"They become home to us, tell us who we are, who we want to be. Over the years, they take on more and more embellishments and adornments until they eclipse the actual memory. They become our past just as a snapshot will, at first, enhance a memory, then replace it."As she remembers it now, Goldman's was an idyllic childhood, charmed even, filled with parental love and sisterly confidences. Growing up in Rock Hill, South Carolina, Judy and her older sister, Brenda, did everything together. Though it was clear from an early age that their personalities were very different (Judy was the "sweet" one, Brenda, the "strong" one), they continued to be fairly inseparable into adulthood.But the love between sisters is complex. Though Judy and Brenda remained close, Goldman recalls struggling to break free of her prescribed role as the agreeable little sister and to assert herself even as she built her own life and started a family.The sisters' relationship became further strained by the illnesses and deaths of their parents, and later, by the discovery that each had tumors in their breasts Judy's benign, Brenda's malignant. The two sisters came back together shortly before the possibility of permanent loss became very real. In her uniquely lyrical and poignant style, Goldman deftly navigates past events and present emotions, drawing readers in as she explores the joys and sorrows of family, friendship, and sisterhood.

    And more than helping you find your way out, this book will help you find your way through that place.

    As it turns out, this claim originated with the terrorist leaders themselves, who insisted that they would never recruit mentally unstable people to carry out suicide attacks. As these strikes have become both increasingly common and increasingly deadly, no one has challenged this conventional wisdom. These are fearless ideological warriors, we're told, who have the same resolve and commitment to their beliefs as our own Navy SEALs, because they're willing to die for the sake of their cause.In The Myth of Martyrdom, Adam Lankford argues that these so-called experts have it all wrong. The truth is that most suicide terrorists are like any other suicidal person—longing to escape from unbearable pain, be it depression, anxiety, marital strife, or professional failure. Their "martyrdom" is essentially a cover for an underlying death wish. Drawing on an array of primary sources, including suicide notes, love letters, diary entries, and martyrdom videos, Lankford reveals the important parallels that exist between suicide bombers, airplane hijackers, cult members, and rampage shooters. The result is an astonishing account of rage and shame that will transform the way we think of terrorism forever.We can't hope to stop these deadly attacks, Lankford argues, until we understand what's really behind them. This timely and provocative book flips a decades-old argument on its head—and has huge implications for our future.

    The result is a profound vision of the mourning process and a meditation on death's place in our lives, as well as a compilation of sensitive and moving expressions of consolation and condolence. Following the format of Rilke's classic, Letters to a Young Poet, this volume arranges a series of letters to Rilke's mourning friends, composed into a continuous, uninterrupted sequence, showcasing the full range of Rilke's thoughts on finding meaning and, perhaps, some form of comfort in the process of grieving.

    Young widows and widowers share thoughts and dilemmas about losing a loved one, what to tell young children experiencing a parent's death, returning to work and dealing with in-laws.

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    A collection of truly comforting, down-to-earth thoughts and meditations -- including the authentic voices of survivors -- for anyone grieving the loss of a loved one.

    She traveled extensively with her husband, Billy Graham, on his many Crusades around the world. While their five children were growing up, she took on the responsibilities of managing the household to give Billy the freedom to travel and preach wherever God called him.These poems, first published as a collection in 1977, are from all phases and periods of her life. "I wrote because, at times, I had to. It was write, or develop an ulcer-or forget," she said. "I chose to write. At times I even wrote for the sheer fun."Numerous family photos taken over the years-including some never before published-add a rich context to this edition, creating a treasured memory book of the life of this remarkable woman.

    From the author of I Love My Love comes this spiritual inquiry in four parts – the blues, epiphany, prayer, and rebirth.A Psalm for Us is Reyna "Biddy" Mays's soulful collection of prose, self-affirmations, spoken word poems, and short stories exploring questions of faith and self.

    For 'Seattlite' Parrott, rain isn't a date-canceling, mood-altering nuisance. Rather, that first drop of rain and the following drizzle or downpour is a persistent, positive, mystical fact of life that both confirms the presence of God and underscores his (seeming) absences. Through original poetry, vividly-drawn vignettes, and honest reflection, Parrott mixes images of rain and 'wasteland' to explore the daily juxtaposition of deluge and desert we all encounter. A conversation about grief and death takes place in lush gardens teeming with life. A prayer, delivered and answered at a dying friend's bedside, leads to bittersweet understanding. And personal confidences ('My flaws and fears are so real, they demand my full attention.') strike a chord in all of us who struggle earnestly, if sometimes defiantly, to see God's purpose in everything.

     Gawande draws on clinical studies, case histories and stories from his own experiences as a doctor and a son to illuminate the subject of mortality relative to modern medical systems. His treatment of the subject covers a broad range of institutions and individuals that shape the lives of the aged and terminally ill. The central thesis of the book is that the experience of the end of life has been problematized and addressed by medical models that place extending life over quality of life and institutional frameworks that place safety and efficiency over the ability for people to have autonomy over the last part of their lives. Gawande is a surgeon at Brigham and Women’s Hospital and a professor at the Harvard Medical School. He is a writer at The New Yorker magazine and author of three New York Times bestselling books.

    depicts different love stories from the initial spark to the last heartbreak and writes in verses the heartache we've all been through. A poetry book to make your heart smile and weep at the same time.

    As the leader of Central Christian Church in the self-proclaimed "Sin City, U.S.A.," Jud Wilhite has seen it all, and he knows that no matter how far someone has strayed from God, God always remains in passionate pursuit. Using the biblical prophet Hosea's marriage, commanded by God, to an unfaithful prostitute as a metaphor for God's unwavering love, PURSUED compellingly illustrates God's plan for every person-to be freed to become his or her own unique self through intimate togetherness with the living, loving God.

    D. Wilson reminds each of us that to truly live we must recognize that we are dying. Every second we create more of our past—more decisions, more breathing, more love and more loathing, all of it slides by into the gone as we race to grab at more moments, at more memories made and already fading.We are all authors, creators of our own pasts, of the books that will be our lives. We stare at the future or obsess about the present, but only the past has been set in stone, and we are the ones setting it. When we race across the wet concrete of time without purpose, without goals, without laughter and love and sacrifice, then we fail in our mortal moment. We race toward our inevitable ends without artistry and without beauty.All of us must pause and breathe. See the past, see your life as the fruit of providence and thousands of personal narratives. What led to you? You did not choose where to set your feet in time. You choose where to set them next.Then, we must see the future, not just to stare into the fog of distant years but to see the crystal choices as they race toward us in this sharp foreground we call the present. We stand in the now. God says create. Live. Choose. Shape the past. Etch your life in stone, and what you make will be forever.

    But is it? In an age when we are endlessly urged to do “more with less”, can we still romanticise the pretensions of minimalism? For Pier Vittorio Aureli, the return of “austerity chic” is a perversion of what ought to be a meaningful way of life. Charting the rise of asceticism in early Christianity and its institutionalisation with the medieval monasteries, Aureli examines how the basic unit of the reclusive life – the monk’s cell – becomes the foundation of private property. And from there, he argues, it all starts to go wrong. By late capitalism, asceticism has been utterly aestheticised. It manifests itself as monasteries inspired by Calvin Klein stores, in the monkish lifestyle of Steve Jobs and Apple’s aura of restraint. Amid all the hypocrisy, it must still be possible to reprise the idea of “less” as a radical alternative, as the first step to living the life examined.