Dee, a 38-year-old heroine to root for, sets out on a path winding with loveable kooks, wanting to prove there is a great life on the other side of tragedy and a crazed ex behind bars who continues to mail threatening letters from prison. Her new adventure begins two years after the crime spree that nearly stopped her heart and left her flat-lining. She packs up her two young kids and settles in her parents' South Carolina hometown where she deals with a delightful, but over-the-top mama who pretends her grown daughters are virgins. Dee finds new purpose for herself and her children, discovering joy in places she never expected it: in a nursing home where she tends to the likes of 104-year-old Annie Sue who still drives and has a hankering for cold draft beer. Offering heaps of comic relief, Dee's Aunt Weepie lives to crash funerals just to get the covered-dish meals after the gravesides, no matter she has no idea who's in the coffins. Her antics lead her to making a daring decision that could change Dee's life forever. As Dee begins a journey toward recovery and becoming a registered nurse, a dark secret resurfaces, one that if handled right, could be her ticket to allowing herself to love again.

    Wild and poignant, hilarious and touching, stories about die-hard fans, crusty veterans, would-be diamond heroes, and baseball as a boyhood bond fill this delightful collection.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    It happened at midnight on September 21st, 1940, the landing being made at the small fishing town of Granville, in Normandy. The landing party consisted of a detective-sergeant of the Metropolitan Police (V Division), a young French woman schoolteacher and an ugly mongrel dog named Formidable. They were considerately brought ashore by the Germans themselves. George Ormerod was the detective sergeant in question, not the most imaginative of policemen, but, true to his name, most resolute in his investigations. (An ormer is a notably tenacious shell-fish of the English Channel.) While the war is being lost all around him, Ormerod remains obsessed with the mundane murder of a young woman in Wandsworth, even pursuing his investigations amongst the returning and bewildered troops. How the investigation blazed a savage trail through rural Normandy and led to Nazi-occupied Paris, and how Marie- Thérèse Velin and her often ruthless Resistance allies become involved with George Ormerod are questions Leslie Thomas answers as his tale unfolds. In Ormerod's Landing, an exciting and ironic tale of Britain and France in the early years of the war, he once again creates a tender, farcical world in which his unique humour and irony flourish.

    Angela Morrison has it all. She’s married to a wealthy man, adores her son, grows orchids, and volunteers at Our Daily Bread Food Pantry. What more could she want? More — much more. And she’s willing to risk everything after meeting Carsten, the landscaper with the glacier-blue eyes. Sister Eileen, who runs Our Daily Bread Food Pantry, struggles with the silence of God and harbours a secret she believes is unforgivable. She yearns to convince Angela she is loved by God, despite her selfishness and destructive behaviour, but in order for that to be authentic Eileen must learn to love her first, and that’s no easy task — especially after Angela causes a terrible tragedy. Through the crucible of their relationship, Angela and Eileen discover how caring for the most difficult among us and practising forgiveness, no matter how painful, opens a door to the miracle of transformation.

    In a shallow attempt to move forward, she marries the older Deacon of the church, but is liberated when he dies on their wedding night. Now free to find love and happiness, Sabrina discovers the dark side of love and lust when she is confronted by her new best friend Blair; when Blair thinks Sabrina has stolen the man she loves.

    This gargantuan helping of the human comedy relates how he is devoured by the masses of New York, a city boiling over with the itch to grab it now.

    

    He doesn’t care. But when in trouble, the ruggedly handsome cowboy, Jake Shepherd, is the man to have on your side. A topnotch PI and former FBI agent with a Yale law degree, he can shoot the wings off a mosquito at 100 yards, read a suspect like a restaurant menu, and catch the eye of the ladies. On the job, Jake offends clients, maneuvers suspects, and takes full advantage of a unique relationship with his former FBI supervisor—always in the pursuit of justice. Just when you think you know him—look out. Love him or hate him. Never underestimate him.In CAPITOL MURDER, Jake meets Atlanta attorney Scarlett Kavanaugh when the husband of her estranged twin (a U.S. senator) is found dead. A savvy Harvard Law graduate, Scarlett is a formidable match for Jake with her quick wit, intelligence, and self-confidence. Sexy sparks hover as Scarlett assists in Jake’s investigation of the murder

    The first, an expensive lawyer. The second, suicide. Robert Derby used the first one. I’m using the second."Mara was celebrating her 21st birthday when her family was killed by a drunk driver. Two years later, Mara wants justice. She wants the drunk driver to understand how it feels to lose everything. She has a plan and a gun and she knows how to use it. But is she capable of murder?Garrett can’t help the family he was born into. His name puts a target on his back. Maybe that’s why he always dates women who need help. But can helping the wrong person lead to disaster?She Had to Kill Him is a gripping story about the things people do for their loved ones. Perfect for fans of Lisa Jewell, Colleen Hoover, and Paula Hawkins.

    It has become a feature of the designer's job to define the problems that exist in his network, choose and analyse several optimization parameters during the analysis process, and then prioritize and evaluate these parameters in the architecture and design of the system.

    She captures the beguiling transformation from child to adult with humor, heartache, and desperation. From grieving mothers to fathers adrift, old flames to restless teens, the isolated characters in Doll Palace are united by conflicting desires, quiet rebellions, and the private struggles of the heart.

    With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    I’m lost...” Nine year old Trisha McFarland becomes lost in the forest while hiking with her mother and brother along the Appalachian Trail in Maine. As Trisha starts to cry, she remembers Tom Gordon. Tom Gordon is a professional baseball player. He has never met Trisha McFarland. This is the story of Trisha McFarland and Tom Gordon, and how a man she never met, saved her life.

    Drawing on Miller's vast correspondence as well as interviews with friends and associates, Mary Dearborn takes a fresh and objective look at the writer as she evaluates his achievements and his many lesser works and provides penetrating critical insight into his attitudes and philosophy.Lover, luster, painter, domineering husband, encyclopedia salesman, voyeur, massive egotist, self-proclaimed holy man, autocrat, iconoclast--Henry Miller's disparate selves are not readily reconciled. In this revelatory, incisive biography, his real life turns out to be even more fascinating than the fictionalized autobiographies he wove about himself. With a mixture of critical detachment and sympathy, Dearborn ( Love in the Promised Land ) explores a man of contradictions. A romantic Don Juan, Miller (1891-1980) was also a misogynist who married five times. A pacifist anarchist, he advocated violence and espoused a Nietzschean apocalyptic politics in the 1930s. Until World War II he harbored a strong anti-Semitic streak, although the great obsessional love of his life, second wife June Manfield (nee Juliet Edith Smerth) was Jewish. In Paris, penniless but rejuvenated at age 39, Miller learned how to write by making his own suffering and rebirth the subject of his art. The theme of his best books is not sex, Dearborn suggestively argues, but personal and artistic survival.