The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape.The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

    He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful post-it notes that remind him when to smile, when to say "thank you," and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school and begins to bully Yunjae. Against all odds, tormentor and victim learn they have more in common than they realized. Gon is stumped by Yunjae’s impassive calm, while Yunjae thinks if he gets to know the hotheaded Gon, he might learn how to experience true feelings. Drawn by curiosity, the two strike up a surprising friendship. As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life in danger, it is Yunjae who will step outside of every comfort zone he has created to perhaps become a most unlikely hero. The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.

    A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Han Kang, and Cho Nam-Joo.

    . . an utter delight.” —Claire Lombardo, New York Times bestselling author of The Most Fun We Ever HadDespite being house-bound due to an accelerated-aging disorder, Areum lives life to its fullest, vicariously through the stories of his parents, conversations with Little Grandpa Jang—his sixty-year-old neighbor and best friend, and through the books he reads to visit the places he would otherwise never see.For several months, Areum has been working on a manuscript, piecing together his parents’ often embellished stories about his family and childhood. He hopes to present it on his birthday, as a final gift to his mom and dad; their own falling-in-love story.As his seventeenth birthday approaches, Areum moves into the long-term ward in the city hospital, bringing abrupt change to his daily life; from a new friend who might be more—or less—than she seems, to his loving parents who are definitely keeping something from him. There are also the challenges of the creeping darkness in his eyes, and the loneliness of his shrinking connection to the world outside his window. Areum meets these situations head on, and with the support of family and friends, finds joy in even the most difficult times.Interweaving the past and present of a tight-knit family, Ae-ran Kim's My Brilliant Life evokes the full breadth of human emotions; happiness and sadness, pain and relief, emptiness and significance; masterfully exploring the power of empathy.

    For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future.A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?As Shelter veers swiftly toward its startling conclusion, Jung Yun leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Shelter is a masterfully crafted debut novel that asks what it means to provide for one's family and, in answer, delivers a story as riveting as it is profound.

    "Even as a girl, I knew the only chance I had was to change my face... even before a fortune-teller told me so." Kyuri is a beautiful woman with a hard-won job at a "room salon," an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea's biggest companies.Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.Together, their stories tell a tale that's seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.

    Mia is “lucky”―she is spoiled by her mother and, as she explains, her two fathers. She gloats over her exotic imported color pencils and won’t be denied a coveted sweater. Then there is the Child who, by contrast, is neither lucky nor unlucky. She makes so little impression that she seems not even to merit a name.At school, their fellow students, whether lucky or luckless or unlucky, seem consumed by an almost murderous rage. Adults are nearly invisible, and the society the children create on their own is marked by cruelty and soul-crushing hierarchies. Then, one day, the Child sneaks into the classroom after hours and adds ominous sentences to her classmates’ notebooks. This sinister but initially inconsequential act unlocks a series of events that end in horrible violence.But that is not the end of this eerie, unpredictable novel. A teacher, who is also this book’s author, wakes from an intense dream. When she arrives at her next class, she recognizes a student: the Child, who knows about the events of the novel’s first half, which took place years earlier. Han Yujoo’s The Impossible Fairy Tale is a fresh and terrifying exploration of the ethics of art making and of the stinging consequences of neglect.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    With a midlife crisis looming, Kido’s life is upended by the reemergence of a former client, Rié Takemoto. She wants Kido to investigate a dead man—her recently deceased husband, Daisuké. Upon his death she discovered that he’d been living a lie. His name, his past, his entire identity belonged to someone else, a total stranger. The investigation draws Kido into two intriguing mysteries: finding out who Rié’s husband really was and discovering more about the man he pretended to be. Soon, with each new revelation, Kido will come to share the obsession with—and the lure of—erasing one life to create a new one.In A Man, winner of Japan’s prestigious Yomiuri Prize for Literature, Keiichiro Hirano explores the search for identity, the ambiguity of memory, the legacies with which we live and die, and the reconciliation of who you hoped to be with who you’ve actually become.

    Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan--a mountain resort, a volcanic island, and a countryside clinic--haunted by the past. His attempt to solve the tape's mystery before it's too late--for everyone--assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormentors.These raw and realistic portrayals of bullying are counterbalanced by textured exposition of the philosophical and religious debates concerning violence to which the weak are subjected.Kawakami's simple yet profound new work stands as a dazzling testament to her literary talent. There can be little doubt that it has cemented her reputation as one of the most important young authors working to expand the boundaries of contemporary Japanese literature.

    Born into poverty in a miserable neighbourhood of Seoul, he has ridden the wave of development in a rapidly modernising society. Now the director of a large architectural firm, his hard work and ambition have brought him triumph and satisfaction. But when his company is investigated for corruption, he’s forced to reconsider his role in the transformation of his country.At the same time, he receives an unexpected message from an old friend, Cha Soona, a woman that he had once loved, and then betrayed. As memories return unbidden, Minwoo recalls a world he thought had been left behind — a world he now understands that he has helped to destroy.In At Dusk, one of Korea's most renowned and respected authors continues his gentle yet urgent project of evaluating Korea’s past, and examining the things, and the people, that have been given up in a never-ending quest to move forward.