For years, he's been able to meet the increasing demands from his aging immigrant parents, while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses thirty-eight phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother; he was the only person she confided in when his father had a one-night affair with her younger sister twenty years ago. For the following two weeks, he throws himself into the preparation of his mother's funeral, juggling between temptations and obligations. Sometimes slipping into relapse, his efforts are thwarted by a stoic father who is impractical and unable to take care of himself, a grandmother suffering dementia, a sister with a failing marriage, and a young niece with unknown trauma that can be triggered by the sound of running water. He tries to find support from his ex, Jeremy. Now clean and sober, Jeremy rebuffs him. As Carson assumes his mother's caregiving role, her secret resurfaces and now haunts him alone. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?

    Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, through developments including the legal recognition inherent in the overturning of anti-sodomy laws and the proliferation of more mainstream representation. These incorporations have shifted many queers from their construction as figures of death (via the AIDS epidemic) to subjects tied to ideas of life and productivity (gay marriage and reproductive kinship). Puar contends, however, that this tenuous inclusion of some queer subjects depends on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by homonormative ideologies that replicate narrow racial, class, gender, and national ideals. These “homonationalisms” are deployed to distinguish upright “properly hetero,” and now “properly homo,” U.S. patriots from perversely sexualized and racialized terrorist look-a-likes—especially Sikhs, Muslims, and Arabs—who are cordoned off for detention and deportation. Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.

    King Kong as she's known on the courts falls hard, but will it be because of the person who wants to kill her or for love?

    A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

    Where romance met with soft porn there was also a surprisingly large population of butch brunettes pursuing and seducing blond femmes. This was an alternate universe of erotic pulp fiction where gals and dolls were exploring the illicit pleasures of lesbian love -- much to the delight of a largely male, heterosexual readership. Before the sexual revolution of the 1960s, these books offered a thrilling peek into the deviant underworld of wild passion and scandalous sex.

    That is, until a chance encounter at a local book club sparks an unexpected connection with the beautiful Ruby Wilson - aka renowned lesfic author, Lola Bloom.Maddison can’t believe her luck when Ruby asks her to design her new book cover, and as they spend more time together, Maddison sees a glimmer of hope for her dispirited love life.However, her hopes are soon dashed, and to top it all off, her past makes an unwelcome reappearance which threatens to make her world come crashing down.Will Maddison get her long-awaited happily ever after? Or will she admit defeat and purchase her one-way ticket to Singledom?Debut author Rosy Dee brings you a slow-burn romantic comedy with all the feels and an extra sprinkling of hearts for good measure.

    USA Today" raves, "There's never been anything else like it on TV."Irreverent, hilarious, and brave, "Queer as Folk" chronicles the lives and loves of a group of Pittsburgh's most fabulous gay men and women. Packed with hundreds of full-color photographs, this "Queer" book features episode guides that go behind the scenes and in-depth interviews with the actors, producers, and crew who bring the show to life. With synopses, trivia, quotable quotes, and never-before-seen photos, it's the ultimate companion to one of Showtime Network's highest rated shows!Look inside for special features like "The Anatomy of a Sex Scene," a riveting glimpse into the sensitive work involved in taking a love scene from page to screen. Visit the sets of Babylon, Deb & Vic's house, Brian's loft, and more. And don't miss out on Deb's words of wisdom, a collection of wise and memorable gems ("You smother a pork chop, not a son") from one of "Queer as Folk'"s most beloved characters. It's all here.As spirited and edgy as the show it honors, "Queer as Folk: The Book" is the only official companion book there is!

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    and too scared to let the world see any of those qualities. Interacting with her restaurant coworkers makes her want to melt into the floor. They're all beautiful, outgoing, and confident - terrifying to a shy lesbian. When Chloe somehow catches the most intimidating girl's eye, she wonders if their mutual attraction could develop into more. Waitressing isn't Jennie's passion, but then neither is anything else. Adrift in life, the tattooed beauty only cares about weed and her motorcycle. At least this job's paying the bills until she can move on to better things. Fooling around with coworkers isn't in her plans - but once she notices the resident wallflower is drop-dead gorgeous, those plans change. Falling for Chloe, though? That's another matter. Will Jennie chew Chloe up and spit her out? Or could Jennie be the first person to see Chloe for who she really is?

    She’s a rising star at work, managing investor relations at a Chicago tech start up. She’s well liked, she’s funny, she’s smart, she’s pretty. But despite all this, for some unknown reason, she’s had an absolutely awful love life. It couldn’t possibly be self-sabotage, could it? It couldn’t be Amy’s fault, right? No way! Enter Josephine Taft, rich and successful tech investor, swooping in to save Amy’s company from financial ruin. In addition to being super wealthy and accomplished, Josephine is also a total fox. Will Amy be able to rein in her eccentricities to prove to Josephine that she’s worth the investment? Or will navigating this conflict of interest prove to be too precarious for our quirky heroine? As an often absurd Amy maneuvers through this stylized romantic comedy, always eager to get the girl, butting heads with a whimsical cast of characters, she just may discover that outward success isn’t a good indicator of happiness inside. And sometimes, to prove our love, we’ve got to look within at our own inner truth. No sweat! Right?

    A beautiful California beach house. The love of her life. But her world crumbled beneath her feet the moment she found her best friend in bed with her fiancé.Desperate to escape her harsh new realities, Katlynn flees to her Massachusetts hometown of Wellesley, to spend Christmas at her sister's cottage. Finding a new love was the last thing on her agenda, but when Katlynn reconnects with an old friend, everything she thought she knew about herself and her future is called into question.Iris' life changed the minute her mother got sick. With her quiet, cozy world in Wellesley suddenly turned upside-down, there's no room for more complications -- especially not the resurgence of a college crush she thought she'd put out of her mind long ago. But when she finds herself spending the holidays next door to her old classmate Katlynn, Iris can't ignore the chemistry between them.As the two women navigate their separate heartaches, will they crack under the pressures of life around them? Or can their new bond save them both? A steamy contemporary lesbian romance novella with a satisfying HEA ending you’ll love!

    from 1940 to 1970. John D'Emilio's new preface and afterword examine the conditions that shaped the book and the growth of gay and lesbian historical literature."How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe

    In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

    When they get trapped inside a cabin together for a week, what could possibly go wrong?  April Bauer packed her bags and fled from her abusive ex-husband overnight, only to land in a secluded farming town, Norcoast, without a clue. With the approaching winter weather, no farming skills to speak of, and hardly any money to her name, how the hell was she supposed to survive out here on her own?Not only that, but her new life felt lonelier than ever. She awoke alone, ate alone, slept alone, and didn’t see that changing anytime soon. How could it? Her heart needed as much mending as her drafty cabin, and that was saying something.  Danny Irving, professional cowgirl and heartbreaker extraordinaire, wanted more out of life. She was tired of manning her parents’ farm day in and day out with nothing to show for it. When was she going to find her happy ending? The woman of her dreams? All she had was a handful of men drooling over her, a broken plow, and a bedroom she shared with two of her siblings. At twenty-four, she expected more than this monotonous existence she’d been living. But when her father sends her over to a neighbor’s house before the oncoming storm, she never anticipated what would happen next.  Slow burn, HEA novel. Book 1 of 2.

    Compulsively readable and always accessible, each story takes the reader into the mind and heart of its central character, whether a young boy suffering from Lawrence Welk damage and teetering precariously on the edge of puberty ("The Music of Your Life") or a not-so-young-anymore man for whom fantasy and reality have become a terrifying blur and who finds himself slipping over the edge toward total meltdown ("Wildlife of Coastal Carolina"). Nostalgia plays a part in these stories as a somewhat jaded New York film critic looks back on his life and the movies that shaped him ("Spectators in Love"), and an aging flower-shop owner ruefully assesses the love he found and lost when, as an eighteen-year-old, he embarked on a Hollywood career that never soared but did include one particularly memorable appearance on the I Love Lucy television show ("Who Loves You?") These stories all create entire worlds within which the characters live and struggle to find their way. Funny, touching, serious, and tender, the tales within The Music of Your Life are sure to appeal to anyone who has ever known the awkwardness of being "different," and while life is often harsh for the stories' characters, the bold determination with which they persevere offers inspiration to all.