Jacobs Theater, New York City, in March 2009.

    When an enigmatic stranger steals her heart, can she know he wants her for the right reasons?London 1808: Widowed at the age of twenty, Ann has no optimism for the future. At the beck and call of her domineering mother she longs to make a new life for herself with the legacy left by her late husband. But it's not that easy. Not when it means leaving her sisters behind. Her world is turned upside down when a curious gentleman stops to speak to her. Chas is new to the area, but he seems to know a lot about her … and he certainly looks well-to-do. Could he be her saviour? With newfound hope Ann dares to dream again, but Chas has a secret. Something he refuses to share. As their friendship grows, there are those who want to keep them apart … but when Ann stumbles upon Chas’s past, she realises that only she can decide what their future holds. Inspired by the compelling family history of author V L McBeath, The Young Widow is a standalone story in The Ambition & Destiny Series. Set in Georgian-era London, forty years before the start of this historical family saga, The Young Widow adds another dimension to this epic series. Get your copy today. Please Note: The Young Widow is written in UK English. Other books in The Ambition & Destiny Series: Prequel: Condemned by Fate Part 1: Hooks & Eyes Part 2: Less Than Equals Part 3: When Time Runs Out Part 4: Only One Winner Part 5: Different World

    Some forty years later, in the Hip Hop Generation, Nicole reunites with her ex-boyfriend on a basketball court, wondering where he’s been, when a police officer stops them.In this striking debut, Amanda Parris turns the spotlight on the Black women who organize communities, support their incarcerated loved ones, and battle institutions, living each day by a ride-or-die philosophy, strengthening their voices and demanding to be heard.

    But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children. For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity. Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

    In the conflict that follows, it is Ruth who becomes the focus of the family's struggle for supremacy.

    The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years—the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003–2004 season. This definitive edition also includes Williams&rsquoi; essay “Person-to-Person,” Williams’ notes on the various endings, and a short chronology of the author’s life. One of America’s greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright’s perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.

    Trudy is a polished, college-educated young woman from a respectable upper middle-class family, and it’s only a matter of time before she’ll marry Ernst, the son of her parents’ closest friends. All should be well in her world, and yet Trudy is restless and desperate for more stimulation than 1897 Milwaukee will allow. When she falls in love with enigmatic and ambitious Oskar, she believes she’s found her escape from the banality of her pre-ordained life. Alienated from Trudy’s family and friends, the couple moves across the country to take a job at a lighthouse in the eerily isolated Point Lucia, California. Upon arriving they meet the light station’s only inhabitants—the Crawleys, a family whose plain appearance is no indication of what lies below the surface. It isn’t long before Trudy begins to realize that there is more going on in this seemingly empty place than she could ever have imagined.Gorgeously detailed, swiftly paced, and anchored in the lush geography of the remote and eternally mesmerizing Big Sur, The Edge of the Earth is a magical and moving story of secrets and self-transformation, ruses and rebirths, masterfully told by a celebrated and accomplished author.

    When Jill's stoical stepgrandmother tells her the harrowing tale of her tragic past, Jill must learn the price of forgiveness and the power of love.

    This novel stands independent of the film, exploring the mysteries of Ada's muteness, the secret of her daughter's conception, the reason for her strange marriage and the past lives of Baines and Stewart.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    When Amir and his wife Emily (Heidi Armbruster), a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.

    Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth, but she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?

    Necessary Targets is a groundbreaking play about women and war—about the violence of dark memories and the enduring resilience of the human spirit.Melissa, an ambitious young writer, and J.S., a successful but unsatisfied middle-aged psychiatrist, have nothing in common beyond the methods they have been taught to distance themselves from other people. As J.S. begins to feel compassion for the women whose tragedies she has been sent to expose, she turns on Melissa, who finds safety in control. In an unexpected moment of revelation, J.S. and the women she is supposedly treating find a common ground, a place to be taught and a place to learn.Necessary Targets has been staged in New York by Meryl Streep, Anjelica Huston, and Calista Flockhart, and performed in Sarajevo with Glenn Close and Marisa Tomei.

    An unprepared actor in an unnamed play is forced to take the place of a leading actor.

    When scholarly, smart Mary Margaret is sixteen, her father marries her off to a drunken neighbor in return for a tract of land. The year is 1924, and Mary Margaret's motherless childhood has already been hard as a farm girl on the desolate prairies of North Dakota. Abused and helpless, the new Mrs. "Marge" Garrity seems destined for a tragic fate. But Marge is determined to make her life count, no matter what. Her escape from her brutal marriage takes her to California, where she struggles to survive the Great Depression and soon answers the lure of the state's untamed northern half. There, embraced by the rough-and-ready people who built the great Ruck-a-chucky Dam on the American River, she begins to find her true mission in life and the possibility for love and happiness with an Army Corp engineer of Cherokee Indian descent. This vivid saga of one woman's life in the early decades of a turbulent century is told from the heart of a true storyteller in the grand tradition of women's sagas. Author Dolores Durando knows Marge's world very well. She grew up ninety years ago on the plains of North Dakota.