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    Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. Monster.Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.O'BrienLet me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .SteveYou think we're going to win ?O'Brien (seriously)It probably depends on what you mean by "win."Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

    When Stacey levels charges against four of Kate’s classmates, the whole town erupts into controversy. Facts that can’t be ignored begin to surface, and every answer Kate finds leads back to the same question: Where was Ben when a terrible crime was committed?This story—inspired by real events—from debut novelist Aaron Hartzler takes an unflinching look at silence as a form of complicity. It’s a book about the high stakes of speaking up, and the razor thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

    But soon after, Mikaela and her fiancé are in a tragic car accident, resulting in her husband-to-be’s death. Then when Mikaela’s grandmother loses her life in a hiking accident one year later, an old man gives Mikaela another mysterious blue card at the funeral. After the service, Mikaela’s grandfather asks that she oversee the renovations on his bed & breakfast in New Zealand. When she arrives, Mikaela meets Tui Davies—the inn’s manager—and Brentin Williams, the man Tui expects her daughter to marry. Tui helps Mikaela retrieve a doll from the cellar vault, but the doll turns out to be an evil omen that Mikaela is told she must get rid of before someone is murdered. Meanwhile, the old man from the funeral is bent on revenge and is plotting against everyone who has ever wronged him, and Mikaela is next in line. But until she discovers the killer’s contact in New Zealand, whom can she trust? And while Brentin attempts to help Mikaela overcome her grief, she must decide—is she ready to love again?