Standing on the engine of a train as it rushes past fields of prickly cactus; witnessing his first bullfight in Mexico while high on opium; catching up with the beat night life in New York; burying himself in the snow-capped mountains of north-west America; meditating on a sunlit roof in Tangiers; or falling in love with Montmartre and the huge white basilica of Sacré-Coeur – Kerouac reveals the endless diversity of human life and his own high-spirited philosophy of self-fulfilment.

    His wide-ranging, acclaimed stories from the last two decades, from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner award-winning War Dances, have established him as a star in modern literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases all his talents in his newest collection, Blasphemy, where he unites fifteen beloved classics with fifteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including "What You Pawn I Will Redeem," "This is What it Means to Say Phoenix, Arizona,” "The Toughest Indian in the World,” and "War Dances.” Alexie’s new stories are fresh and quintessential—about donkey basketball leagues, lethal wind turbines, the reservation, marriage, and all species of contemporary American warriors.An indispensable collection of new and classic stories, Blasphemy reminds us, on every thrilling page, why Sherman Alexie is one of our greatest contemporary writers and a true master of the short story.

    So skilled is she at developing these characters as engagingly "ordinary" that we find ourselves identifying with them without realizing how we got there....Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous....-- David Wiegand, "San Francisco Chronicle"

    Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited.From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.A .45 to pay the rent --Doing time with public enemy no. 1 --Scenes from the big time --Nut ward just east of Hollywood --Would you suggest writing as a career? --The great Zen wedding --Reunion --Cunt and Kant and a happy home --Goodbye Watson --Great poets die in steaming pots of shit --My stay in the poet's cottage --The stupid Christs --Too sensitive --Rape! Rape! --An evil town --Love it or leave it. A dollar and twenty cents --No stockings --A quiet conversation piece --Beer and poets and talk --I shot a man in Reno --A rain of women --Night streets of madness --Purple as an iris --Eyes like the sky --One for Walter Lowenfels --Notes of a potential suicide --Notes on the pest --A bad trip --Animal crackers in my soup --A popular man --Flower horse --The big pot game --The blanket

    Burroughs is the author of Junky, Naked Lunch and The Soft Machine and many other contemporary classics. A major figure of 20th century American literature, Burroughs died in 1997.

    I was beginning to think it was me." -- Woody AllenHere, in his first collection since his three hilarious classics Getting Even, Without Feathers, and Side Effects, Woody Allen has managed to write a book that not only answers the most profound questions of human existence but is the perfect size to place under any short table leg to prevent wobbling."I awoke Friday, and because the universe is expanding it took me longer than usual to find my robe," he explains in a piece on physics called "Strung Out." In other flights of inspirational sanity we are introduced to a cast of characters only Allen could imagine: Jasper Nutmeat, Flanders Mealworm, and the independent film mogul E. Coli Biggs, just to name a few. Whether he is writing about art, sex, food, or crime ("Pugh has been a policeman as far back as he can remember. His father was a notorious bank robber, and the only way Pugh could get to spend time with him was to apprehend him") he is explosively funny.In "This Nib for Hire," a Hollywood bigwig comes across an author"s book in a little country store and describes it in a way that aptly captures this magnificent volume: "Actually," the producer says, "I'd never seen a book remaindered in the kindling section before."

    In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    There is rampant speculation on the subject.Are they all great-looking and charming and well dressed?Yes. All of them, and especially Felicia Wong, who can even make her own clothes.I have a question about the process by which the entries in this collection are chosen. Is it scientific?The process by which The Best American Non-Required Reading is put together is not scientific. It is whatever one would consider the opposite of scientific.Creationist?Well, no, it's not creationist either. The point is that we are probably a bit less top-to-bottom thorough than, say, the Army Corps of Engineers. Well, actually, scratch that. We are probably about exactly as thorough as the Army Corps of Engineers, in that we are intermittently thorough.What is your opinion and the committee's opinion of the state of short stories and small magazines and other periodicals?This is a good time. It really is.More specifically?Not all of us Americans appreciate the fact that we have about 150 very good quarterlies in this country. Every state seems to have a very good quarterly, and about a hundred colleges have very good quarterlies — from the Kenyon Review to the University of Illinois's Ninth Letter. So by our estimate there are about 150 very good quarterlies in this country. Maybe more. Now, the thing we don’t always appreciate here in America is that elsewhere in the world there are few to no quarterlies.How does it feel to select something for the collection that you found in an unlikely place?It feels so good. This year, for example, at the last moment we found “Humpies” by Mattox Roesch. It was published by Agni Online, and we all loved it, and here it is, ideally able to reach a new audience. We all took pleasure in finding that one; the mandate of the committee is to find the offbeat and the lesser-known and bring these pieces to our readers, most of whom have great skin and bad eyes.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    'Where I'm Calling From', his last collection, encompasses classic stories from 'Cathedral', 'What We Talk About When We Talk About Love' and earlier Carver volumes, along with seven new works previosly unpublished in book form. Together, these 37 stories give us a superb overview of Carver's life work and show us why he was so widely imitated but never equaled.

    Jones, a prodigy of the short story, returns to the form that first won him praise in this new collection of stories, All Aunt Hagar's Children. Here he turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them in the city, people who in Jones's masterful hands emerge as fully human and morally complex. With the legacy of slavery just a stone's throw behind them and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

    Valente, Dexter Palmer and others KAREN JOY FOWLER, guest editor, is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy awards. JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds and Wastelands. He is the editor and publisher of the digital magazines Lightspeed and Nightmare and is the editor of John Joseph Adams Books, a new science fiction/fantasy novel imprint from Houghton Mifflin Harcourt.Table of Contents:"Meet Me in Iram" by Sofia Samatar"The Game of Smash and Recovery" by Kelly Link"Interesting Facts" by Adam Johnson"Planet Lion" by Catherynne M. Valente"The Apartment Dweller’s Bestiary" by Kij Johnson"By Degrees and Dilatory Time" by S.L. Huang"The Mushroom Queen" by Liz Ziemska"The Daydreamer by Proxy" by Dexter Palmer"Tea Time" by Rachel Swirsky"Headshot" by Julian Mortimer Smith"The Duniazát" by Salman Rushdie"No Placeholder for You, My Love" by Nick Wolven"The Thirteen Mercies" by Maria Dahvana Headley"Lightning Jack’s Last Ride" by Dale Bailey"Things You Can Buy for a Penny" by Will Kaufman"Rat Catcher’s Yellows" by Charlie Jane Anders"The Heat of Us: Notes Toward an Oral History" by Sam J. Miller"Three Bodies at Mitanni" by Seth Dickinson"Ambiguity Machines: an Examination" by Vandana Singh"The Great Silence" by Ted Chiang

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.