Two sisters confront love, marriage, and a failing business in this “charming and deceptively breezy second novel” (Publishers Weekly) that “deftly explores big issues like loyalty, trust, sorrow, and disappointment in sure, bright, effervescent prose” (New York Times Book Review).

    It was Saturday and a half-holiday; it was that one day of all the year when the seasons change places when winter is visibly worsted and summer with warmth and relaxation bathing and tennis and motor trips in the moonlight becomes again a reality.

    Helen Gardner accidentally reads an email from the International Task Force on Climate Change which proves that global warming is a lucrative scam, she's shocked and horrified.But that's nothing compared to how she feels the next day when her boss (the head of the Task Force) tries to have her killed.Helen goes into hiding with the help of her neighbor, a "fundy" Bible college professor named Cody, and an anti-eco-activist lumberjack-writer.But Helen's scandal isn't the only headline floating to the surface: the Democrat presidential candidate gets career-changing news; his running mate hits rock bottom after years of infidelity; the current Republican VP's past sins won't stay hidden forever.And Cody is about to uncover some dirt of his own.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    This guide introduces and sets in context, the range of critical arguments that have been generated by this work.

    The last time he was conscious, at thirty-one, O.J. Simpson had just led police on a long car chase and nobody knew the name Monica Lewinsky. When he turns on the strange-looking flat screen in his room at the nursing home, he hears reporters on one channel after another talking about Charlie Sheen’s infamous meltdown. After his mother arrives at his bedside, he learns that his father has died, his wife has divorced him, and the music store that he owned for most of his adult life has been sold. As Joel grapples with the loss of his independence, he realizes that his mother, who has driven him crazy since birth, will be his caretaker for the foreseeable future. Luckily, angels disguised as therapists and the support of old friends help him through a grueling rehabilitation. With one foot in the past and a heavy heart, Joel is about to slowly reenter a very different world than the one he left. Birdcall Morning is an emotional and life-affirming tale about the struggle to start over, the value of friendship, the true nature of love, and the changing times that we live in. It’s the sort of book that takes you on an unexpected journey that’s captivating until the very last word.

    Sometimes you try and it’s just so boring and impenetrable that you can’t get through it. And then, even worse, sometimes you’re asked to take a test or write a paper about it. If that sounds familiar, then BookHacker was designed for you.BookHacker summaries strip away all the subtlety and stuffiness of literature’s classic works (100% “thou”-free guaranteed) and get right to the point. Taking away all the guess work, BookHacker presents the book's warm gooey center in a concise, logical and entertaining way. Just because literary classics can be dry and boring doesn't mean understanding them has to be.In Harper Lee's To Kill A Mockingbird, BookHacker gets to the essence of what’s going down in Depression-era Maycomb, Alabama. Told through the eyes of Scout Finch, whose youthful idealism is being chipped away by the evils of her small, Southern town, BookHacker walks you through a fight for justice her father Atticus cannot win. It's his unerring dedication to protecting the innocent (and his badass sniper skills) that gives her hope."I'm not going to lie--I used this to get out of having to read the book for class and it worked" Steven, 10th grade

“BookHacker gave me exact details and plotting, EXACTLY everything I needed to get through a dry, tough book” Rebecca, college freshman 

“This was surprisingly cool and honest. Would I want my teachers to know I used it? No, but that's why it's worth buying." Andrew, 12th gradeBOOKHACKER BREAKDOWN:1. Executive Summary - This is the Who, What, Where, When, Why, How in 60 seconds or less.2. Plot - We do the reading so you don’t have to. The essential plot points of the story.3. Scenes - Every great story has a number of number of important moments that are crucial (read: "testable") to its understanding. These are those.4. Characters - If you can’t figure out what this section is about, you should probably be coloring.5. Analysis - Themes, symbolism, and all manner of insufferable literary nonsense.6. Quotes - All the intimacy of the book with none of the commitment.7. Popular Culture - Books have a way of finding their place in the cultural consciousness. You might want to know about that.8. Extras - Media, links and leftovers.

    The novel follows the journey of Ira Overman, veteran of multiple botched careers and a singularly botched marriage, as he makes one last attempt to rise above the guilt, weakness, and self-hatred that have been hard-wired into his soul since birth. Through an unlikely side effect from a seemingly routine surgery, Overman suddenly finds himself trying to reconcile newfound powers with the man he used to be, determined not to repeat the poor choices of his past. Overman succeeds at righting some of his former wrongs, fails miserably at others, but, most importantly, gains a small yet significant window into a life that matters.

    Tara had returned from Europe to study medicine and start a practice, only to collapse with a severe nervous breakdown.

    Charles Goodwin, the garden committee president, would like the garden to stay just the way it is. Lord Vernon of Barnstable, the appalling life peer, has plans for the garden. Bryony Mullins, the gusset-mouthed harridan, doesn't give a flying knicker elastic what happens to the garden as long as it's not what Vernon wants. Angel Tenby, the sexually organic gardener, wants the garden to run free. Mrs Kotzen, the neighbour, wants the garden to be chic. The vicar wants the garden to be accessible and relevant. Lily Ng, the teenage daily, would probably think the garden silly if she thought about it at all; she wants to offer sex in lieu of ironing. Mona Corinth, the Hollywood legend, is dead and may be about to become part of the garden. Iona Wallace is the obligatory love interest. She would like to be a garden: laid, forked, plucked, seeded, mulched, vigorously pollarded, bedded and admired for her natural beauty. The garden wants absolutely nothing at all.Sap Rising may well be a story about dark dank nature both human and vegetable and our uneasy relationship with the mystic natural forces that move the earth. It may be a parable on the fragile consensus that maintains and tends green England. On the other hand, it might just be a farcical love story set in a garden about nothing of any consequence performed by comic grotesques with a lot of swearing and unnatural sex.

    

    That changed on the day a tragic accident ripped her husband away from her - and shattered everything.

    Overwhelmed by grief, unable to find solace in his music or accept comfort from his friends, he flees up the California coast. Daniel thinks he’s leaving everything behind, but his journey will take him to the places and people that will help him find his way back. The Day After Yesterday is a story of hope, friendship, and the redemptive power of music.

    Distraction comes in the form a wealthy young American who wants to trace his Shropshire family. One question leads to another and the final revelations shock and almost overwhelm him. Meanwhile, Anna faces tragedy in her own family and struggles to come to terms with the chaos of her emotions, plunging deeper and deeper into flight and denial. In the process she almost loses the people she loves most. This is a tale of the deep story of the heart told with humour and compassion and relentless honesty. This is the last novel in the trilogy of Anna Ames books.