He was personally responsible for transporting over two million Jews to their deaths in Auschwitz-Birkenau and other death camps. This is the first account of Eichmann's life to appear since the aftermath of his famous trial in 1961 and his subsequent execution in Jerusalem a year later. It reveals that the depiction of Eichmann as a loser who drifted into the ranks of the SS is a fabrication that conceals Eichmann's considerable abilities and his early political development. Drawing on recently unearthed documents, David Cesarani shows how Eichmann became the Reich's "expert" on Jewish matters and reveals his initially cordial working relationship with Zionist Jews in Germany, despite his intense anti-Semitism. Cesarani explains how the massive ethnic cleansing Eichmann conducted in Poland in 1939-40 was the crucial bridge to his later role in the mass deportation of the Jews. And Cesarani argues controversially that Eichmann was not necessarily predisposed to mass murder, exploring the remarkable, largely unknown period in Eichmann's early career when he first learned how to become an administrator of genocide. This challenging work deepens our understanding of Adolf Eichmann and offers fresh insights both into the operation of the Final Solution and the making of its most notorious perpetrator.

    Ruth Elias, a young Jewish woman from Czechoslovakia, survived three years in the Nazi camps of Theresienstadt and Auschwitz. In this haunting testimony, she relives the day-to-day conditions and horrific inhumane treatment of those years. She describes in painful detail how, having given birth in Auschwitz, she and her baby became part of a sadistic experiment personally conducted by the infamous SS physician Dr. Josef Mengele. Triumph of Hope also vividly recounts the aftermath of imprisonment, the difficult adjustment to normal life after the war. Ruth Elias's story is a portrayal of the emotional and psychological state of life in chaotic postwar Europe: from the desperate, futile attempts to track down family and friends; to the unabated hostility of former neighbors; to the chilling indifference of those who knew nothing of the experience of the camps. For Ruth, hope would have to take the difficult path to a new life in a new land: Israel, where new challenges, new obstacles awaited.

    After their attempts to penetrate the Ghetto had failed, they decided to spare themselves casualties by destroying it from outside with cannon and aerial bombings. A few days later the Ghetto was totally destroyed. . . . The 'streets' were nothing but rows of smoldering ruins. It was hard to cross them without stepping on charred bodies."—Kazik When the Nazis decided to liquidate the Warsaw Ghetto in 1943, five hundred young Jewish fighters within the Ghetto rose up to defy them. With no weapons, no influence, and no experience in warfare, they managed to resist the Germans for almost a month. In the end, when the battle was lost, the surviving Jews were led out of the ruins through the sewers by a nineteen-year-old fighter known as Kazik. As head courier of the Jewish Fighting Organization (ZOB), which had planned and executed the uprising, Kazik spent the rest of the war helping to care for the several thousand Jews who still remained in Warsaw. This book—an extraordinary story of courage and perseverance—is Kazik's wartime memoir. In stark, spare detail, Kazik reports on the efforts to prepare for the defense of the Warsaw Ghetto, the calamitous battle with the Germans, and the rescue of the few Jews who were still alive after the Ghetto was destroyed. He describes how he assumed a false Aryan identity in order to pass through the city as he collected money and found hiding places for the survivors. Constantly on guard, fearful of informers, his life always in danger, he nevertheless plotted resourcefully to aid his fellow Jews. He tells how he joined the Poles during their ill-fated uprising against the Nazis in Warsaw in 1944, had further brushes with death assisting the Polish underground, and returned to Warsaw to watch its liberation by the Russian army. Suspenseful, moving, and remarkably heroic, Kazik's memoir is only the second source to be published on the Warsaw Ghetto Uprising. It will help demolish the image of Jews as submissive victims in the Holocaust.

    Decorated for bravery in World War I and the author of the acclaimed memoir from the western front, Storm of Steel, he frankly depicted the war’s horrors even as he extolled its glories. As a Wehrmacht captain during the Second World War, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat—writings that are of major historical and literary significance.Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. Working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict chaos and misery after the defeat at Stalingrad, as well as candid comments about the atrocities on the eastern front. Returning to Paris, Jünger observed resistance and was peripherally involved in the 1944 conspiracy to assassinate Hitler. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often hovering above them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving us fresh insight into the quandaries of the twentieth century from the keen pen of a paradoxical observer.Ernst Jünger (1895–1998) was a major figure in twentieth-century German literature and intellectual life. He was a young leader of right-wing nationalism in the Weimar Republic, but although the Nazis tried to court him, Jünger steadfastly kept his distance from their politics. Among his works is On the Marble Cliffs, a rare anti-Nazi novel written under the Third Reich.

    In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant.  A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life.   The trial atmosphere extends to the small group in the villa.  Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in.  The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

    Poles driven out of eastern regions controlled by the Russians move into the homes hastily abandoned by their previous inhabitants. In an area of the city graced with beech trees and a stately cathedral, the stories of old and new residents intertwine: Hanemann, a German and a former professor of anatomy, who chooses to stay in Danzig after the mysterious death of his lover; the Polish family of the narrator, driven out of Warsaw; and a young Carpathian woman who no longer has a country, her cheerful nature concealing deep wounds.Through his brilliantly defined characters, stunning evocation of place, and memorable descriptions of a world that was German but survives in Polish households, Chwin has created a reality that is beyond destruction.

    He wants his photograph taken with me too. "You, Helga Goebbels, are my favourite girl in the whole world," he says. "If only you were 20 years older!" He leans over me, his smell like the furniture in the servants' quarters. The photographer is laughing. Papa is laughing. But I don't take any notice. I turn right away and stare at the camera.Chocolate Cake with Hitler tells the remarkable story of Helga Goebbels, twelve-year-old daughter of the Nazi Party's head of propaganda, who spent the last ten days of her life cooped up in Adolf Hitler's bunker in Berlin.As defeat closes in on the Germans, life in the bunker becomes increasingly fraught. There's chocolate cake every day for tea with Uncle 'Leader', but Helga cannot help noticing that all is not well among the grown-ups. Her parents grow more and more distracted and tense, the bunker grows daily more empty and, as even the soldiers who have been guarding them take their leave, Helga is faced with a terrible truth. Perhaps her golden childhood has not been all that it seemed...

    Chief of the Nazi Criminal Police, the SS Security Service, and the Gestapo, ruthless overlord of Nazi-occupied Bohemia and Moravia, and leading planner of the "Final Solution," Heydrich played a central role in Hitler's Germany. He shouldered a major share of responsibility for some of the worst Nazi atrocities, and up to his assassination in Prague in 1942, he was widely seen as one of the most dangerous men in Nazi Germany. Yet Heydrich has received remarkably modest attention in the extensive literature of the Third Reich.Robert Gerwarth weaves together little-known stories of Heydrich's private life with his deeds as head of the Nazi Reich Security Main Office. Fully exploring Heydrich's progression from a privileged middle-class youth to a rapacious mass murderer, Gerwarth sheds new light on the complexity of Heydrich's adult character, his motivations, the incremental steps that led to unimaginable atrocities, and the consequences of his murderous efforts toward re-creating the entire ethnic makeup of Europe.

    A starling reassessment of Hitler's aims and motivations, Frederic Spotts' Hitler and the Power of Aesthetics is an adroitly argued and highly original work that provides a key to fuller understanding of the Third Reich. Spotts convincingly demonstrates that contrary to the traditional view that Hitler had no life outside of politics, Hitler's interest in the arts was as intense as his racism-and that he used the arts to disguise the heinous crimes that were the means to fulfilling his ends. Hitler's vision of the Aryan superstate was to be expressed as much in art as in politics: culture was not only the end to which power should aspire, but the means of achieving it. Filled with evocative photographs and reproductions from Hitler's 1925 sketchbook, "Spotts's study of the Fuhrer's fascination with architecture, painting, sculpture, and music is ...elegantly composed and richly documented" (The New Yorker).

    He brilliantly conveys what it was like to be facing death, day after day, night after night, with never a bed to sleep in nor a hot meal to go home to. This is warfare in the raw ' brutal, yet humorous, immensely tragic, but sadly, all true.

    I am writing my most hazardous book, says George Konrad. I have been sentenced to examine myself. The result is a rich, poetic story of a man, a family, and a country--a vital and sensuous story from the president of International PEN."

    Here he tells of the scorn and ridicule he endured for sounding the alarm when many still viewed Hitler as a positive and inevitable force. He recounts the sorrow of having to leave his home, friends, and family in Germany to conduct his fight against the Nazis from Austria. He tells how he defiantly challenged Nazism in the public square, prompting the German ambassador in Vienna to describe him to Hitler as “the architect of the intellectual resistance." And throughout it all, he conveys his unwavering trust in God, even during his harrowing escape from Vienna and his desperate flight across Europe, with the Nazis always just one step behind.

    He traces the origins of the movement among the veterans who returned from the trenches at the end of the First World War and who found themselves dissatisfied with the bourgeois, liberal society that arose in Germany during the Weimar Republic, and which in turn led to the rise of the paramilitary Freikorps units as well as the Conservative Revolutionary movement in intellectual circles. For Evola, all that was best in National Socialism had been inherited from this spirit. Overall, however, Evola takes the Third Reich to task for always remaining populist, for not establishing a genuine political order based on European traditions rather than a cult of personality, and for its misunderstanding of the issues of race and the Jews. All of this Evola attributes to a lack of connection to the transcendent and the traditional. Nevertheless, Evola recognises some good qualities in the Reich, and credits it with inculcating a strong warrior spirit and sense of the sacred in the German people, and for making efforts toward establishing an elite Order based on higher principles as embodied by the SS. While viewing the Reich as inadequate, Evola praises aspects of it for having been superior to the Europe which arose from its ashes, particularly when it represented pan-European impulses, as well as a rejection of both Communism and democracy in an effort to forge a political 'third way.' Julius Evola (1898-1974) was Italy's foremost traditionalist philosopher, as well as a metaphysician, social thinker and activist. Evola was an authority on the world's esoteric traditions and one of the greatest critics of modernity. He wrote extensively on the ancient civilisations of both East and West and the world of Tradition, and was also a critic of the political and spiritual movements of his own time from a traditional perspective.

    It has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience, and was directly associated with the horrors of the Second World War, which left more than 40 million dead and introduced inconceivable notions of inhumanity. The mere mention of the term today evokes visions of atrocities and ineffable cruelty. Yet, the end of the twentieth century appears to have spawned a renewed interest in fascism, suggesting that it is time for us to examine our understanding of its ideas, ideals, and inequities. Edited by Roger Griffin, described as 'the premier theorist {of fascism} of the younger generation' (Contemporary European History), this important Oxford Reader demonstrates why fascism strongly appeals to many people, and how dangerous the result of this fascination may be. It includes a wide selection of texts written by fascist thinkers and propagandists, as well as by prominent anti-fascists from both inside and outside Europe, before and after the Second World War. Included are texts on fascism in Germany and Italy, on the abortive pre-1945 fascisms in more than a dozen countries around the world, on reactions to fascism, and on post-war and contemporary fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this compelling anthology provides insight into the depths and breadths of the destructive repercussions of fascist ideology. In no other volume will students of political theory, history, sociology, and psychology have access to such a compendium of key texts on this simultaneoulsy intriguing and frightening political force.

    Many women in German high society were fascinated by Adolf Hitler and helped him to achieve political power, while women like filmmaker Leni Riefenstahl were fueling Hitler's propaganda machine. The private lives of Hitler's assistants' wives are also explored-revealing Magda Goebbels's complicity in the murder of her six children in 1945, Carin and Emmy Gring's relations with their morphine-addicted husbands, and the knowledge that Margaret Himmler had of her husband's actions as leader of the SS.