He was the only one of his family to survive. In this book, his account of the Holocaust is told in the refreshingly direct and optimistic language of a young boy, that appeals to younger audiences and his contemporaries.

      1n 1960 Argentina, a covert team of Israeli agents hunted down the most elusive war criminal alive: Adolf Eichmann, chief architect of the Holocaust. The young spy who tackled Eichmann on a Buenos Aires street—and fought every compulsion to strangle the Obersturmführer then and there—was Peter Z. Malkin. For decades Malkin’s identity as Eichmann’s captor was kept secret. Here he reveals the entire breathtaking story—from the genesis of the top-secret surveillance operation to the dramatic public capture and smuggling of Eichmann to Israel to stand trial.   The result is a portrait of two men. One, a freedom fighter, intellectually curious and driven to do right. The other, the dutiful Good German who, through his chillingly intimate conversations with Malkin, reveals himself as the embodiment of what Hannah Arendt called “the banality of evil.” Singular, riveting, troubling, and gratifying, Eichmann in My Hands “remind[s] of what is at stake: not only justice but our own humanity” (New York Newsday).   Now Malkin’s story comes to life on the screen with Oscar Isaac playing the heroic Mossad agent and Academy Award winner Ben Kingsley playing Eichmann in Operation Finale.

    I disconnected my heart and intellect in an act of self-defense, despair, and hopelessness." With these words Sara Nomberg-Przytyk begins this painful and compelling account of her experiences while imprisoned for two years in the infamous death camp. Writing twenty years after her liberation, she recreates the events of a dark past which, in her own words, would have driven her mad had she tried to relive it sooner. But while she records unimaginable atrocities, she also richly describes the human compassion that stubbornly survived despite the backdrop of camp depersonalization and imminent extermination.Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz.From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities.The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.

    As deep-seated anti-Semitism and isolationism gripped much of the country, neither President Roosevelt nor Congress rallied to their aid.Yet one brave Jewish couple from Philadelphia refused to silently stand by. Risking their own safety, Gilbert Kraus, a successful lawyer, and his stylish wife, Eleanor, traveled to Nazi-controlled Vienna and Berlin to save fifty Jewish children. Steven Pressman brought the Kraus's rescue mission to life in his acclaimed HBO documentary, 50 Children. In this book, he expands upon the story related in the hour-long film, offering additional historical detail and context to offer a rich, full portrait of this ordinary couple and their extraordinary actions.Drawing from Eleanor Kraus's unpublished memoir, rare historical documents, and interviews with more than a dozen of the surviving children, and illustrated with period photographs, archival materials, and memorabilia, 50 Children is a remarkable tale of personal courage and triumphant heroism that offers a fresh, unique insight into a critical period of history.

    Not since The Diary of Anne Frank has a young voice so vividly expressed the capacity for humanity and heroism in the face of Nazi brutality.

    The Rudomin family has been arrested by the Russians. They are "capitalists' enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia.For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future.

    In 1944, 13-year-old Fritz was almost old enough to join the Hitler Youth in his German village of Kleinheubach. That same year in Tab, Hungary, 12-year-old Bernie was loaded onto a train with the rest of the village's Jewish inhabitants and taken to Auschwitz, where his whole family was murdered. How to bridge the deadly gulf that separated them in their youth, how not to allow the power of the past to separate them even now, as it separates many others, become the focus of their friendship, and together they begin the project of remembering.The separate stories of their youth are told in one voice, at Bernat Rosner's request. He is able to retrace his journey into hell, slowly, over many sessions, describing for his friend the "other life" he has resolutely put away until now. Frederic Tubach, who must confront his own years in Nazi Germany as the story unfolds, becomes the narrator of their double memoir. Their decision to open their friendship to the past brings a poignancy to stories that are horrifyingly familiar. Adding a further and fascinating dimension is the counterpoint of their similar village childhoods before the Holocaust and their very different paths to personal rebirth and creative adulthood in America after the war.Seldom has a memoir been so much about the present, as we see the authors proving what goodwill and intelligence can accomplish in the cause of reconciliation. This intimate story of two boys trapped in evil and destructive times, who become men with the freedom to construct their own future, has much to tell us about building bridges in our public as well as our personal lives.

    Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of "the orchestra girls"; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

    Her grandmother Livija’s stories vividly recreated the home she fled during the Second World War, when she was separated from her sister, Ausma, whom she wouldn’t see again for more than fifty years.Journeying back to their remote village, Inara comes to know Ausma and her trauma as an exile to Siberia under Stalin, while reconstructing Livija’s survival through her years as a refugee. In uniting their stories, Inara honors both sisters in a haunting and luminous account of loss, survival, resilience, and love.A New York Times Book Review Editors’ Choice.

    When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.

    The young, bright, lively girl suddenly found herself in a cramped flat hiding with other Jewish families. Then came the raids. To avoid being one of the thousands who were rounded up every day and deported to the camps, Janina was forced to keep on the move. Her escape to the 'Aryan' side was followed by years spent behind hidden doors, where dependence on others was crucial. Told through her teenage diaries, this is an extraordinary tale of a passionate young woman's survival and courage.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    From the real-life story of the miracle couple in Schindler's List, this is a unique memoir of the Holocaust and much more: it is a message of affirmation for all of us -- now available in paperback.

    One of these was Dietrich Bonhoeffer--a pastor and author, known as much for such spiritual classics as "The Cost of Discipleship "and "Life Together," as for his 1945 execution in a concentration camp for his part in the plot to assassinate Adolf Hitler.In the first major biography of Bonhoeffer in forty years, "New York Times" best-selling author Eric Metaxas takes both strands of Bonhoeffer's life―the theologian and the spy―to tell a searing story of incredible moral courage in the face of monstrous evil. In a deeply moving narrative, Metaxas uses previously unavailable documents―including personal letters, detailed journal entries, and firsthand personal accounts―to reveal dimensions of Bonhoeffer's life and theology never before seen.In "Bonhoeffer: Pastor, Martyr, Prophet, Spy"―"A Righteous Gentile vs the Third Reich," Metaxas presents the fullest accounting of Bonhoeffer's heart-wrenching 1939 decision to leave the safe haven of America for Hitler's Germany, and using extended excerpts from love letters and coded messages written to and from Bonhoeffer's Cell 92, Metaxas tells for the first time the full story of Bonhoeffer's passionate and tragic romance.Readers will discover fresh insights and revelations about his life-changing months at the Abyssinian Baptist Church in Harlem and about his radical position on why Christians are obliged to stand up for the Jews. Metaxas also sheds new light on Bonhoeffer's reaction to Kristallnacht, his involvement in the famous Valkyrie plot and in "Operation 7," the effort to smuggle Jews into neutral Switzerland."Bonhoeffer" gives witness to one man's extraordinary faith and to the tortured fate of the nation he sought to deliver from the curse of Nazism. It brings the reader face to face with a man determined to do the will of God radically, courageously, and joyfully―even to the point of death. "Bonhoeffer" is the story of a life framed by a passion for truth and a commitment to justice on behalf of those who face implacable evil.