This acclaimed best-seller, first published in 1978, transports readers into a world of pure magic and mystery.

    After reading 'Spell to Become a Handsome Prince' on a page fragment he tried to piece the spell back together. Frog struggles through a host of jumbled spells and extraordinary guises in search of a fairytale ending.

    When Kay is lured from his home by the beautiful, cruel Snow Queen, his friend Gerda sets out on an epic journey to rescue him. As she searches, she encounters a series of strangers to whom she relays her plight. Charmed by her story and her innocence, each of them helps Gerda, so that at last she is able to find the Snow Queen's icy palace. But at the end of her epic journey, will Gerda manage to set Kay free? Soft, ethereal artwork and a faithful translation set the mood for a keepsake edition of Andersen's much-loved winter's tale.

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    You name it, they can fix it. But the team's favorite cars of all are lowriders—cars that hip and hop, dip and drop, go low and slow, bajito y suavecito. The stars align when a contest for the best car around offers a prize of a trunkful of cash—just what the team needs to open their own shop! ¡Ay chihuahua! What will it take to transform a junker into the best car in the universe? Striking, unparalleled art from debut illustrator Raul the Third recalls ballpoint-pen-and-Sharpie desk-drawn doodles, while the story is sketched with Spanish, inked with science facts, and colored with true friendship. With a glossary at the back to provide definitions for Spanish and science terms, this delightful book will educate and entertain in equal measure.

    Or rather the psychic images of the fairies, who quickly turned it into a game, where they leapt between the closing pages in an effort to outdo each other to produce the most outrageous poses.

    Depicted in the lush back garden of an old giantess, garbed in delicate softly tinted petal gowns, she fiercely practices her sting, swings a thorn dagger, bribes always hungry squirrel Skuggle, and seeks to ride an iridescent hummingbird - to transform her nature into a day fairy instead.

    She is an explorer who wonders about what lies above the water's surface . . . especially the young girl she has spied from a distance. To meet her requires a terrible sacrifice: she trades her beautiful voice for a potion that gives her legs, so that she may live on land instead. It seems like a dream come true at first. But when trouble stirs beneath the ocean, Melody faces another impossible choice -- stay with her friend, or reclaim her true identity and save her family.Legendary artist Jerry Pinkney's singular reinvention of this tale about love and sacrifice empowers young, twenty-first century girls with the strong message that "you should never give up your voice . . . for anyone."

    The writing is lyrical and understated, a perfect tone for stories that introduce young readers to themes of love and loss, pride and forgiveness. Carson Ellis's elegant black-and-white illustrations lend an aura of beauty and mystery.

    Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    His beloved fairy queen has gone away, leaving him with a very important job: He must protect the forest from a most dangerous enemy—humans.When a determined invader trespasses on his territory, Nix’s skills are put to the test as he invents several wicked tricks to chase the sorry fellow away. But when his efforts don’t go quite according to plan, it becomes clear that this intruder—and this sprite—may not be at all what they seem.

    In Fairies he turns his considerable talent to capturing in breathtaking images characters from such beloved stories as Shakespeare's A Midsummer Night's Dream, the wizard Merlin and his muse the intoxicating Nimue, mermaids of the deep as well as his interpretation of fairies from Celtic and Japanese mythology.

    Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity.The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden’s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown.But quickly he finds that one murdered maiden is not the only nefarious mystery afoot: one of Odin’s hellhounds has escaped, a sinister mansion appears where it shouldn’t, a pixie dust drug trade runs rampant, and more young girls go missing. Looming in the shadows is the malevolent, power-hungry queen, and she will stop at nothing to destroy the Twelve Kingdoms and annihilate the Royal Fae…unless the Woodcutter can outmaneuver her and save the gentle souls of the Wood.Blending magic, heart-pounding suspense, and a dash of folklore, The Woodcutter is an extraordinary retelling of the realm of fairy tales.

    The stories are arranged in the order in which they were first published so they may be read in their proper sequence. A special section at the end of this volume contains four additional works by Beatrix Potter that were not published during her lifetime. Beautifully reissued with a newly designed slipcase and jacket--a truly stunning gift.

    They have built mountains, forests, and seas and filled the world with animals, people, and unnamed beasts. Now their days are fat with long naps in the clouds, mutual admiration, and tea and cake. But their world has gaps in it filled with emptiness, gaps that intrigue Harry, Sue, and little Ben until they begin to see what might fill them. One by one the children conjure, from twigs and leaves and stones, a mousy thing, a chirpy thing, and a twisty legless thing. But as the children’s ideas grow bolder, the power of their visions proves greater and more dangerous than they, or the gods, could ever have imagined. Is it possible to unmake what’s been made?