Although Armenians and world opinion have held the Ottoman powers responsible, Turkey has consistently rejected any claim of intentional genocide. Now, in a pioneering work of excavation, Turkish historian Taner Akçam has made extensive and unprecedented use of Ottoman and other sources to produce a scrupulous charge sheet against the Turkish authorities. The first scholar of any nationality to have mined the significant evidence--in Turkish military and court records, parliamentary minutes, letters, and eyewitness accounts--Akçam follows the chain of events leading up to the killing and then reconstructs its systematic orchestration by coordinated departments of the Ottoman state, the ruling political parties, and the military. He also probes the crucial question of how Turkey succeeded in evading responsibility, pointing to competing international interests in the region, the priorities of Turkish nationalists, and the international community's inadequate attempts to bring the perpetrators to justice. As Turkey lobbies to enter the European Union, Akçam's work becomes ever more important and relevant. Beyond its timeliness, A Shameful Act is sure to take its lasting place as a classic and necessary work on the subject.

    This monograph follows Van Gogh between 1886 and 1890, from Holland to Paris, where his palette was brightened with impressionistic colour, to Arles and his still-mysterious friendship with Gauguin.

    The high-spirited, impetuous young woman who at first refuses to fall in love with Christopher Wynn, the handsome young minister, because she missed the bright glamor of her life in the city. The powers of envy and bigotry, the misgivings of her family and friends, and above all her own doubts nearly defeated Jean, yet she stayed because she had fallen hopelessly in love with the young clergyman. Until a violent storm draws the two together--and the flood which brings havoc to their town, unlocked the secret of a truly good man's heart.

    Elizabeth Elliot is a widow of some years and considerable moral authority. Since girlhood she has drawn inner strength from her beloved Quaker worship and just recently has been elected to serve as clerk of the Quaker Meeting in Harvard Square in Cambridge, Massachusetts. Elizabeth's worries about her ability to carry out the everyday duties of the job - leading the congregation in prayerful meditation, balancing the budget, etc. - are put aside, though, when she receives the shocking news that a prominent member of the meeting has been found murdered in his garden! The victim is John Hoffman, a wealthy businessman near retirement who is just preparing, he has announced to the entire congregation, to alter his will. Obviously many people would rather he did not leave most of his estate to charity, yet the police focus their investigation on Tim, a young homeless man who attends the meeting and whom John Hoffman occasionally hired to work in his garden. Not surprisingly, Tim is unable to supply a convincing alibi, yet Elizabeth is certain that he is innocent. She rises to the occasion, standing up to the police, who are eager to convict an indigent man, and doing some wildly inventive and daring detective work that makes surprising use of Quaker practices and philosophy. Before she finally confronts the killer, Elizabeth will sift through a myriad of red herrings and seemingly unrelated clues and secrets. For within the blessed "Quaker silence" is greed, forbidden love, and vengeful anger struggling to find a voice. Mixing timeless philosophy with contemporary concerns, Irene Allen's Quaker Silence marks the beginning of an outstanding mystery series.

    After witnessing the slaughter of her family and many of her people, a young Armenian woman emigrates to America, where she inadvertently infuses her only daughter with a crippling legacy of anger, shame, and a survivor's guilt.

    It was the beginning of the Ottoman Turkish government’s systematic attempt to eliminate the Armenian people from Turkey; it was a campaign that continued through World War I and the fall of the Ottoman Empire, by which time more than a million Armenians had been annihilated and expunged from their historic homeland. For Grigoris Balakian, himself condemned, it was also the beginning of a four-year ordeal during which he would bear witness to a seemingly endless caravan of blood.Balakian sees his countrymen sent in carts, on donkeys, or on foot to face certain death in the desert of northern Syria. Many would not even survive the journey, suffering starvation, disease, mutilation, and rape, among other tortures, before being slaughtered en route. In these pages, he brings to life the words and deeds of survivors, foreign witnesses, and Turkish officials involved in the massacre process, and also of those few brave, righteous Turks, who, with some of their German allies working for the Baghdad Railway, resisted orders calling for the death of the Armenians. Miraculously, Balakian manages to escape, and his flight—through forest and over mountain, in disguise as a railroad worker and then as a German soldier—is a suspenseful, harrowing odyssey that makes possible his singular testimony.Full of shrewd insights into the political, historical, and cultural context of the Armenian genocide—the template for the subsequent mass killings that have cast a shadow across the twentieth century and beyond—this memoir is destined to become a classic of survivor literature. Armenian Golgotha is sure to deepen our understanding of a catastrophic crime that the Turkish government, the Ottomans’ successor, denies to this day.

    Christians serving Hitler? Never before undertaken in a novel, 'The Seduction of Eva Volk' explores the reality of this no-so-simple paradox from the German point of view.Through the eyes of young Eva Volk, the alluring charm of the Hitler movement is personified in a lover. Desperately seeking wholeness in her broken world, she is quickly swept away by the passions of love and war...until she finds herself facing the consequences of blindness. Her's is a story that serves as a warning to us all.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    Winner of the 1989 Pulitzer Prize and the Los Angeles Times Book Award for Poetry.

    This is popular Catholic history at its finest. The drama of the Great War and the Russian Revolution are juxtaposed with the spiritual dimension of the Age: the diabolism of Rasputin, the Apparition of the Virgin at Fatima, the malignancy of Lenin, the saintly courage of (the now blessed) Charles of Austria. Few standard histories have ever given such a high degree of consideration to the supernatural and the Christian interpretation of history as 1917 does.

    The authors, who have researched the subject of twin souls for over 30 years, explain how to find your true partner, how to recognize that partner, and what to do when you succeed.

    By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable.Includes forty pages of black-and-white drawings.

    The book has no illustrations or index.

    With Holocaust memories still painfully vivid, a question haunts us: how is this savagery possible? Michael A. Sells answers by demonstrating that the Bosnian conflict is not simply a civil war or a feud of age-old adversaries. It is, he says, a systematic campaign of genocide and a Christian holy war spurred by religious mythologies.This passionate yet reasoned book examines how religious stereotyping—in popular and official discourse—has fueled Serbian and Croatian ethnic hatreds. Sells, who is himself Serbian American, traces the cultural logic of genocide to the manipulation by Serb nationalists of the symbolism of Christ's death, in which Muslims are "Christ-killers" and Judases who must be mercilessly destroyed. He shows how "Christoslavic" religious nationalism became a central part of Croat and Serbian politics, pointing out that intellectuals and clergy were key instruments in assimilating extreme religious and political ideas.Sells also elucidates the ways that Western policy makers have rewarded the perpetrators of the genocide and punished the victims. He concludes with a discussion of how the multireligious nature of Bosnian society has been a bridge between Christendom and Islam, symbolized by the now-destroyed bridge at Mostar. Drawing on historical documents, unpublished United Nations reports, articles from Serbian and Bosnian media, personal contacts in the region, and Internet postings, Sells reveals the central role played by religious mythology in the Bosnian tragedy. In addition, he makes clear how much is at stake for the entire world in the struggle to preserve Bosnia's existence as a multireligious society.

    Four years later, American aid workers found him at an orphanage in Antoura, Lebanon. He was among nearly 1,000 Armenian and 400 Kurdish children who had been abandoned by the Turkish administrators, left to survive at the orphanage without adult care.This memoir offers the extraordinary story of what he endured in those years—as his people were deported from their Armenian community, as his family died in a refugee camp in the deserts of Syria, as he survived hunger and mistreatment in the orphanage. The Antoura orphanage was another project of the Armenian genocide: its administrators, some benign and some cruel, sought to transform the children into Turks by changing their Armenian names, forcing them to speak Turkish, and erasing their history.Panian's memoir is a full-throated story of loss, resistance, and survival, but told without bitterness or sentimentality. His story shows us how even young children recognize injustice and can organize against it, how they can form a sense of identity that they will fight to maintain. He paints a painfully rich and detailed picture of the lives and agency of Armenian orphans during the darkest days of World War I. Ultimately, Karnig Panian survived the Armenian genocide and the deprivations that followed. Goodbye, Antoura assures us of how humanity, once denied, can be again reclaimed.