(doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

    Pearl, thinking that Bessie will recover from her illness and live for many more years, agrees, but less than a week later, Bessie passes away.Pearl will now have to take over Nora’s care and plans to take her to Winchester. However, when Bessie’s will is read, she has left the shop and premises to Pearl, yet with a proviso. Pearl not only has to take over Nora’s care, she must do it in Battersea, moving into the shop and premises and living there for the rest of Nora’s natural life. Then, and only then, can she sell up.While Pearl is persuaded to move back to Battersea, Kevin is granted parole but desperate for money, approaches his parents. Once he gets what he wants Kevin intends to see his son, and nothing is going to stand in his way.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    Afflicted with Klein-Levin Syndrome, she suffers episodes of prolonged sleep that steal weeks, and sometimes even months, from her life. But unlike most KLS patients, she doesn’t spend each episode in a catatonic state or wake up with no recollection of the time she’s missed. Instead, Bryn spends half her life in an alternate reality made up of her memories. For Bryn, the past is a place, until one day a boy she’s never met before washes up on the illusory beach of her dreams with no memory of who he is.But the appearance of this strange boy isn’t the only thing that’s changed. Bryn’s symptoms are worsening, her body weakening as she’s plagued by hallucinations even while awake. Her only hope of finding a cure is to undergo experimental treatment created by a German specialist. But when Dr. Banz reveals that he knows more about her strange symptoms than he originally let on, Bryn learns that the boy in her head might actually be the key to understanding what’s happening to her, and worse, that if she doesn’t find out his identity before it’s too late, they both may not survive.

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    He's a raven-haired, handsome charmer who seems to dote on Kerri. But Brendan isn't the man he says he is. Miranda should know, because she broke off her own affair with him just a few weeks ago when she found him reading her diary.Now Brendan claims that it was he who ended their short-lived relationship—and everyone believes him. When he and Kerri announce their engagement, Miranda's parents are thrilled for their shyer, less confident daughter. Then Kerri and Brendan beg Miranda to let them live in her apartment until their new home is ready. Against her better judgment, Miranda agrees.Like a virus, Brendan starts spreading destruction throughout her life. He invades her privacy and disrupts her relationships with her family and friends. And then the real nightmare begins.…Like the obscenities he whispers into her ear, his onslaughts are as undetectable as they are devastating. Those closest to her begin to doubt her mental stability and accuse her of the very thing she believes drives Brendan: obsession. When Miranda decides to take off the gloves, fight back, and discover what is behind her enemy's bemused, secret smile, the consequences will be terrifying.

    Howe, engineered by Kim King) Dying billionaire Trevor Stone hires Boston private detectives Patrick Kenzie and Angela Gennaro to find his missing daughter. Grief-stricken over the death of her mother and the impending death of her father, Desiree Stone has been missing for three weeks. So has the first investigator hired to find her: Jay Becker, Patrick's mentor. Gone Baby Gone (read by Robert Lawrence, directed by Bill Weideman, engineered by Jeremy Spanos) Boston PIs Patrick Kenzie and Angela Gennaro have been hired to find a six-year-old girl who vanished from her home without a trace. Despite enormous public attention, extensive news coverage, and dogged police work, the investigation has gone nowhere. But it's a case rife with sinister circumstances: a strangely indifferent mother, a pedophile couple, a bizarre subculture of homeless parents, and a shadowy police unit with a covert agenda and no qualms about enforcing it. Prayers for Rain (read by Thomas J.S. Brown, directed by Sandra Burr, engineered by Jill Sovis) Boston private investigators Patrick Kenzie and Angela Gennaro's relationship has hit the skids. But despite their problems, they join forces to close down a predator whose modus operandi seems to put him beyond the law. This killer's insidious murder weapon is within his victim's mind: no smoking gun, no bloody knife, just merciless manipulation that drives his targets to kill themselves.

    Doctors tell him not to expect a recovery, but he believes that love can accomplish what medical science cannot. Daily he sits at her bedside, telling her stories of the precious life they have built together, hoping against hope that she will wake up. But then he discovers evidence of his wife’s secret past: a hidden first marriage to movie star Julian True.Desperate to bring Mikaela back at any cost, Liam knows he must turn to Julian for help. But will that choice cost Liam his wife, his family, and everything he holds dear? One of Kristin Hannah’s most moving novels, Angel Falls is a poignant and unforgettable portrait of marriage and commitment, of an ordinary man who dares to risk everything in the name of love.

    The story is a dark comedy about a suicidal young man named John Campbell who, after a failed suicide attempt, heads to Virginia to visit an aunt he hasn’t seen in ten years. But his rental car runs out of gas deep in the mountains. When he decides to walk in the middle of the night, he winds up in a town that is isolated from the rest of the world—Strangeville. Unable to leave, he meets an assortment of loveable oddball characters—the beautiful Delilah, Klemm Johnson, Clarissa Puddworthy, Biff Flannigan, Jeboriah Varmint, Cleetus McChoparooski, and others.

    While holding its audience with the gripping tension of a detective thriller, it is also a philosophical play about social conscience and the crumbling of middle class values. Time and the Conways and I Have Been Here Before belong to Priestley's 'time'plays, in which he explores the idea of precognition and pits fate against free will. The Linden Tree also challenges preconceived ideas of history when Professor Linden comes into conflict with his family about how life should be lived after the war.

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    Paralyzed by grief and unable to put his thoughts into words, Nick, a fire captain, seeks out the help of a writer to compose eulogies for the colleagues and friends he lost in the catastrophic events of September 11, 2001. As Joan, an editor by trade, draws Nick out about “the guys,” powerful profiles emerge, revealing vivid personalities and the substance and meaning that lie beneath the surface of seemingly unremarkable people. As the individual talents and enthusiasms of the people within the small firehouse community are realized, we come to understand the uniqueness and value of what each person has to contribute. And Nick and Joan, two people who under normal circumstances never would have met, jump the well-defined tracks of their own lives, and so learn about themselves, about life, and about the healing power of human connection, through talking about the guys.