D. Salinger published in April 1953. It includes two of his most famous short stories, "A Perfect Day for Bananafish" and "For Esmé – with Love and Squalor". (Nine Stories is the U.S. title; the book is published in many other countries as For Esmé - with Love and Squalor, and Other Stories.)The stories are:"A Perfect Day for Bananafish""Uncle Wiggily in Connecticut""Just Before the War with the Eskimos""The Laughing Man""Down at the Dinghy""For Esmé – with Love and Squalor""Pretty Mouth and Green My Eyes""De Daumier-Smith's Blue Period""Teddy"

    In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Desperation - both material and psychological - motivates his characters. A husband cruelly avenges the killing of his wife's pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider's house is set on fire by an angry neighbor. There is also the tenderness and loyalty of the vulnerable in these stories - between spouses, parents and children, siblings, and comrades in arms - which brings the troubled, sorely tested cast of characters to vivid, relatable life.

    Among them, third-grade teacher Sadie Randolph, who has taught every child in town and believes we are all eight years old in our hearts; Stanley Stone, once Fulton's most prominent lawyer, now feigning dementia to escape life with his son; Marge Walker, the town's self-appointed conveyor of social status who keeps a scrapbook of every local murder and heinous crime; and Rachel Silverman, recently widowed, whose decision to leave her Massachusetts home and settle in Fulton is a mystery to everyone but her. C. J., the pierced and tattooed young mother who runs the beauty shop, and Joanna, the hospice volunteer who discovers that her path to a good life lies with helping folks achieve good deaths, are two of the staff on whom the residents depend.McCorkle puts her finger on the pulse of every character's strengths, weaknesses, and secrets. And, as she connects their lives through their present circumstances, their pasts, and, in some cases, through their deaths, she celebrates the blessings and wisdom of later life and infuses this remarkable novel with hope and laughter.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Teenage romance should be difficult, but not this difficult. Boys like Toby should cause trouble but not this much. The moon should glow gently over children safe in their beds. Uncles in their rockers should be kind. Teachers should guide and inspire. Manatees should laze and palm trees sway and snakes keep to their shady spots under the azalea thickets. The air shouldn’t smell like a swamp. The stars should twinkle. Shelby should be her own hero, the first hero of Citrus County. She should rescue her sister from underground, rescue Toby from his life. Her destiny should be a hero’s destiny.

    Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls.It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile- physical or spiritual - but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing.

    

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    Spanning four decades and three prize-winning collections, these twenty-one vintage selected stories and thirteen scintillating new ones take us around the world, from Jerusalem to Central America, from tsarist Russia to London during the Blitz, from central Europe to Manhattan, and from the Maine coast to Godolphin, Massachusetts, a fictional suburb of Boston. These charged locales, and the lives of the endlessly varied characters within them, are evoked with a tenderness and incisiveness found in only our most observant seers.No matter the situation in which her characters find themselves--an unforeseen love affair between adolescent cousins, a lifetime of memories unearthed by an elderly couple's decision to shoplift, the deathbed secret of a young girl's forbidden forest tryst with the tsar, the danger that befalls a wealthy couple's child in a European inn of misfits--Edith Pearlman conveys their experience with wit and aplomb, with relentless but clear-eyed optimism, and with a supple prose that reminds us, sentence by sentence, page by page, of the gifts our greatest verbal innovators can bestow.Binocular Vision reveals a true American original, a master of the story, showing us, with her classic sensibility and lasting artistry, the cruelties, the longings, and the rituals that connect human beings across space and time.

    Newsweek’s Most Anticipated Books of 2020Forbes.com’s Most Anticipated Books of 2020Publishers Weekly’s Notable TitlesIn 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

    Set in the idyllic Salinas Valley in California, where simple people farm the land and struggle to find a place for themeselves in the world, these stories reflect many of the concerns key to Steinbeck as a writer; the tensions between town and city, labourers and owners, past and present. Included here are the celebrated tales, THE MURDERER and THE CHRYSANTHEMUMS.

    She’s been married to Roy Tupkin for fifteen days, and she knows now that she should have listened to the folks who said he was trouble. But when a stranger sweeps in and knocks the world off-kilter for everyone in town, Sadie begins to think there might be more to life than being Roy’s wife.As stark and magnificent as Appalachia itself, If the Creek Don’t Rise is a bold and beautifully layered debut about a dusty, desperate town finding the inner strength it needs to outrun its demons. The folks of Baines Creek will take you deep into the mountains with heart, honesty, and homegrown grit.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.