There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one...

    When his wife is murdered, everything points to his guilt, even a handwritten confession. But the police discover Jacob Jones's diary, which tells a different story. Is Jones' diary a confession?

    After a chance encounter she befriends the Gillespie family and soon becomes a fixture in all of their lives. But when tragedy strikes - leading to a notorious criminal trial - the promise and certainties of this world all too rapidly disorientate into mystery and deception.Featuring a memorable cast of characters, infused with atmosphere and period detail, and shot through with wicked humour, Gillespie and I is a tour de force from one of the emerging names of British fiction.

    He makes disturbing predictions, claiming to be haunted by the spectre of his late mother. As September slips away and December looms, Rachel grows increasingly suspicious of her husband - and begins to fear there might be truth in Jamie's words:"YOU WILL BE DEAD BY CHRISTMAS."

    Northumberland, 1809: A beautiful young heiress disappears from her locked bedchamber at Linn Hagh.The local constables are baffled and the townsfolk cry ‘witchcraft’.The heiress’s uncle summons help from Detective Lavender and his assistant, Constable Woods, who face one of their most challenging cases: The servants and local gypsies aren’t talking; Helen’s siblings are uncooperative; and the sullen local farmers are about to take the law into their own hands.Lavender and Woods find themselves trapped in the middle of a simmering feud as they uncover a world of family secrets, intrigue and deception in their search for the missing heiress.Taut, wry and delightful, The Heiress of Linn Hagh is a rollicking tale featuring Lavender and Woods—a double act worthy of Holmes and Watson. Revised edition: This edition of The Heiress of Linn Hagh includes editorial revisions.

    John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed him to be dead.

    Was Victoria really the assassin’s target? Are those closest to the Crown hiding something? And who is the shadowy figure witnesses describe as having lifeless, coal-black eyes?Soon, Field’s investigation exposes a shocking conspiracy in which the publication of Charles Darwin’s controversial On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a madman named the Chorister. As the investigation takes Field from the dangerous alleyways of London to the hallowed halls of Oxford, the list of possible conspirators grows, and the body count escalates. And as he edges closer to the Chorister, he uncovers dark secrets that were meant to remain forever hidden. Tim Mason has created a rousing page-turner that both Charles Dickens and Sir Arthur Conan Doyle would relish and envy.

    Jack's in charge, she said. I won't be long.But she doesn't come back. She never comes back. And life as the children know it is changed for ever.Three years later, mum-to-be Catherine wakes to find a knife beside her bed, and a note that says: I could have killed you.Meanwhile Jack is still in charge - of his sisters, of supporting them all, of making sure nobody knows they're alone in the house, and - quite suddenly - of finding out the truth about what happened to his mother.But the truth can be a dangerous thing ...

    But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

      The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society’s most influential women, who have come to rely on her wit and discretion.   So, when artistocratic wastrel Jasper Aimesworth is found dead in London’s most exclusive ballroom, Almack’s, Rosalind must use her skills and connections to uncover the killer from a list of suspects that includes Almack’s powerful patronesses and her former suitor Devon Winterbourne, now Lord Casselmaine.   Torn between her old love and a growing attraction to a compelling Bow Street runner, Rosalind must not only unravel the mysteries surrounding Jasper’s death, but the mysteries of her own heart as well...

    . . Murder at leisure?London, 1888: Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes.Thomas's behavior becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. The gentle caresses she enjoyed on her wedding night are now just a honeyed memory.When the first woman is murdered in Whitechapel, Susannah's interest is piqued. But as she follows the reports of the ongoing hunt for the killer, her mind takes her down the darkest path imaginable. Every time Thomas stays out late, another victim is found dead.Is it coincidence? Or is her husband the man they call Jack the Ripper?

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    Desperate to earn money he accepts the job of being the government's Investigator; an official who discovers whether petitions for mercy sent by condemned criminals should be granted. His first case concerns a portrait painter who is due to hang for murder in a week's time and the government makes it clear that they want the verdict confirmed.But Rider Sandman, whose qualifications for the post are nonexistent, discovers that the painter is almost certainly innocent and, as he peels back the layers of a corrupt penal system, he finds himself pitted against some of the wealthiest and most ruthless men in Regency England who want to keep the truth hidden.