This is the book which, when first published in 1965, caused such an uproar in the US State Department that a sharp note of protest was sent to Kwame Nkrumah and the $25million of American "aid" to Ghana was promptly cancelled.

    Smith asks why the first modern nation-states developed in the West and considers how ethnic origins, religion, language, and shared symbols provide a sense of nation—even to the Basques, Kurds, and Tamils who are without states of their own. He illuminates his argument with a wealth of detailed examples: the divisions in the former Soviet Union, ethnic separatism within Europes, pan-Arab and pan-African movements, the successes and failures of nation-building on every continent. Throughout National Identity Smith stresses the positive as well as the pernicious aspects of strong national allegiances. A provocative final chapter considers the prospects of a post-national world. This will be of particular interest to ethnographers, students of international studies, historical sociologists, and political scientists.

    Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

    The disintegration of this fragile culture brought on a crisis in criticism, whose history since the 18th century has been fraught with ambivalence and anxiety.Eagleton’s account embraces Addison and Steele, Johnson and the 19-century reviewers, such critics as Arnold and Stephen, the heyday of Scrutiny and New Criticism, and finally the proliferation of avant-garde literary theories such as deconstructionism. The Function of Criticism is nothing less than a history and critique of the “critical institution” itself. Eagleton’s judgements on individual critics are sharp and illuminating, which his general argument raises crucial questions about the relations between language, literature and politics.