But for Captain Aleksei Ivanovich Danilov--a child of more enlightened times--it is a legend that has long been forgotten. Besides, in the autumn of 1812, he faces a more tangible enemy: the Grande Armee of Napoleon Bonaparte.City after city has fallen to the advancing French, and it now seems that only a miracle will keep them from Moscow itself. In desperation, Aleksei and his comrades enlist the help of the Oprichniki--a group of twelve mercenaries from the furthest reaches of Christian Europe, who claim that they can turn the tide of the war. It seems an idle boast, but the Russians soon discover that the Oprichniki are indeed quite capable of fulfilling their promise ... and much more.Unnerved by the fact that so few can accomplish so much, Aleksei remembers those childhood stories of the voordalak. And as he comes to understand the true, horrific nature of these twelve strangers, he wonders at the nightmare they've unleashed in their midst....Full of historical detail, thrilling action, and heart-stopping supernatural moments, Twelve is storytelling at its most original and exciting.

    Omnibus edition with both Obsidian Butterfly and Narcissus in Chains.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    A chance meeting between scullery maid Lizzy Parker and heiress Evie Creswell is about to break them all . . . Their meeting leads to more than an enduring friendship and a new job for Lizzy - it draws her into a world of privilege and intrigue and delivers her into the loving arms of a killer. Meeting the handsome but mysterious Jack Carlisle, Lizzy begins to fall for him despite rumours he had been involved in the death of Evie's father. As she becomes further embroiled in the dangerous life that Carlisle lives, she must decide if he can be trusted with the life of a close friend, and, ultimately, if he is worth the risk to her own . . . Perfect for fans of Nadine Dorries, Dilly Court and Annie Murray. The story continues in The Roses of Flanders Field, out now! 'This is the kind of novel that makes you look forward to bedtime so you can read some more - an epic true romance story' - Historical Novel Society *Shortlisted for RNA Best Historical Novel 2013*

    Carly, an unassuming receptionist at Guru Fashion Agency, is shocked when sexy new guy Jake texts her to say he needs her help—fighting off zombie models! Soon she discovers New York is under siege and she’s the chosen one who can save them all. With the help of her sassy, donut-loving deskmate Joyce and the intriguing Jake, Carly embarks on a death-defying adventure that leads to a Fashion Week showdown with the Queen of the Zombies, one of the industry’s biggest icons. It just might be the strangest first date she’s ever had.

    On the day of the launch of the first expedition to Mars, by giant cannon, he outdoes himself with an audacious attack. For young poet Orphan, trapped in the screaming audience, it seems his destiny is entwined with that of the shadowy terrorist, but how? Like a steam-powered take on V for Vendetta, rich with satire and slashed through with automatons, giant lizards, pirates, airships and wild adventure, The Bookman is the first of a series. (Description from Amazon.com)

    Here are twenty-three original tales—stories of the Old West infused with elements of the fantastic—produced specifically for this volume by many of today’s finest writers. Included are Orson Scott Card’s first “Alvin Maker” story in a decade, and an original adventure by Fred Van Lente, writer of Cowboys & Aliens. Other contributors include Tobias S. Buckell, David Farland, Alan Dean Foster, Jeffrey Ford, Laura Anne Gilman, Rajan Khanna, Mike Resnick, Beth Revis, Fred Van Lente, Walter Jon Williams, Ben H. Winters, Christie Yant, and Charles Yu, with an introduction by editor John Joseph Adams.CONTENTS:01 - Joe R. Lansdale, The Red-Headed Dead02 - Ben H. Winters, The Old Slow Man and his Gold Gun from Space03 - David Farland, Hellfire on the High Frontier04 - Mike Resnick, The Hell-Bound Stagecoach05 - Seanan McGuire, Stingers and Strangers06 - Charles Yu, Bookkeeper, Narrator, Gunslinger07 - Alan Dean Foster, Holy Jingle08 - Beth Revis, The Man With No Heart09 - Alastair Reynolds, Wrecking Party10 - Hugh Howey, Hell from the East11 - Rajan Khanna, Second Hand12 - Orson Scott Card, Alvin and the Apple Tree13 - Elizabeth Bear, Madam Damnable's Sewing Circle14 - Tad Williams, Strong Medicine15 - Jonathan Maberry, Red Dreams16 - Kelley Armstrong, Bamboozled17 - Tobias S. Buckell, Sundown18 - Jeffrey Ford, La Madre del Oro19 - Ken Liu, What I Assume You Shall Assume20 - Laura Anne Gilman, The Devil's Jack21 - Walter Jon Williams, The Golden Age22 - Fred Van Lente, Neversleeps23 - Christie Yant, Dead Man's Hand

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    The playground, like childhood itself, is a nightmare of torment and vulnerability; Charles fears his sensitive son will be destroyed there just as he almost was so many years ago.Underhill's sister Carol, who has moved in to help raise the young boy after his mother passed away, feels differently. The playground, she believes, is preparation for life, Jim will survive the experience, she feels, and he will be the better for it and more equipped to deal with the rigor and obligation of adult existence.Underhill is caught between his own fear and his sister's invocation of reason and feels paralyzed. A mysterious boy calls out to him from the playground, and seems to know all too well why Underhill is there and what the source of his agony really is. A mysterious Manager also lurks to whom the strange boy directs Underhill. An agreement can be made perhaps this is what the boy tells Underhill. Perhaps Jim can be spared the playground, but of course, a substitute must be found.

    Exploring a period in Selina Kyle’s life where she tried to walk the straight and narrow—and uncovers secrets that changes everything you thought you knew about the character!

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.

    For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War.Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.

    When Fran unearths a bone in the garden of Longbarrow House on the same afternoon that Leo breaks his leg, it must surely be just a coincidence. But Fran can't shake the uneasy feeling that the events are somehow connected, and there is a shift in the atmosphere that leaves her troubled and anxious. Roped into keeping wheelchair-bound Leo company, Fran is forced to listen to his foolish theories about the looming threat of war in Europe. But as the pair start to uncover more secrets buried beneath the garden, they dredge up threatening shadows of the future, and Fran begins to fear that Leo's dire predictions might be coming true ... Queen of Historical Fiction, Emma Carroll, makes her Barrington Stoke debut with a powerful, evocative, and spine-tingling story of childhood on the brink of war.

    Every day blood is spilled. Every place that rain falls, it washes away some of the red that stains the streets.Eliminating every killer in the Sixth World is as impossible as drying up every raindrop in a storm, but Thomas McAllister doesn’t want to get rid of all of them. Just one. He’s been on this killer’s trail for a while, and he knows he’s getting closer. The only question is if he’ll be able to handle getting as close as he’s about to be, or if his blood will join the stream that regularly flows into the gutters of the sprawls.