When she discovers that her seventeen-year-old daughter, "stupid Sulfia," is pregnant by an unknown man she does everything to thwart the pregnancy, employing a variety of folkloric home remedies. But despite her best efforts the baby, Aminat, is born nine months later at Soviet Birthing Center Number 134. Much to Rosa's surprise and delight, dark eyed Aminat is a Tartar through and through and instantly becomes the apple of her grandmother's eye. While her good for nothing husband Kalganow spends his days feeding pigeons and contemplating death at the city park, Rosa wages an epic struggle to wrestle Aminat away from Sulfia, whom she considers a woefully inept mother. When Aminat, now a wild and willful teenager, catches the eye of a sleazy German cookbook writer researching Tartar cuisine, Rosa is quick to broker a deal that will guarantee all three women a passage out of the Soviet Union. But as soon as they are settled in the West, the uproariously dysfunctional ties that bind mother, daughter and grandmother begin to fray.Told with sly humor and an anthropologist's eye for detail, The Hottest Dishes of the Tartar Cuisine is the story of three unforgettable women whose destinies are tangled up in a family dynamic that is at turns hilarious and tragic. In her new novel, Russian-born Alina Bronsky gives readers a moving portrait of the devious limits of the will to survive.

    But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC. Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    Skip forward sixty years, and Crimea is a booming Hong Kong to the U.S.S.R.’s China. To the contemporary Soviet reader, almost every word in that opening sentence invited giggles of dizzy disorientation.

    Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

    Living on their uncle’s farm after the death of their father, the boys once spent their days helping farmers in collective fields, their nights spellbound by their uncle’s mythic tales. Years later, the two men labor side by side at the Oranzheria, a sea of glass—the largest greenhouse in the world—that sprawls over acres of cropland. Lit by space mirrors orbiting above, it ensnares the denizens of Petroplavilsk in perpetual daylight and constant productivity, leaving the twins with only work in common—stalwart Yarik married with children, oppressed by the burden of responsibility; dreamer Dima living alone with his mother and rooster, wistfully planning the brothers’ return to their uncle’s land.But an encounter with the Oranzerhia’s billionaire owner changes their lives forever. Dima drifts into a laborless life of bare subsistence while Yarik begins a head-spinning ascent from promotion to promotion until both men become poster boys for opposing ideologies, pawns at the center of conspiracies and deceptions that threaten to destroy not only the lives of those they love but the very love that has bonded the brothers since birth. This is a breathtakingly ambitious novel of love, loss, and light, set amid a bold vision of an alternative present-day Russia.

    An entertaining and whimsical novel from the Soviet Union about the misadventures of a half-demon violist sent to wreak havoc on Earth.

    Caught up in the chaos are two lovers: The Master, a writer broken by criticisms of his novel about Pontius Pilate, and Margarita, for whom the devil has his own plans. Initially banned by the very bureaucracy it criticised, Bulgakov's satirical novel comes to life in this new adaptation. Mixing absurdity and erudition, it depicts fantastical events with a macabre humour, contrasting mischief and murder with humility and love.

    CONTENTS Precious Dust Inscription On a Rock Artificial Flowers My First Short Story Lightning Characters Revolt The Story of a Novel The Heart Remembers Treasury of Russian Words Vocabulary Notes Incident at "Alshwang Stores" Some Sidelights on Writing Atmosphere and Little Touches "White Nights" Fountain-Head of Art The Night Coach A Book of Biographical Sketches The Art of Perceiving the World In a Lorry A Word to Myself

    A group of refugees, fleeing from the ruins of their plundered homes, arrive asking for protection - and suddenly the drama of the Passion becomes reality.

    Otets Sergiy) is a story written by Leo Tolstoy between 1890 and 1898 and first published (posthumously) in 1911.For some weeks Father Sergius had been living with one persistent thought: whether he was right in accepting the position in which he had not so much placed himself as been placed by the Archimandrite and the Abbot. That position had begun after the recovery of the fourteen-year-old boy. From that time, with each month, week, and day that passed, Sergius felt his own inner life wasting away and being replaced by external life.

    With its lively style and psychological insight, this memoir about Sergei Esenin has abiding value for scholar and general reader alike.

    His best-known work tells the tale of Rubashov, a Bolshevik 1917 revolutionary who is cast out, imprisoned and tried for treason by the Soviet government he'd helped create.Darkness at Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he relives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, it asks questions about ends and means that have relevance not only for the past but for the perilous present. It is —- as the Times Literary Supplement has declared —- "A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama."

    Rudin is made impotent by the dissonance of honoring the older generations while at the same time embracing the new bold epoch of pre-revolutionary Russia. The theme of melancholic powerless men coupled with vital idealistic women is prevalent in Turgenev's work, and it would be hard to find a clearer study of the type than RUDIN.

    The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps.Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable.And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno.