To quote the author: "Greenwich Killing Time was the first book I ever wrote. I wrote it in 1984 and it was published in 1986. I was doing a lot of Peruvian marching powder at the time so I don't remember too much about writing it, but I do recall a couple of things. I borrowed the title from my friend Ted Mann. I borrowed the typewriter, an old Smith-Corona, from my friend, the future Village Irregular, Mike McGovern. Mike graciously loaned me the typewriter claiming he'd missed many important deadlines with the instrument. It had, I later learned, once belonged to his mother before she'd been bugled to Jesus years earlier. I took this as a sign of the Lord's hand at work in the world. It could've been, of course, just another case of a Jew borrowing a typewriter.Though most of the books have been set in New York (with the exception of Armadillos & Old Lace, set in Texas, and Steppin' On a Rainbow, set in Hawaii), Greenwich Killing Time is the only one that was written in New York. Some critics have remarked, not unkindly, we hope, that the book smells like New York. If this is true it is no doubt because of the truly visceral voyage one goes through in writing a first novel. It's almost as if your first novel writes you...

    Gable Cooper has penned a novel to kill for. Six million dollars in book and film rights are looming just off the table for this unknown author. But there is a problem: Gable Cooper doesn't exist. Abby Chandlis is an attorney turned novelist and the creator of Gable Cooper. In an age when glamour, not grammar, is often the secret to selling books, Abby has an intriguing plan to keep her writing career alive: find a charismatic male face to pose as the phantom author for the knock-dead thriller she has written. Jack Jermaine is a man with dangerous good looks and a shadowy past. Trained by the military to kill, his obsession is to pen a blockbuster book. He has a trunk filled with rejected manuscripts and a gnawing problem that has turned him bitter: Jack can't write. Desperate to find a man to play the role of Gable Cooper, Abby is about to give up when Jack forces his way into her life. Reluctantly she is convinced that Jack's humor and looks will clinch success for her novel. She uses her legal wits and makes a deal with the devil. Jack becomes Gable Cooper. When Jack is propelled into the orbit of celebrity, Abby finds herself at once seduced and trapped by her own creation. Success turns to terror.The story careens from the Pacific Northwest to New York City and finally through the islands of the Caribbean as Abby races for her life to the one person she can trust--the one person who can prove to the world that she wrote the novel, and put an end to the nightmare that was once her dream, the dream of making The List.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.

    First it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport had brought him into the BCA, promising him, "We'll only give you the hard stuff." He'd been doing the hard stuff for three years now — but never anything like this.In the small town of Bluestem, where everybody knows everybody, a house way up on a ridge explodes into flames, its owner, a man named Judd, trapped inside. There is a lot of reason to hate him, Flowers discovers. Years ago, Judd had perpetrated a scam that'd driven a lot of local farmers out of business, even to suicide. There are also rumors swirling around of some very dicey activities with other men's wives, of involvement with some nutcase religious guy, and of an out-of-wedlock daughter. In fact, Flowers concludes, you'd probably have to dig around to find a person who didn't despise him.That wasn't even the reason Flowers had come to Bluestem. Three weeks before, there'd been another murder — two, in fact, a doctor and his wife. The doctor was found propped up in his backyard, both eyes shot out. There hadn't been a murder in Bluestem in years — and now suddenly three? Flowers knows two things: this wasn't a coincidence, and it had to be personal.But just how personal is something even he doesn't realize, and may not find out until too late. Because the next victim... may be himself.Librarian's note: as of 2021, there are 13 volumes in the author's Virgil Flowers series. The last was published in April 2021. It is in the "Prey" series but Lucas Davenport and Virgil Flowers share the billing - "Ocean Prey."

    Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.