Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    In "The Old Man Who Said Why" a wise fairy's kind nature is taxed when one old man's questions throw the entire heavens into madness. In "The Elephant and the Butterfly" and "The House That Ate Mosquito Pie" shyness is overcome by the compelling love of new friends. "The Little Girl Named I" is a conversation between the author and a small girl, in the manner of A. A. Milne's Winnie-the-Pooh.Clever, insightful, and magical, peopled with vivid characters—a house that prefers one bird to any human inhabitants, an elephant paralyzed with delight, a fairy who "always breakfasted on light and silence"here are tales as only Cummings could write them. A delightful and surprising gift for anyone, young or old.

    In this collection, stories from Ireland, Scotland, Wales, the Isle of Man, Cornwall, and Brittany show their common Celtic heritage in their love of extravagance and poetry, their quick wit, and their daring sense of adventure.Here, retold much as they were around Celtic peat fires a hundred years ago, are the enthralling tales of "Fair, Brown, and Trembling," "The Brown Bear of the Green Glen," and "The Ship that Went to America." Some of the stories give familiar tales a Celtic twist: "Duffy and the Devil" is a comic Cornish take on the Rumpelstiltskin story; "The Black Cat" is a dark and mysterious Breton "Cinderella." Others seem new and strange: the doomed love of "Lutey and the Mermaid," or the mystic rapture of "The Little Bird."Perhaps most riveting of all is the Irish tale of "The Soul Cages," in which a fisherman makes friends with one of the sea-people, Coomara, and uses that friendship to fee the souls of drowned sailors, kept by Coomara in lobster pots in is house beneath the waves.Illustrated in watercolor and gold leaf by acclaimed artist Isabelle Brent, these tales are full of Celtic magic.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    Gold! For as long as the castle had stood, alchemists had struggled to make gold from the simple elements of the earth. And for as long as the castle stood they had failed. Then comes the greedy, ambitious Spinifex, who promises the king riches and glory beyond his wildest dreams. Arthur, the alchemist's young apprentice, cannot see the point - after all gold cannot make you happy, heal the sick, or make people love you - and he watches in amazement as the experiments grow more elaborate and fantastic. As time ticks on Spinifex becomes a man obsessed, plundering the country for more gold to aid his experiments, even tearing the rings from people's fingers. Then, as the Millennium approaches, Spinifex constructs his last great experiment - a monstrous machine stretching up from the cellar through the castle to the roof. But the great gold-making machine only suceeds in destroying its creator, leaving just one tiny nugget of gold. However, gold of another kind floods the castle - glorious sunlight rains down on the kingdom, dispelling darkness and gloom forever. As for Arthur, he takes the tiny nugget and fashions a sunflower pendant for the king. One day the king loses it while out swimming, but he doesn't even notice, it is forgotten.

    Magical talent a bonus. Must be good with heights. Enter Baba Yaga's house to apply. Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, and that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga's house on chicken legs, but within its walls, deceit is the rule. To earn her place, Masha must pass a series of tests, outfox a territorial bear, and make dinner for her host. No easy task, with children on the menu! Wry, spooky and poignant, Marika McCoola's debut--with richly layered art by acclaimed graphic artist Emily Carroll--is a storytelling feat and a visual fest.

    A collection of folk tales from the southern Appalachians that center on a single character, the irrepressible Jack.

    Zvorykin left Russia after the Revolution and settled finally in Paris, where he found employment in the publishing house of H. Piazza. At some point in the 1920s, years after the Russia he knew had disappeared, he made the original of this book as a present for his employer, Louis Fricotelle. He translated four Russian fairy tales into French, writing them out in beautiful calligraphy and illustrating them on heavy vellum pages, which he then bound in red Moroccan leather embossed with Russian motifs. It was a gift of gratitude for a new life, celebrating all he valued and missed in the old.Fifty years later Andreas Brown of the Gotham Book MArt brought this luxurious manuscript to the attention of Jacqueline Onassis (who also edited In the Russian Style) and The Viking Press, where it was decided to issue the book in a format that would make it accessible to the public. All the splendid illustrations - vivid in color, detail, and not least of all, whimsy - are reproduced from the original art. The stories - The Firebird, Maria Morevna, The Snow Maiden, and Vassilissa the Fair - spiced with quintessentially Russian images and supernatural beings, are based on existing English translations that have been modified to preserve the flavor of Zvorykin's versions.

    Hans Andersen's Fairy Tales is an enchanting collection, retold by writer and critic Naomi Lewis, and contains twelve of Hans Christian Andersen's magnificent stories including Thumbelina, a little girl no more than a thumb-joint high, The Emperor's New Clothes, the tale of a man who cares only for his appearance and The Little Mermaid, who longs to one day marry a human prince.With a wonderful introduction by award-winning picture-book creator Jan Pienkowski.The book includes a behind-the-scenes journey, including an author profile, a guide to who's who, activities and more..The Puffin Classics reissue includes:A Little PrincessAlice's Adventures in WonderlandAlice's Adventures Through the Looking GlassAnne of Green Gables seriesBlack BeautyHans Andersen's Fairy TalesHeidiJourney to the Centre of the EarthLittle Women seriesPeter PanTales of the Greek HeroesThe Adventures of Huckleberry FinnThe Adventures of King ArthurThe Adventures of Tom SawyerThe Call of the WildThe Jungle BookThe OdysseyThe Secret GardenThe Wind in the WillowsThe Wizard of OzTreasure Island

    16,000 words in length.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    A Grimm fairy tale, gloriously illustrated by Maurice Sendak, about a little girl who is sent to the forest by her mother to escape a war.