A man is arrested in the middle of the night. He doesn't know why. He doesn't remember committing any crime. The cops drop him off in a small community in the middle of the woods where a wedding is about to begin. It is his wedding. He doesn't recognize the bride, but she's allegedly pregnant with his children. All twelve of them. And by law, he must marry her or go to prison for the next two decades.But who is this strange woman he is to spend the rest of his life with? She doesn't seem quite human. Her expressions are cold and emotionless. Her movements are like that of a spider. She is Usagi, a creature who feeds on her human mate during pregnancy. Now this man has to find a way to terminate the marriage if he is to survive. But it's not going to be easy. His friends, his family, and his country are all against him. They believe a father should be willing to give up anything for the sake of his family. Even his life.Like Franz Kafka's "The Trial" meets an erotic body horror version of "The Blob," this darkly absurd tale is classic Mellick.

    Ajax Penumbra seeks a book--the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. Late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.