Best of
Memoir

1926

You Can't Win


Jack Black - 1926
    Jack Black's autobiography was a bestseller and went through five printings in the late 1920's. It has led a mostly subterranean existence since then - best known as William S. Burrough's favorite book, one he admitted lifting big chunks of from memory for his first novel, Junky. But it's time we got wise to this book, which is in itself a remarkably wise book - and a ripping true saga. It's an amazing journey into the hobo underworld: freight hopping around the still wide open West at the turn of the 20th century, becoming a member of the "yegg" (criminal) brotherhood and a highwayman, learning the outlaw philosophy from Foot-and-a-half George and the Sanctimonious Kid, getting hooked on opium, passing through hobo jungles, hop joints and penitentiaries. This is a chunk of the American story entirely left out of the history books - it's a lot richer and stranger than the official version. This new edition also includes an Afterword that tells some of what became of Black after he wore out the outlaw life and washed up in San Francisco, wrote this book and reinvented himself.

In Quest Of The Perfect Book: Reminiscences & Reflections Of A Bookman


William Dana Orcutt - 1926
    

Toward the Flame: A Memoir of World War I


Hervey Allen - 1926
    Made up primarily of Pennsylvania National Guardsmen, the Twenty-eighth Division saw extensive action on the Western Front. The story begins with Lieutenant Allen and his men marching inland from the French coast and ends with their participation in the disastrous battle for the village of Fismette. Allen was a talented observer, and the men with whom he served emerge as well-rounded characters against the horrific backdrop of the war. As a historical document, Toward the Flame is significant for its highly detailed account of the controversial military action at Fismette. At the same time, it easily stands as a work of literature. Clear-eyed and unsentimental, Allen employs the novelist’s powers of description to create a harrowing portrait of coalition war at its worst.