Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    At that very moment, Connie stands, laughs, and walks away. Sidney keeps his promise through adulthood despite the fact that his insular, rural community uses his pacifism to exploit him. Sidney's son Lyle, however, assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own hands. In his effort to protect the people he loves—his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent brother, Percy—it is Lyle who will determine his family's legacy.

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    A messed-up, grown-up, Little Red Riding Hood.Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One terrible, hungover morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher named Eugene Wolff. By the time she staggers into the tent, the service is over. But as she is about to leave, she hears an unmistakable voice.She turns, and there Victor is. The same face, the same eyes, the same hands. But his hair is short and he's wearing a suit and he doesn't recognize her at all. No, he insists, she's the one suffering a delusion: he's the Reverend Wolff and his only mission is to bring his people to Jesus. Except that, as Joan soon discovers, that's not all the enigmatic Wolff is doing.With only the help of Ajean, a foul-mouthed euchre shark with a knowledge of the old ways, and her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, Joan has to find a way to remind the Reverend Wolff of who he really is. If he really is Victor. Her life, and the life of everyone she loves, depends upon it.

    Radicalized is the story of a desperate husband, a darknet forum and the birth of a violent uprising against the US health care system.The final story, The Masque of the Red Death, tracks an uber-wealthy survivalist and his followers as they hole up and attempt to ride out the collapse of society.

    An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

    A dazzling New Face of Fiction for 2016 that will appeal to readers of All the Light We Cannot See and Anita Shreve.Thirteen-year-old Aya Shimamura is released from a Canadian internment camp in 1946, still grieving the recent death of her mother, and repatriated to Japan with her embittered father. They arrive in a devastated Tokyo occupied by the Americans under the command of General Douglas MacArthur. Aya's English-language abilities are prized by the principal of her new school, but her status as the "repat girl" makes her a social pariah--until her seatmate, a fierce, willful girl named Fumi Tanaka, decides that Aya might be able to help her find her missing older sister. Beautiful Sumiko has disappeared into the seedy back alleys of the Ginza. Fumi has heard that General MacArthur sometimes assists Japanese citizens in need, and she enlists Aya to compose a letter in English asking him for help.Corporal Matt Matsumoto is a Japanese-American working for the Occupation forces, and it's his overwhelming job to translate thousands of letters for the General. He is entrusted with the safe delivery of Fumi's letter; but Fumi, desperate for answers, takes matters into her own hands, venturing into the Ginza with Aya in tow.Told through rich, interlocking storylines, The Translation of Love mines a turbulent period to show how war irrevocably shapes the lives of both the occupied and the occupiers, and how the poignant spark of resilience, friendship and love transcends cultures and borders to stunning effect.

    A young Sikh girl, Simran Kaur, has run away from her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. As the displaced face a variety of horrors, this unlikely quartet comes together, defying every rule of self-preservation to forge a future of hope.A dramatic, luminous story of families and nations broken and formed, "Partitions" introduces an extraordinary novelist who writes with the force and lyricism of poetry.

    In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

    Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    Keita can only be safe if he keeps moving and eludes Hamm and the officials who would deport him to his own country, where he will face almost certain death.This is the new underground. A place where tens of thousands of people deemed to be “illegal” live below the radar of the police and government officials.As Keita surfaces from time to time to earn cash prizes by running local road races, he has to assess whether the people he meets are friends or enemies: John Falconer, a gifted student intent on making a documentary about AfricTown; Ivernia Beech, an elderly woman who is at risk of being forced into an assisted living facility; Rocco Stanton, a recreational marathoner who is the Immigration Minister; Lula DiStefano, self-declared Queen of AfricTown and Madame of the community’s infamous brothel; and Viola Hill, one of the only black reporters in the country, who is investigating the possibility of corruption linking the highest officials in Freedom State and Zantoroland.Keita’s very existence in Freedom State is illegal. As he trains in secret, eluding capture, the stakes keep getting higher. Soon, he is running not only for his life, but his sister’s life, too.Fast-moving and compelling, The Illegal addresses the fate of an undocumented refugee who struggles to survive in a nation that does not want him.

    God Loves Hair is a collection of 20 short stories following a tender, intellectual, and curious child as he navigates complex realms of sexuality, gender, racial politics, religion, and belonging.Told with the poignant insight and honesty that only the voice of a young mind can convey, each story is accompanied by a vivid illustration by Toronto artist Juliana Neufeld.