The case of the sulky girl -- The case of the careless kitten -- The case of the fiery fingers.

    'Bring back the lynx? Over my dead body!”The environmental protestors murmured, and Rory stepped forward. ‘Your hunting has destroyed our hills and left them treeless wastes, devoid of wildlife. It’s time that changed.’‘Listen, you lentil-eating cat lover,’ Purdey barked through the megaphone, ‘men like me own Scotland. If we want to kill anything that moves and turn the whole damn place into a theme park, we’ll do it.’Someone from the group of protestors hurled a turnip. It struck Purdey and he crumpled to the ground. Just as the archaic class system he represents must eventually fall, Angus thought with a grin.In his first two bestselling books, The Last Hillwalker and Bothy Tales, John D. Burns invited readers to join him in the hills and wild places of Scotland. In Sky Dance, he returns to that world to ask fundamental questions about how we relate to this northern landscape – while raising a laugh or two along the way. Anyone who has gazed at the majesty of the Scottish mountains will know this place and want to return to it. Now, as wild land is threatened like never before, it’s time we asked ourselves what kind of future we want for the Highlands.

    Johns River in Jacksonville, Florida, is tormented by the thought that maybe his aunt is lying to him about how his mother died. To find the truth he has to overcome his fears: the local bully, the large dark shapes that he imagines in the middle of the dock at night, and the thought that maybe his brother is right, he's just a warped kid who thinks too much. Will he find the courage to stand and fight? Q&A with Lawton Paul Q: What sparked this novel? A: Two things. One: I wanted my kids to know where I came from. The very southern setting—North Florida on the St. Johns river, is where I grew up. And I wanted to give them a feel for that time and place. Watching the sunrise on a stinky crab boat in the St. Johns—what could be better? And the second thing: When I'm not writing, I'm teaching kids. I see a lot of young people who have such promise but for some reason or another, give up right before they're about to make headway. I see my own kids struggling at certain points in their lives. And one thought keeps coming back: don't give up. So I wanted Jesse (main character in Seagull) to really have some heavy issues to navigate through: the death of his mother, Johnny the bully, and of course, the girl, Hailey. You'll have to read the book (savvy marketing ploy alert!) to find out how it all turned out for Jesse. Q: Why should readers give this novel a try? A: If I've done my job well, you'll enjoy the ride and maybe even get that little happy-glow feeling at the end like you just watched Rocky again, or someone said your hair looks nice, or you got an “A” on a pre-calc test. (Another genius bit of marketing there.) Q: What kind of book is Seagull? A: It's a coming of age southern novel with a young main character that should appeal to fiction readers of all ages. Younger readers will sympathize with our teen heroes Jesse and Matty and adult readers will be taken back to earlier days. My style has a literary feel, but the story is plot-driven and suspenseful, especially at the end. And even has a hint of romance. Thanks for giving Seagull a try. Please let me know what you thought of it. —Lawton Paul

    Within a balance of terror and innocence, he bears silent witness to ghosts of the dead and the cruelties of a teenage killer while local justice plays out in a community carved from legacies of coal mining and religion.

    After a personal crisis and her subsequent expulsion from high school, she’s going nowhere fast. Jane’s well-meaning parents push her to attend a high school completion program at the nearby Elbow River Community College, and she agrees, on one condition: she gets to move out.   Jane tackles her housing problem by signing up for House of Orange, a student-run reality show that is basically Big Brother, but for Elbow River Students. Living away from home, the chance to win a car (used, but whatever), and a campus full of people who don't know what she did in high school… what more could she want? Okay, maybe a family that understands why she’d rather turn to Freud than Jesus to make sense of her life, but she'll settle for fifteen minutes in the proverbial spotlight.   As House of Orange grows from a low-budget web series to a local TV show with fans and shoddy T-shirts, Jane finally has the chance to let her cynical, competitive nature thrive. She'll use her growing fan base, and whatever Intro to Psychology can teach her, to prove to the world—or at least viewers of substandard TV—that she has what it takes to win.

    Vincent Millay to Edward Lear's whimsical "The Owl and the Pussycat" and James Whitcomb Riley’s homespun "When the Frost Is on the Punkin." Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae ("In Flanders Fields") and Ernest Thayer ("Casey at the Bat"). Includes 10 selections from the Common Core State Standards Initiative: "The Owl and the Pussycat," "Casey at the Bat," "Jabberwocky," "O Captain! My Captain!," "Paul Revere's Ride," "Ozymandias," "The Raven," "Because I Could Not Stop for Death," "Mending Wall," and "Ode on a Grecian Urn."

    But then again, there aren't many writers with such irrepressible genius as John Fante.The John Fante Reader is the important next step in the reintroduction of this influential author to modern audiences. Combining excerpts from his novels and stories, as well as his never-before-published letters, this collection is the perfect primer on the work of a writer -- underappreciated in his time -- who is finally taking his place in the pantheon of twentieth-century American writers.

    He falls in love with Jane, the oldest Bennet girl. Everything goes well—for a while. Then the handsome bachelor’s proud best friend, Mr. Darcy, ruins everything.Elizabeth Bennet has never hated anyone as much as she hates Mr. Darcy. How could she ever forgive the man who has ruined her sister’s happiness? She knows everything she needs to know about him. He is proud, hateful, conceited, and horrid—and he wants to marry her.Elizabeth and Darcy’s memorable, witty battle of hearts and minds has made Pride and Prejudice a readers’ favorite for almost two hundred years.Readability Note: This Townsend Library Classic has been carefully edited for clarity and readability.Source: townsendpress.com

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    (Nancy Pearl)

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    She is not crazy.2. Her mother was murdered.3. Someday she is going to find the killer and make him pay.As certain as Grace is about these facts, nobody else believes her--so there's no one she can completely trust. Not her grandfather, a powerful ambassador. Not her new friends, who all live on Embassy Row. Not Alexei, the Russian boy next door, who is keeping his eye on Grace for reasons she neither likes nor understands.Everybody wants Grace to put on a pretty dress and a pretty smile, blocking out all her unpretty thoughts. But they can't control Grace--no more than Grace can control what she knows or what she needs to do. Her past has come back to hunt her . . . and if she doesn't stop it, Grace isn't the only one who will get hurt. Because on Embassy Row, the countries of the world stand like dominoes, and one wrong move can make them all fall down.

    She gives one of them away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a blood-bath. 'Willy Russell is less concerned with political tub-thumping than with weaving a close-knit story about the working of fate and destiny … it carries one along with it in almost unreserved enjoyment" Guardian One of the longest-running and most successful ever West End musicals, Blood Brothers premiered at the Liverpool Playhouse in January 1983.

    Now his remarkable past and hard-edged prose illuminate his highly acclaimed first thriller... Selected for the FBI's elite Hostage Rescue Team, Special Agent Jeremy Waller is about to fight terrorism at its source-by diving headlong into a violent world of trapdoor truths and shifting alliances. And he'll have company: a beautiful executive more adept at murder than marketing who turns his assignment into a cipher...a ruthless tycoon set on selling a revolutionary technology to terrorists...and a female senator and presidential hopeful charged with an unspeakable crime. Here there is no justice-and only one way out of the darkness: Head even deeper into the shadows...

    Live hard. Love deep.Charley Redford was just an ordinary girl until Jake Caplin moved to her small town in Indiana and convinced her she was extraordinary. Almost from day one Jake pulled Charley into the deep and promised he was right there with her. But when a tragic incident darkened Jake’s life he waded out into the shallows and left Charley behind.Almost four years later Charley thinks she’s moved on. That is until she takes a study year abroad in Edinburgh and bumps into none other than Jake Caplin at a party with his new girlfriend. The bad-boy-turned-good attempts to convince Charley to forgive him, and as her best friend starts spending time with Jake’s, Charley calls a truce, only to find herself tumbling back into a friendship with him.As they grow closer, the spark between them flares and begins playing havoc with their lives and relationships. When jealousy and longing rear their destructive heads, Charley and Jake struggle to come to grips with what they mean to one another.And even if they work it out, there is no guarantee Charley will ever trust Jake to lead her back into the deep…