, uplifting, and beautifully told, here is the riveting tale of a family torn apart, of the search for the truth behind a child’s disappearance, and of one woman’s unwavering faith in the redemptive power of love—all made startlingly fresh through Michelle Richmond’s incandescent sensitivity and extraordinary insight.Six-year-old Emma vanished into the thick San Francisco fog. Or into the heaving Pacific. Or somewhere just beyond: to a parking lot, a stranger’s van, or a road with traffic flashing by. Devastated by guilt, haunted by her fears about becoming a stepmother, Abby refuses to believe that Emma is dead. And so she searches for clues about what happened that morning—and cannot stop the flood of memories reaching from her own childhood to illuminate that irreversible moment on the beach.Now, as the days drag into weeks, as the police lose interest and fliers fade on telephone poles, Emma’s father finds solace in religion and scientific probability—but Abby can only wander the beaches and city streets, attempting to recover the past and the little girl she lost. With her life at a crossroads, she will leave San Francisco for a country thousands of miles away. And there, by the side of another sea, on a journey that has led her to another man and into a strange subculture of wanderers and surfers, Abby will make the most astounding discovery of all—as the truth of Emma’s disappearance unravels with stunning force.A profoundly original novel of family, loss, and hope—of the choices we make and the choices made for us—The Year of Fog beguiles with the mysteries of time and memory even as it lays bare the deep and wondrous workings of the human heart. The result is a mesmerizing tour de force that will touch anyone who knows what it means to love a child.

    He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him-at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change.Grace isn't who Henry pictured as his dream girl-she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.

    Trouble from the get-go. How could she not be, with parents like hers? Her mother practically pickled her before she was even born, leaving Verbie to struggle with the effects of fetal alchol syndrome. And her father was just plain mean. Verbie wishes she could be somebody, anybody other than who she is. Enter Pooch, a flatlander boy visiting for the summer. When Pooch and his mom rent the house next door, Verbie takes the opportunity to be someone else entirely. And what starts out as a game leads Verbie into a surprising and heartwarming journey of self-discovery.

    Since the death of her photographer husband, Stuart, the only people Kate allows near are her best friend, Orla, and her son, George. She loves them both more than anything in the world. Everyone else she keeps at a distance...including Paul Farrell. Paul was Stuart’s closest friend. An ex-war journalist, he and Kate have one thing in common. They both seem equally distant. Then Paul publishes an article, revealing an astonishing secret. On a trip to the Yorkshire moors with a group of teenage girls, Kate's scarred heart begins to open up But can she risk her son’s happiness, as well as her own? Praise for The Summer of Love and Secrets 'A beautiful, heart-wrenching story about love, loss and friendship. Fairfax creates characters that come to life and Kate is one of the best!' N.N. Light's Book Heaven 'A touching and engrossing love story...Several scenes will stay with me for a long time.' Marie Laval, bestselling author 'A romance that draws you in and won't let you go...Once I started this book, I really couldn't put it down' Helen Pollard, bestselling author 'I absolutely loved this book from beginning to end...A positive and life-affirming read from the start.' Amazon five star review 'A lovely, emotive and heart-warming contemporary romance story that draws in the audience and takes hold from the very beginning.' Caroline Barker, A Reader's Review book blog

    In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. These miracles fill Wunder with the feeling that he is not alone, that the world is magical, that he is part of something brighter than he can imagine.But then his newborn sister dies, at only eight days old. If that can happen, then miracles don’t exist. So Wunder gets rid of The Miraculous. And he stops believing.Then Wunder meets Faye—a cape-wearing, outspoken girl with losses of her own. Together, they find an abandoned house by the cemetery and the old woman who lives there—and who might be a witch. The old woman asks for Wunder and Faye’s help. She asks them to go through graveyards and forests, to townhalls and police stations, by bike and by train. She asks them to believe. And together, they go on a journey that leads them to friendship, to healing—and to miracles.THE MIRACULOUS is Jess Redman’s stunning debut about facing grief, trusting the unknown, and finding the brightness in the darkest moments.

    When Cora's brother drags her along to his boss's house, she doesn't expect to strike up a friendship with Adrien, son of the intimidating CEO of Pomegranate Technologies. As she becomes part of Adrien's life, she is also drawn into the mysterious projects at Pomegranate. At first, she's intrigued by them - Pomegranate is using AI to recreate real people in hologram form. As she digs deeper, however, she uncovers darker secrets... Cora knows she must unravel their plans, but can she fight to make her voice heard, whilst never losing sight of herself?

    His most-well-known paintings were a series of asterisms—patterns of stars—that he created. One represented a bird; one, himself; and one, Georgia’s mother. There was supposed to be a fourth, but Georgia’s father died before he could paint it. Georgia’s mother and Georgia's best friend, Theo, are certain that the last asterism would’ve been of Georgia, but Georgia isn’t so sure. She isn’t sure about anything anymore—including whether Theo is still her best friend.Then Georgia finds a sketch her father made of her. One with pencil points marked on the back—just like those in the asterism paintings. Could this finally be the proof that the last painting would have been of her? Georgia’s quest to prove her theory takes her around her Upper West Side neighborhood in New York City and to the Metropolitan Museum of Art, which was almost a second home to Georgia, since she had visited favorite artists and paintings there constantly with her father. But the sketch leads right back to where she’s always belonged—with the people who love her, no matter what.

    Twelve-year-old Gabe grew up in the foster care system until a social worker located his Uncle Vernon two years before. When he comes home to discover that his uncle has died of a heart attack, he's terrifed of going back into the system--so he tells no one. The next day, he discovers a strange note in his mailbox: I HAVE A SECRET. DO NOT BE AFRAID. And his uncle's body is gone. Thus begins a unique correspondence destined to save the two people that depended on Vernon for everything. Through flashbacks, we learn about Gabe and Vernon's relationship, and how finding each other saved them both from lives of suffering. But eventually, Vernon's death will be discovered, and how will Gabe and the mystery note writer learn to move forward? THE MAILBOX is not a story about death--though it begins with a death. It's also not a story about Vietnam vets, although the author works with Vietnam veterans and wrote this novel, in part, to illuminate their sacrifices and suffering. THE MAILBOX is a story about connections--about how two people in need can save each other.From the Hardcover edition.