The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    It happened at midnight on September 21st, 1940, the landing being made at the small fishing town of Granville, in Normandy. The landing party consisted of a detective-sergeant of the Metropolitan Police (V Division), a young French woman schoolteacher and an ugly mongrel dog named Formidable. They were considerately brought ashore by the Germans themselves. George Ormerod was the detective sergeant in question, not the most imaginative of policemen, but, true to his name, most resolute in his investigations. (An ormer is a notably tenacious shell-fish of the English Channel.) While the war is being lost all around him, Ormerod remains obsessed with the mundane murder of a young woman in Wandsworth, even pursuing his investigations amongst the returning and bewildered troops. How the investigation blazed a savage trail through rural Normandy and led to Nazi-occupied Paris, and how Marie- Thérèse Velin and her often ruthless Resistance allies become involved with George Ormerod are questions Leslie Thomas answers as his tale unfolds. In Ormerod's Landing, an exciting and ironic tale of Britain and France in the early years of the war, he once again creates a tender, farcical world in which his unique humour and irony flourish.

    The Hands of Time: When a young American woman vanishes without a trace from a quaint fishing village on the coast of England only one person knows the truth, but he remains silent, safe in the knowledge that she will never be found. Meanwhile, Valerie Crane finds herself transported to the year 1605. Terrified and confused, she turns for help to the Whitfield brothers, who take her in and offer her a home. Both Alexander and Finlay Whitfield fall in love with the mysterious woman who shows up on their doorstep, creating a love triangle that threatens to consume them all. Valerie must make her choice, deciding between the brother who will lead her down the path of destruction and one who will give her the love she couldn’t find in her own time. A Leap of Faith: Alone and bereft, Valerie’s sister, Louisa, makes the fateful decision to follow her sister into the seventeenth century. But, the best laid plans often go awry, and she finds herself on the wrong continent, and in the wrong year. Louisa must cross the Atlantic to get to Virginia, hoping that Valerie is still there in 1620, and face the uncertainty of her situation as she makes the dangerous journey to the New World. Will the two sisters reunite, or will they pass like ships in the night, never knowing how close they came to finding each other? A World Apart: Reunited with her sister at last, Louisa settles in colonial Virginia, but an unexpected visitor throws life into turmoil once again by offering Valerie and Louisa an opportunity to return to the future. Before the sisters have a chance to make a decision, the unthinkable happens; ripping the family apart, and scattering them over continents and time itself. No one is spared as child is torn from parents, sister is parted from sister, and a devastating famine threatens the colony. The Whitfields and Sheridans must fight for survival and face challenges they never imagined as they are cast a world apart. A Game of Shadows: It’s 1624, and the Whitfields finally arrive in England, eager to spend time with Louisa and Kit, but their visit is not the happy reunion they’d hoped for. In the meantime in 1777, Abbie and Finn go behind enemy lines to spy for the Revolution, putting themselves in grave danger. The slightest mistake can mean the difference between life and death, and tear them apart forever. Even Finn’s knowledge of what’s to come is not enough to keep them safe from their own carelessness. Unexpected revelations, long-buried secrets, and unforeseen reunions threaten to destroy everything the Whitfields and Sheridans hold dear, throwing their lives into turmoil once again. Shattered Moments: Murder, blackmail, long buried secrets, and a tender new romance take center stage in Shattered Moments, the final installment of The Hands of Time Series as the Whitfields and Sheridans face their toughest challenges yet.

    For fans of Bernard Cornwell and Michael Jecks.' Richard Foreman 1330. Edward III of England calls on Lancastrian baron and longbow archer Sir Thomas Holland to capture Roger Mortimer, the regent who usurped the young king’s throne and murdered his father. Holland and his bowmen next help butcher the Scots at Dupplin Moor and destroy the French fleet at Sluys. Yet the archer's greatest challenge is still to come. The Black Prince and Holland lead a great raid across Normandy. But not all goes according to plan. Two French armies pin the heavily-outnumbered English between the Seine and Somme. Their one hope of escape is to cross a dangerous ford. Thomas personally leads the vanguard and although he engineers the defeat of a waiting enemy force, there is still blood to be spilled. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Recommended for fans of Bernard Cornwell, Michael Jecks and Robyn Young. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Paul Bannister is a journalist and author. He has written for national newspapers in Britain and America, covering assignments in about 40 countries. His is also the author of the Forgotten Emperor and Crusader series.

    Like Kazuo Ishiguro's The Remains of the Day, So Many Ways to Begin is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession as curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravel. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives - struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly, David attempts to physically piece together his past, finding meaning and connection where he least expects it.

    The Indians are indifferent to Western notions of time and industry. The French, on the other hand, are sufficiently meticulous to import 2,348 pieces of cast iron to the desolate mining town of Santa Sofia, there to be assembled into a church under the supervision of a disciple of the renowned Gustave Eiffel.

    He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.

    But as war escalates, she defies everyone and joins the ATS. Nan Morrissey is leaving her troubled past behind to join the forces. Awaiting the two new arrivals is Evie. Together the three women will help each other through the trials and tribulations of war.

    The house and all its problems now belong to her. As Laura struggles to to save the manor, she is pulled back into the lives, and loves, of the home's past inhabitants. Unfortunately, time is running out, not only for the preservation of the house, but for those who now live there. Centuries before, Lorraine Bonville, a young French girl, was forced to flee her chateau and cross the English Channel. Her fate was tied to Lord Bannock, a man twenty-five years her senior, and to the beautiful manor house he built for her. From castles in their full glory to the ruins of war, this novel weaves a beautiful tapestry of history, the struggle to rebuild life and love, and the desire to protect a very special home.The CHAMBER AND THE CROSS is a contemporary thriller wrapped around a medieval romance. It was a finalist with the 2015 San Diego Book Awards.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    The Guide selects the most useful and insightful of these and puts them in context, making available the range of critical debate on this important novel to both specialist and general readers.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    The photograph is in an envelope marked "DON'T OPEN - DESTROY." But Kath's husband does not heed the warning, embarking on a journey of discovery that reveals a tight web of secrets: within marriages, between sisters, and at the heart of an affair. Kath, with her mesmerizing looks and casual ways, moves like a ghost through the memories of everyone who knew her - and a portrait emerges of a woman whose life cannot be understood without plumbing the emotional depths of the people she touched.Propelled by the author's signature mastery of narrative and psychology, The Photograph is Lively at her very best, the dazzling climax to all she has written before.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.