Yet she refuses to forget her best friend Elizabeth, who she is convinced is missing and in terrible danger.But no one will listen to Maud—not her frustrated daughter, Helen, not her caretakers, not the police, and especially not Elizabeth's mercurial son, Peter. Armed with handwritten notes she leaves for herself and an overwhelming feeling that Elizabeth needs her help, Maud resolves to discover the truth and save her beloved friend.This singular obsession forms a cornerstone of Maud's rapidly dissolving present. But the clues she discovers seem only to lead her deeper into her past, to another unsolved disappearance: her sister, Sukey, who vanished shortly after World War II.As vivid memories of a tragedy that occurred more than fifty years ago come flooding back, Maud discovers new momentum in her search for her friend. Could the mystery of Sukey's disappearance hold the key to finding Elizabeth?

    Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is a mid-western American private who might be an insufferable ignoramus, or might be a genuine lunatic with a death wish--it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she?

    So grateful was Queen Victoria for Henry’s services as physician to the royal family that she granted him a peerage, making him a lord, the first doctor ever to be so honored. Henry had been especially attentive to hemophiliacs in the royal family, for he was obsessed with blood. As he recounted in his diary, “Red is my favorite color. To me a splash of blood is beautiful, and I profoundly lack understanding of those who flinch or even faint at the sight of it.”As his research deepens, Martin begins to uncover hints that his great-grandfather’s fascination with blood may have had its darker side. The murder of Henry’s fiancée, the death of his young son, the remarkable number of relatives and friends who died mysteriously—could all these have been mere coincidence? Martin scours England and America for relatives whose attics or memories might hold clues, until finally the tragic truth stands revealed.Drawing from the dark themes of obsession and murder that drive so many of Barbara Vine’s extraordinary novels, The Blood Doctor is also enriched by domestic intimacies familiar to readers of Ruth Rendell’s beloved Inspector Wexford novels and by details of Dame Rendell’s own experience as a Life Peer in the House of Lords. Once again we have a masterful work from a storyteller of the highest order.

    Now Katharine's saddled with her Aunt's worldly belongings—mostly knickknacks destined for the dumpster. But there's a priceless Celtic necklace among the dross—and a diary written in German, neither of which Katharine's ever seen before.Determined to find out where these objects came from, Katharine unwittingly discovers a branch of her family tree she never knew existed—namely Aunt Lucy's brother Carter, murdered more than fifty years ago after a mysterious trip to Austria. And when Lucy's artifacts are stolen, and the main suspect turns up dead, Katharine realizes she must solve a burglary and two unsolved homicides separated by a half-century . . . before more than her family secrets end up dead and buried.

    London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him: the man in the queue had a small silver dagger neatly plunged into his back. With the wit and guile that have made Inspector Grant a favorite of mystery fans, the inspector sets about discovering just how a murder occurred among so many witnesses, none of whom saw a thing.

    But their days of childhood innocence and adventure are destined to be followed by the apocalypse that will overwhelm their world as they come to adulthood.For Rosie, the path ahead is full of challenges: torn between her love for two young men, her sense of duty and her will to live her life to the full, she has to navigate her way through extraordinary times. Can she, and her sisters, build new lives out of the opportunities and devastations that follow the Great War?Louis de Bernières’ magnificent and moving novel follows the lives of an unforgettable cast of characters as the Edwardian age disintegrates into the Great War, and they strike out to seek what happiness can be salvaged from the ruins of the old world.

    The location is a small town in Northern France, near V., in the dead of the freezing winter. The war is still being fought in the trenches, within sight and sound of the town, but the men of the town have been spared the slaughter because they are needed in the local factory. One morning a beautiful ten year old girl, one of the three daughters of the innkeeper, is found strangled and dumped in the canal. Suspicion falls on two deserters who are picked up near the town. Their interrogation and sentencing is brutal and swift. Twenty years later, the narrator, a local policeman, puts together what actually happened. On the night the deserters were arrested and interrogated, he was sitting by the bedside of his dying wife. He believes that justice was not done and wants to set the record straight. But the death of the child was not the only crime committed in the town during those weeks. More than one record has to be set straight. Beautiful, like a fairy story almost, frozen in time, this novel has an hypnotic quality.

    Paul's and makes a mystifying mention of murder and an oddly familiar comment about her grandmother, Kate Murray is intrigued. But she never gets to hear the rest of Andrew Deacon's tale. Shocked by his unexpected death, she wonders who this strange, old man is, and what the odd reference to her grandmother could mean. Interest piqued by the story never told, Kate becomes drawn into an investigation, uncovering secrets about the grandmother she thought she knew and a man she never did. Soon she is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious wartime past and across the Atlantic as she tries to retrace Deacon's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, and facing death every step of the way, Kate must use her tough journalistic instinct to find the answers from the past in order to have a future.

    "Pale as the Dead deals with the mysterious death of Lizzie Siddal, a real and fascinating historical figure whose beauty and tragic life have made her into a legend. (She was the model for the famous painting on the cover of the book.) Lizzie's death has always been shrouded in mystery. She is perhaps best known for the macabre story that tells of her husband, the Pre-Raphaelite artists Dante Gabriel Rossetti, having her coffin dug up to retrieve some poems he had buried with her. When the coffin was opened, Lizzie was said to be as beautiful as the day she died. "Pale as the Dead is the story of how the disappearance of a young girl, Bethany, appears to be linked in some way to Lizzie Siddal. Our detective is Natasha Blake, a complex young genealogist with a passion for history. Natasha's career choice is partly driven by the mystery of her own roots--she was abandoned in the hospital as a newborn. Her mother disappeared hours after giving birth, leaving a false name and address and a note on the back of a picture postcard that said simply, "Her name is Natasha." Natasha is hired by the missng girl's lover, Adam, whose own life seems to have plenty of dark shadows. An old diary and famous graveyard lead Natasha into more danger than she bargains for--some people will do ANYTHING to keep a secret!

    They are invited to the festivities up at The Grange, as guests of Sir Hector and Lady Farley-Stroud.But barely have corks been popped and parlour games played when a mysterious crime comes to light. Someone has broken in while the revellers were distracted and made off with a priceless pearl necklace. Lady Hardcastle and Flo are determined to catch the thief—but with so many Christmas guests encamped at The Grange, is it possible that the felon is hiding in plain sight?With the clues stacking up, Lady Hardcastle bears down on her culprit. But just as the pieces come together, it begins to look as if there is something more devious afoot at The Grange…

    . . The Devil's GoldOnce he was called the Sphinx, a man so inscrutable that neither his adversaries nor fellow intelligence operatives could predict his next move. Now a contract agent with a secret mission, Jonathan Wyatt has gone rogue. For eight years he’s been plotting. Waiting. Scheming to kill Federal agents Christopher Combs and Cotton Malone, whom he blames for the loss of his career. But as Wyatt prepares for a final confrontation in a remote South American village, he makes a discovery that stretches back to the horrors of World War II, to the astounding secret of a child’s birth, to Martin Bormann and Eva Braun—and to a fortune in lost gold.BONUS: Includes excerpts from Steve Berry's The Jefferson Key and The Columbus Affair.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    But nothing can prepare him for what he finds: a large airplane has crash-landed and is now sitting sideways on the runway, and there are no signs of a pilot or cargo. When the body of a local man is discovered—shot dead and lying on the grass near the crash site—Winston begins a murder investigation that will change the course of his life and the fate of the community that he has sworn to protect.Everyone is a suspect, including the dead man. As rumors and accusations fly, long-simmering racial tensions explode overnight, and Winston, whose own tragic past has followed him like a ghost, must do his duty while facing the painful repercussions of old decisions. Winston also knows that his days as sheriff may be numbered. He’s up for re-election against a corrupt and well-connected challenger, and his deputies are choosing sides. As if these events weren’t troubling enough, he must finally confront his daughter Colleen, who has come home grieving a shattering loss she cannot fully articulate.As the suspense builds and this compelling mystery unfolds, Wiley Cash delves deep into the hearts of these richly drawn, achingly sympathetic characters to reveal the nobility of an ordinary man struggling amidst terrifying, extraordinary circumstances.

    What, he is asked, should a man do when the world has turned against him? Anselm's response: claim sanctuary. But the answer sets off more trouble than he ever could have imagined when the man returns, demanding the protection of the Church. He is Eduard Schwermann, a suspected Nazi war criminal. Agnes Aubret has unburdened a secret to her granddaughter Lucy. Fifty years earlier, Agnes was in occupied Paris, risking her life to smuggle Jewish children to safety-until her group was exposed by an SS officer: Eduard Schwermann. Not only has the Church granted Schwermann sanctuary before; in 1944 it helped him escape from France to begin a new life in Britain. As Anselm attempts to find out why and as Lucy delves deeper into her grandmother's past, their investigations dovetail to form a remarkable story. William Brodrick makes a dazzling debut in this literary thriller where two seemingly unconnected lives gradually, shockingly converge. Brodrick, himself a former Augustinian friar, is a master of precision plotting, morally complex characterization, and crisp historical re-creation. In Father Anselm, Brodrick has crafted a unique and compelling hero. And The 6th Lamentation promises to be the literary thriller discovery of the season.