Big time. Forced to move to London thanks to her father’s new job, she has to leave her friends, school, and, most importantly, her girlfriend Amy, far behind. To make matters worse, Tabby’s parents enroll her in the exclusive Queen Victoria Independent School for Girls, hoping that it will finally make a lady of her.But Tabby has other ideas.Loathing her new school, Tabby fights against everything and everyone, causing relations with her parents to hit rock bottom. But when the beautiful and beguiling Eden Palmer walks into her classroom one day and catches her eye, Tabby begins to wonder if life there might not be so bad after all.When Amy drops a bombshell about their relationship following a disastrous visit, Tabby starts to see the need for new direction in her life. Fighting her own personal battles, Eden brings the possibility of change for them both. Gradually, Tabby starts to turn her life around—and it’s all because of her.

    These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep–and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing–and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . . . Ammonite is an unforgettable novel that questions the very meanings of gender and humanity. As readers share in Marghe’s journey through an alien world, they too embark on a parallel journey of fascinating self-exploration.

    Lisa Buel, a school board member, is trying to get rid of the health program, which she considers morally flawed, from its textbooks to its recommendations for outside reading. The newspaper staff find themselves in the center of the storm, and things are complicated by the fact that Jamie is in the process of coming to terms with being gay, and her best friend, Terry, also gay, has fallen in love with a boy whose parents are anti-homosexual. As Jamie's and Terry's sexual orientation becomes more obvious to other students, it looks as if the paper they're fighting to keep alive and honest is going to be taken away from them. Nancy Garden has depicted a contemporary battleground in a novel that probes deep into issues of censorship, prejudice, and ethics.

    It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    In her circle, drugs are cheap, ubiquitous, and sometimes feel like the only way out, and Road’s street psychopharmacology results in experiences that are both revelatory and tragic. Writing in a tradition of some of the finest transgressive authors, such as Jean Genet, William S. Burroughs, and Kathy Acker, Road depicts the damaged soul and psyche of her young protagonist with language as violent as the street and sex as raw as the language. Somewhere along this hyperreal tour, our heroine learns to leave her bad habits behind and emerge stronger and more independent, clean and open to love.

    Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

    Choral music and the prospect of divinity thrill him. Desperate to keep his voice from changing, he tries unsuccessfully to castrate himself, and then convinces a clinic to treat him as a transsexual. Berry begins a series of hormone pills, which keep his voice from deepening but also cause him to grow breasts. When his parents and friends discover the truth about him, Berry faces a world of unexpected gender issues that push him into a universe far more complex than anything he has experienced.Abounding with bewitching religious symbolism, self-mutilation, bizarre suburban torture, drugs, class-based violence, and hidden meanings, Choir Boy is a wildly inventive and charming story about an outcast who refuses to grow up gracefully.

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    The writer ignores him. But a month later, a package arrives containing, among discs, sunglasses and other trinkets, a photograph of the writer aged eight. So he listens to the discs and emerges amazed and shaken. He then transcribes this heartbreaking story which traces Desiree's life as a bullied youth in South Ronaldsay to the streets of Soho where he reduces his grateful clients to tears with his astonishing gift of sex...

    Goth. Dykling. Desiree Garcia knows she’s weird and a weirdo magnet. To extinguish her strangeness, her parents ship her to Saint Michael’s Catholic High School, then to Mexico, but neurology can’t be snuffed out so easily: Screwy brain chemistry holds the key to Desiree’s madness. As fellow crazies sense a kinship with her, Desiree attracts a coterie of both wanted and unwanted admirers, including a pair of racist deathrock sisters, a pretty Hispanic girl who did time in California’s most infamous mental asylum, and a transnational stalker with a pronounced limp.As high school graduation nears, Desiree’s weirdness turns from charming to alarming. Plagued by increasingly bizarre thoughts and urges, Desiree convinces herself she’s schizophrenic, despite assurance otherwise. In college, she finds Rae, an ex-carnie trannyboi, who becomes the June Carter to her Johnny Cash. With Rae’s help, Desiree answers the riddle of her insanity and names her disease.Combining the spark of Michelle Tea, the comic angst of Augusten Burroughs, and the warmth of Sandra Cisneros, Mexican American author Myriam Gurba has created a territory all her own. Dahlia Season not only contains the title novella, but also several of Gurba’s acclaimed stories.Myriam Gurba is a high school teacher who lives in Long Beach, California, home of Snoop Dogg and the Queen Mary. She graduated from UC Berkeley, and her writing has appeared in anthologies like The Best American Erotica (St. Martin’s Press), Bottom’s Up (Soft Skull Press), Secrets and Confidences (Seal Press), and Tough Girls (Black Books).

    When Lilly "Aimee" Wust, a gentile mother of four and wife of a Nazi officer, met Felice "Jaguar" Schragenheim, a Jew living underground in Berlin, neither could have guessed that their brief initial encounter would develop into a blazing, devoted love. As the Nazi stranglehold closed in on them, Lilly and Felice found themselves fighting insurmountable odds to stay together. Extraordinarily passionate and heartrending, this is a rare and personal look at the love and strength of two women whose commitment to each other defied the brutality of their time.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    From there, Anshaw intricately traces three possible paths for Jesse, spinning exhilarating variations on the themes of lost love and parallel lives unlived. Dorothy Allison, author of Bastard Out of Carolina, writes, "I found myself wishing I could buy a dozen copies and start a discussion group, just so I'd be able to debate all the questions this astonishing novel provokes." A Reader's Guide is available.

    In previous years, they had put together a time capsule about their best summer with a friend who was dying. Now that their friend has passed, they reunite to open the box.

    In the sleepy town of Athens, Georgia, a young man goes off to a college miseducation and is drawn into a world of rich vicarious living. The unspoken relationship between this adolescent and his luminous rock star boyfriend fast becomes the marking tale of world tours and plush continental hotel rooms. However, the relationship falters under celebrity's harsh, shape-shifting light. Real life fills in the outline of the boy's expectations.