Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    The animals seem intelligent enough, and Red recruits Slim to help him train the odd creatures to do circus tricks. But the boys are about to discover their playthings aren’t exactly animals—and they’ve allowed themselves to be caught for a reason . . . Youth is a riveting tale from the author of countless classics, including I, Robot and the Foundation Trilogy, which won the Hugo Award for Best All-Time Series.

    

    Sebald; an amalgam, as Susan Sontag suggests in her preface to this volume, of Stevie Smith and Samuel Beckett.This collection gathers forty-two of Walser's stories. Encompassing everything from journal entries, notes on literature, and biographical sketches to anecdotes, fables, and visions, it is an ideal introduction to this fascinating writer of whom Hermann Hesse famously declared, "If he had a hundred thousand readers, the world would be a better place."Response to a RequestFlower DaysTrousersTwo Strange StoriesBalloon JourneyKleist in ThumThe Job ApplicationThe BoatA Little RambleHelbling's StoryThe Little BerlinerNervousThe WalkSo! "I've Got You"Nothing at AllKienastPoestsFrau WilkeThe StreetSnowdropsWinterThe She-OwlKnockingTitusVladimirParisian NewspapersThe MonkeyDostoevsky's IdiotAm I Dreaming?The Little TreeStork and PorcupineA Contribution to the Celebration of Conrad Ferdinand MeyerA Sort of SpeechA Letter to Therese BreitbachA Village TaleThe AviatorThe PimpMasters and WorkersEssay on FreedomA Biedermeier StoryThe HoneymoonThoughts on Cezanne

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    Dick wrote more than one hundred short stories, each as mind-bending and genre-defining as his longer works. Philip K. Dick’s Electric Dreams collects ten of the best from across his career. In “Autofac,” Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. “Exhibit Piece” and “The Commuter” feature Dick exploring one of his favorite themes: the shifting nature of reality, and whether it is even possible to really perceive the world as it is. And “The Hanging Stranger” provides a thrilling, dark political allegory as relevant today as it was when it was written at the height of the Cold War.   Strange, funny, and powerful, the stories in this collection highlight a master at work, drawing on his boundless imagination and deep understanding of the human condition.

    What happens when a man lives his life backwards, or a family owns a diamond as big as the Ritz Hotel?How can a boring girl become more popular, a careless young woman become more sensible, or a cut-glass bowl destroy a married woman's life?What does a young man do to save the girl that he likes from an evil ghost, or to forget old feelings for a woman when she marries another man?Read this collection of short stories by one of America's finest storytellers to find out.

    History, culture, and politics are blended and juxtaposed; weather reports, current news, fashions and psychology jostle together with people from Petersburg society in an exhilarating search for the identity of a city and, ultimately, Russia itself. 'The one novel that sums up the whole of Russia.'—Anthony Burgess

    These groundbreaking stories— interconnected and juxtaposed using an experimental method Solzhenitsyn referred to as “binary”—join Solzhenitsyn’s already available work as some of the most powerful literature of the twentieth century.With Soviet and post-Soviet life as their focus, they weave and shift inside their shared setting, illuminating the Russian experience under the Soviet regime. In “The Upcoming Generation,” a professor promotes a dull but proletarian student purely out of good will. Years later, the same professor finds himself arrested and, in a striking twist of fate, his student becomes his interrogator. In “Nastenka,” two young women with the same name lead routine, ordered lives—until the Revolution exacts radical change on them both.The most eloquent and acclaimed opponent of government oppression, Solzhenitsyn was awarded the Nobel Prize in Literature in 1970, and his work continues to receive international acclaim. Available for the first time in English, Apricot Jam: And Other Stories is a striking example of Solzhenitsyn’s singular style and only further solidifies his place as a true literary giant.

    Frank Baum has been captivating the hearts of the young, and not so young, for over a hundred years.This delightful compilation includes all fifteen books written by L. Frank Baum:The Wonderful Wizard of OzThe Marvelous Land of OzOzma of OzDorothy and the Wizard in OzThe Road to OzThe Emerald City of OzThe Patchwork Girl Of OzLittle Wizard Stories of OzTik-Tok of OzThe Scarecrow Of OzRinkitink In OzThe Lost Princess Of OzThe Tin Woodman Of OzThe Magic of OzGlinda Of OzPerhaps there is no better, or fitting, introduction one could give to this compilation than the author's note that Baum himself writes in his very first book, "The Wonderful Wizard of Oz." Here he reveals the true intention of his work. Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations. Yet the old time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.