All Hallows' Eve is the story of a man and woman whose love was so great it could bridge the gap of death; of evil so terrible as to be unmentionable, of a vision so beautiful it must be true.

    In Temples, Tombs, and Hieroglyphs, Dr. Mertz explores the breathtaking reality behind her fiction by casting a dazzling light on a remarkable civilization that, even after thousands of years, still stirs the human imagination and inspires awe with its marvelous mysteries and amazing accomplishments.A fascinating chronicle of an extraordinary epoch—from the first Stone Age settlements through the reign of Cleopatra and the Roman invasions—Temples, Tombs, and Hieroglyphs brings ancient Egypt to life as never before. Lavishly illustrated with pictures, maps, photographs, and charts, it offers tantalizing glimpses into Egyptian society and everyday life; amazing stories of the pharaohs and the rise and fall of great dynasties; religion and culture; folklore and fairy tales; stories of the explorers, scientists, and unmitigated scoundrels who sought to unravel or exploit the ageless mysteries; and breathtaking insights into the magnificent architectural wonders that rose up from the desert sands.Revised and updated to include the results of the most recent historical research and archaeological finds, Dr. Mertz's book is unhampered by stuffy prose and dry academic formality. Instead, it is a vibrant, colorful, and fun excursion for anyone who's ever fantasized about exploring the Valley of the Kings, viewing up close the treasures of the temple of Queen Hatshepsut, or sailing down the Nile on Cleopatra's royal barge.

    Among them is Albert, a disowned scion searching for an identity, and his too-beautiful companion Nadine, who is irresistibly drawn to the desert and the inscrutable vortex of Windcote. Living deep within this world of fevers and failures is the indomitable child Destina, who will lead them into the heart of a mysterious canyon, where desire and cruelty forge an implacable truth.Dorothea Tanning, whose surrealist vision has been acclaimed worldwide as one of our era s most bold and acute, brings her formidable imagination and exquisite prose style to bear on a novel of incantatory power. As perceptively inventive as Jeanette Winterson's Oranges Are Not the Only Fruit and as disquieting as Henry James's The Turn of the Screw, Chasm is a novel that will linger in the memories of readers long after they turn its last page.It seems hardly fair that Dorothea Tanning, in a long, passionately inventive career as a painter, should have acquired as well the other harmony of prose, and that her passionate inventions as a writer should be so lovingly, so wisely resolved. Richard Howard

    Volume 1 of this comprehensive social history of art takes the reader from prehistoric naturalism, art and magic, through the art of the orient, ancient Greece and Rome to the high art of the European middle ages.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    The last few millions of the human race are gathered together in a gigantic metal pyramid, the Last Redoubt, under siege from unknown forces and Powers outside in the dark. These are held back by a Circle of energy, known as the "air clog," powered from the Earth's internal energy. For millennia, vast living shapes - the Watchers - have waited in the darkness near the pyramid: it is thought they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness beyond, some of unknown origins, and others that may once have been human.To leave the protection of the Circle means almost certain death, or worse, but as the story commences, the narrator establishes mind contact with an inhabitant of another, forgotten, Redoubt, and sets off into the darkness to find her.

    In Surreal Lives, Ruth Brandon follows the lives and interactions of such firecracker minds as the movement's didactic "Pope," Andre Breton, and the ambitious and manic Salvador Dali, as well as Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray, Max Ernst, and filmmaker Luis Bunuel. It charts their shifting allegiances, and their ties to muses and patrons like Gala Dali and Peggy Guggenheim. Ruth Brandon spins the many stories of Surrealism with wit, energy, and insight, bringing sharp analysis to an eccentric cast of characters whose struggles and achievements came to mirror and define the way the world changed between the wars. "Fascinating, impassioned... admirable [for] the masterly storytelling, the richness of anecdotal incident, the keen reporting of intellectual enthusiasms and artistic collaborations, and the panorama of a spectacular cultural galaxy." -- The New York Times Book Review; "Superbly entertaining... A cousin to Malcolm Cowley's Exile's Return." -- Michael Dirda, The Washington Post Book World; "A lively and absorbing complement to [the Surrealists'] work." -- The New Yorker

    The first of Roussel's two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a highly individual fashion and with an unusual time sequence, whereby the reader is even made to choose whether to begin with the first or the tenth chapter.A veritable literary melting pot, Roussel's groundbreaking text makes ample use of wordplay and the surrealist techniques of automatic writing and private allusion.

    In stories touched by the fantastical and the strange, and filled with humor, irony, and menace, Buzzati illuminates the nightmarish side of our ordinary existence.From “The Epidemic,” which traces the gradual effects of a “state influenza” that targets those who disagree with the government, to “The Collapse of Baliverna,” where a man puzzles over whether a misstep on his part caused the collapse of a building, to “Seven Floors,” which imagines a sanatorium where patients are housed on each floor according to the gravity of their illness and brilliantly highlights the ominous machinations of bureaucracy, Buzzati’s surreal, unsettling tales reckon with the struggle that lies beneath everyday interactions, the sometimes perverse workings of human emotions and desires, and, with wit and pathos, describe the small steps we take as individuals and as a society in our march toward catastrophe.With hints of Kafka and Edgar Allan Poe, Catastrophe, published for the first time in the United States, feels as timely today as ever.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    This seductively beautiful replica of a 19th-century travel book—replete with illustrations of sights you will never see and maps that may plummet you into a different era—guides readers through the Paris that is, that might be, and that never was. Amid the Parisian locales you know and love, unheard-of temptations abound. If your visit to the Cafe Conjugal ends in a spat, you can make up at the luscious and fantastic Museum of Lips and Books. From the disconcerting Brasserie Loplop, steal your chair for the Cinema Pont Neuf, whose movies flow onto the Seine. Your curiosity sated for the day, check into Hotel des Etrangers, where phantoms change the sheets and your room in the middle of the night. Unhandy glossaries help you talk your way through these provocative encounters, with such apropos comments as J'aimerais sortir avec votre hyene pour boire un verre (I'd like to take your hyena out for a drink). A rare and rowdy entertainment that dares its readers to explore a Paris one can only wish existed.

    mixed-genre, illustrations by Kristian Hoffman

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.