Hanff recalls her serendipitous discovery of a volume of lectures by a Cambridge don, Sir Arthur Quiller-Couch. She devoured Q’s book, and, wanting to read all the books he recommended, began to order them from a small store in London, at 84, Charing Cross Road. Thus began a correspondence that became an enormously popular book, play and television production, and that finally led to the trip to England – and a visit to Q’s study – that she recounts here. In this exuberant memoir, Hanff pays her debt to her mentor and shares her joyous adventures with her many fans.

    On subjects as diverse as fiction, the future, film, famous personalities, and more, Ray Bradbury has much to say, as only he can say it.Collected between these covers are memories, ruminations, opinions, prophecies, and philosophies from one of the most influential and admired writers of our time. As unique, unabashed, and irrepressible as the artist himself, here is an intimate portrait, painted with the master's own words, of the one and only Ray Bradbury—far more revealing than any mere memoir, for it opens windows not only into his life and work but also into his mind and heart.

    Cultural Writing. Essays. A series of essays, ACADEMONIA is also an epic narrative of survival against institutional deadening and the proscriptiveness that shoots the young writer like poison darts from all sides. Here Bellamy, "explores the prickly intersection among these [institutional] spaces as it moves through institutions such as the academy, the experimental writing communities of the Bay Area, feminist and sexual identities, and group therapy. Continuing the work that she began in The Letters of Mina Harker pushing memoir and confession out of its safety zones and into its difficulties, this book provokes as it critiques and it critiques and yet at the same time manages to delight with its hope"-Juliana Spahr.