The cereal aisle no less.Trophy wife Miranda has got it all – expensive clothes, a huge house, and her wealthy husband Doug. So why does she feel like something is missing?Teenager Faye hates being treated like a child. She wants glamour and excitement – anything to get away from her mundane family life.Three women, each with two options, needing to make one choice.The perfect holiday read for fans of Erica James, Catherine Alliot and Fiona Gibson.

    And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

    He shops every Wednesday, goes to Temple, and worries about his granddaughter, Priya, who hides in her room reading while he spends his evenings watching nature documentaries.Aleisha is a bright but anxious teenager working at the local library for the summer when she discovers a crumpled-up piece of paper in the back of To Kill a Mockingbird. It’s a list of novels that she’s never heard of before. Intrigued, and a little bored with her slow job at the checkout desk, she impulsively decides to read every book on the list, one after the other. As each story gives up its magic, the books transport Aleisha from the painful realities she’s facing at home.When Mukesh arrives at the library, desperate to forge a connection with his bookworm granddaughter, Aleisha passes along the reading list… hoping that it will be a lifeline for him too. Slowly, the shared books create a connection between two lonely souls, as fiction helps them escape their grief and everyday troubles and find joy again.

    James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    For Eneas McNulty, a happy, innocent childhood in County Sligo in the early 1900s gives way to an Ireland wracked by violence and conflict. Unable to find work in the depressed times after World War I, Eneas joins the British-led police force, the Royal Irish Constabulary—a decision that alters the course of his life. Branded a traitor by Irish nationalists and pursued by IRA hitmen, Eneas is forced to flee his homeland, his family, and Viv, the woman he loves. His wandering terminates on the Isle of Dogs, a haven for sailors, where a lifetime of loss is redeemed by a final act of generosity. The Whereabouts of Eneas McNulty is the story of a lost man and a compelling saga that illuminates Ireland's complex history.

    When she lands a lucrative three-book deal with an eminent publisher, she thinks her problems are all over. However, Gwen's need to be near her sick mother means she’s unable to travel to London to work with her devilishly desirable editor, John Thatcher, and he must come and stay with her in Wales. Handsome and eminently capable, cosmopolitan John is used to getting his own way and has plans for the future which certainly don’t include being distracted by pretty Welsh girls; nevertheless when he journeys into the country to work with Gwen it’s not long before he finds himself falling in love with her, as well as the house she’s so anxious to save. But is John capable of loving anyone as much as his job? And when he has to decide between his goals and Gwen, which will he choose?

    She also has a stammer. But when the enigmatic and eminently eligible Earl of Rule offers for her oldest sister’s hand – a match that makes financial and social sense, but would break her heart – it is Horatia who takes matters into her own impetuous hands. Can she save her family’s fortune? Or is she courting disaster? Witty, charming, elegant, and always delightful, Georgette Heyer – the undisputed queen of Regency Romance – brings the whole period to life with deft precision and glorious characters.

    Porritt, a plumber, into "good service" on a country estate. One of the precipitating events was her having tea at the Ritz. Obviously didn't know her place! How worrisome! Lovely, thoughtful, full of marvelous characters and an abundance of humor.

    This is the English village of Fairacre: a handful of thatch-roofed cottages, a church, the school, the promise of fair weather, friendly faces, and good cheer -- at least most of the time. Here everyone knows everyone else's business, and the villagers like each other anyway (even Miss Pringle, the irascible, gloomy cleaner of Fairacre School). With a wise heart and a discerning eye, Miss Read guides us through one crisp, glistening autumn in her village and introduces us to a cast of unforgettable characters and a world of drama, romance, and humor, all within a stone's throw of the school. By the time winter comes, you'll be nestled snugly into the warmth and wit of Fairacre and won't want to leave.

    Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.

    At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    . . 'Yes. It's only - I'm very fond of Alfred, ' said Laura, taking the plunge and temporarily unaware that almost all wives begin conversations about almost all husbands in precisely the same way."Laura has been married for seven years. On those occasions when an after-dinner snooze behind The Times seems preferable to her riveting conversation about their two small sons, Laura dismisses the notion that Alfred does not understand her, reflecting instead that they are what is called happily married. At thirty-four, Laura wonders if she's ever been in love -- a ridiculous thing to ask oneself. Then Duke Ayland enters her life and that vexing question refuses to remain unanswered . . . With Laura, beset by perplexing decisions about the supper menu, the difficulties of appeasing Nurse, and the necessity of maintaining face within the small village of Quinnerton, E.M. Delafield created her first "Provincial Lady." And in the poignancy of Laura's doubts about her marriage, she presents a dilemma which many women will recognise.

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man twenty years her senior.A rising star in the London arts scene of the early 1970s, gifted composer Ralph Boyd is approached by renowned novelist Edmund Greenslay to score a stage adaptation of his most famous work. Welcomed into Greenslay’s sprawling bohemian house in Putney, an artistic and prosperous district in southwest London, the musical wunderkind is introduced to Edmund’s beautiful activist wife Ellie, his aloof son Theo, and his nine-year old daughter Daphne, who quickly becomes Ralph’s muse.Ralph showers Daphne with tokens of his affection—clandestine gifts and secret notes. In a home that is exciting but often lonely, Daphne finds Ralph to be a dazzling companion. Their bond remains strong even after Ralph becomes a husband and father, and though Ralph worships Daphne, he does not touch her. But in the summer of 1976, when Ralph accompanies thirteen-year-old Daphne alone to meet her parents in Greece, their relationship intensifies irrevocably. One person knows of their passionate trysts: Daphne’s best friend Jane, whose awe of the intoxicating Greenslay family ensures her silence.Forty years later Daphne is back in London. After years lost to decadence and drug abuse, she is struggling to create a normal, stable life for herself and her adolescent daughter. When circumstances bring her back in touch with her long-lost friend, Jane, their reunion inevitably turns to Ralph, now a world-famous musician also living in the city. Daphne’s recollections of her childhood and her growing anxiety over her own young daughter eventually lead to an explosive realization that propels her to confront Ralph and their years spent together.Masterfully told from three diverse viewpoints—victim, perpetrator, and witness—Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.