Returning again and again, Garrels found that the city's new freedoms and opportunities were both exciting and traumatic. As the economic collapse of the early 1990s abated, Chelyabinsky became richer and more cosmopolitan while official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.Putin Country crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals, and watch as doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.Garrels’s portrait of Russia’s silent majority is an essential corrective to the misconceptions of Putin's supporters and critics alike, especially at a time when cold war tensions are resurgent.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

     This is history with a heartbeat, and it could not be more engrossing."—Foreign AffairsOne of the world’s leading scholars offers a fresh interpretation of the linked origins of World War I and the Russian Revolution.World War I and the Russian Revolution together shaped the twentieth century in profound ways. In The End of Tsarist Russia, Dominic Lieven connects for the first time the two events, providing both a history of the First World War’s origins from a Russian perspective and an international history of why the revolution happened.Based on exhaustive work in seven Russian archives as well as many non-Russian sources, Dominic Lieven’s work is about far more than just Russia. By placing the crisis of empire at its core, Lieven links World War I to the sweep of twentieth-century global history. He shows how contemporary issues such as the struggle for Ukraine were already crucial elements in the run-up to 1914.By incorporating into his book new approaches and comparisons, Lieven tells the story of war and revolution in a way that is truly original and thought-provoking.

    The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame—Lucrezia Borgia, his daughter, whose husband was famously murdered by her brother, and that brother, Cesare, who served as the model for Niccolò Machiavelli's The Prince. Notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder, the dynasty's dramatic rise from its Spanish roots to its occupation of the highest position in Renaissance society forms a gripping tale.Erudite, witty, and always insightful, Hibbert removes the layers of myth around the Borgia family and creates a portrait alive with his superb sense of character and place.

    In 1474, when most women were almost powerless, twenty-three-year-old Isabella defied a hostile brother and mercurial husband to seize control of Castile and León.Her subsequent feats were legendary. She ended a twenty-four-generation struggle between Muslims and Christians, forcing Moorish invaders back over the Mediterranean Sea. She laid the foundation for a unified Spain. She sponsored Columbus's trip to the Indies and negotiated Spanish control over much of the New World with the help of Rodrigo Borgia, the infamous Pope Alexander VI. She also annihilated all who stood against her by establishing a bloody religious Inquisition that would darken Spain's reputation for centuries.Whether saintly or satanic, no female leader has done more to shape our modern world, where millions of people in two hemispheres speak Spanish and practice Catholicism. Yet history has all but forgotten Isabella's influence, due to hundreds of years of misreporting that often attributed her accomplishments to Ferdinand, the bold and philandering husband she adored.Using new scholarship, Downey's luminous biography tells the story of this brilliant, fervent, forgotten woman, the faith that propelled her through life, and the land of ancient conflicts and intrigue she brought under her command.

    It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

    She is insulated by luxury and spoiled by her father, who dreams for her to marry King Louis XV of France and rule in Versailles. But when a woodland creature gives her a Delphic prophecy, her life is turned upside down. Her volatile father suddenly dies, her only brother has been executed and her mother takes the throne of Russia.As friends turn to foes in the dangerous atmosphere of the Court, the princess must fear for her freedom and her life. Fate deals her blow after blow, and even loving her becomes a crime that warrants cruel torture and capital punishment: Elizabeth matures from suffering victim to strong and savvy survivor. But only her true love and their burning passion finally help her become who she is. When the Imperial Crown is left to an infant Tsarevich, Elizabeth finds herself in mortal danger and must confront a terrible dilemma--seize the reins of power and harm an innocent child, or find herself following in the footsteps of her murdered brother.Hidden behind a gorgeous, wildly decadent façade, the Russian Imperial Court is a viper’s den of intrigue and ambition. Only a woman possessed of boundless courage and cunning can prove herself worthy to sit on the throne of Peter the Great.Ellen Alpsten's stunning new novel, The Tsarina's Daughter, is the dramatic story of Elizabeth, daughter of Catherine I and Peter the Great, who ruled Russia during an extraordinary life marked by love, danger, passion and scandal.

    Campbell presents the epic tales of Texas history in a new light, offering revisionist history in the best sense--broadening and deepening the traditional story, without ignoring the heroes of the past. The scope of the book is impressive. It ranges from the archeological record of early Native Americans to the rise of the oil industry and ultimately the modernization of Texas. Campbell provides swift-moving accounts of the Mexican revolution against Spain, the arrival of settlers from the United States, and the lasting Spanish legacy (from place names to cattle ranching to civil law). The author also paints a rich portrait of the Anglo-Texan revolution, with its larger-than-life leaders and epic battles, the fascinating decade of the Republic of Texas, and annexation by the United States. In his account of the Civil War and Reconstruction, he examines developments both in local politics and society and in the nation at large (from the debate over secession to the role of Texas troops in the Confederate army to the impact of postwar civil rights laws). Late nineteenth-century Texas is presented as part of both the Old West and the New South. The story continues with an analysis of the impact of the Populist and Progressive movements and then looks at the prosperity decade of the 1920s and the economic disaster of the Great Depression. Campbell's last chapters show how World War II brought economic recovery and touched off spectacular growth that, with only a few downturns, continues until today. Lucid, engaging, deftly written, Gone to Texas offers a fresh understanding of why Texas continues to be seen as a state unlike any other, a place that distills the essence of what it means to be an American.

    His marriage to the self-assured and supportive Elizabeth Bowes-Lyons and his unexpected accession to the throne in 1936 changed the direction of the young prince’s life for good. Once on the throne, it was he who bore the weighty responsibility for restoring the nation’s confidence in their monarchy following his elder brother’s abdication and for maintaining morale during the darkest days of World War II, when, together with Winston Churchill, his dignified presence functioned as a beacon of reassurance to civilians and military alike. Denis Judd provides a fascinating, if sometimes controversial, reassessment of the man who, quite unexpectedly, came to occupy an extraordinary position in a time of unprecedented change.

    Bristish history

    Some of the stories here were collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four of the greatest writers in Russian literature: Nadezhda Teffi, Pavel Bazhov, Andrey Platonov, and Alexander Pushkin, author of Eugene Onegin, the classic Russian novel in verse. Among the many classic stories included here are the tales of Baba Yaga, Vasilisa the Beautiful, Father Frost, and the Frog Princess.

    This text - an album of pictures gathered by the author over many years - shows the extended Romanov family.

    The Americans were caught entirely by surprise, and what began as a swift and seemingly short-lived takeover evolved into a crisis that would see fifty four embassy personnel held hostage, most for 444 days. As Tehran exploded in a fury of revolution, six American diplomats secretly escaped. For three months, Ken Taylor, the Canadian ambassador to Iran—along with his wife and embassy staffers—concealed the Americans in their homes, always with the prospect that the revolutionary government of Ayatollah Khomeini would exact deadly consequences. The United States found itself handcuffed by a fractured, fundamentalist government it could not understand and had completely underestimated. With limited intelligence resources available on the ground and anti-American sentiment growing, President Carter turned to Taylor to work with the CIA in developing their exfiltration plans. Until now, the true story behind Taylor’s involvement in the escape of the six diplomats and the Eagle Claw commando raid has remained classified.In Our Man in Tehran, Robert Wright takes us back to a major historical flashpoint and unfolds a story of cloak-and-dagger intrigue that brings a new understanding of the strained relationship between the Unites States and Iran. With the world once again focused on these two countries, this book is the stuff of John le Carré and Daniel Silva made real.

    History at its most interesting is complex, a fascinating whirl of events, personalities, and forces, and few periods of history offer us such captivating complexity as Europe's 19th "century"—the often-broadly defined period from the French Revolution to World War I that formed the foundation of the modern world.How was that foundation built? And what did that transition to modernity mean for peasants, workers, the middle class, aristocrats, women, and minorities?Why did an era that began with the idealism of the French Revolution and the power of the Industrial Revolution culminate in the chaos of World War I, considered by most historians to be the greatest tragedy of modern European history? Did nationalism and imperialism inevitably lead in such a direction, or were there other factors involved?Even these questions, as important as they are, can only hint at the complexity of this period, just as this course can really only put us on a path toward the answers.

    Arranged chronologically for easy reference and illustrated throughout with artwork, photographs, and documents, this is a information-packed overview of the lives and legacies of America's first ladies. What's more, The First Ladies Fact Book features selections of the most intimate correspondence of all the first ladies. Delightful surprises abound, including little-known information about the women's hobbies, styles of dress, habits of socializing, and quirks. With more than 700 photographs and illustrations, this is a eye-catching history of the nation's first ladies.