The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Now, six years later, his old friend, Sheriff Seth Bowlen, in Sisters, Colorado is in trouble and needs help. Sheriff Bowlen sends a wire to United States Marshal Billy French in Santa Fe who in turn sends Deputy Marshal Wade Garrison to help their old friend. Innocently, Wade decides to take his wife, Sarah, and son, Emmett, with him so they can visit her family in Harper, a small town northeast of Sisters. As he and his family board the train in Santa Fe, he could not have known that a terrible storm of violence was already brewing and this fateful decision could destroy his wife and child.

    What this book lacks in length, it more than makes up for with ersatz knowledgeability and diagrams. Particularly helpful for guys who have just come out of a long term relationship - but also universally applicable.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Enormously likable and a habitual screw-up, Eric Mercer has settled into a sometimes raucous, underachieving life in his one-stoplight hometown—a life cobbled together from his part-time activities as bartender at the American Legion, assistant mortician, and father to his beloved 5-year-old daughter, Tess. Tess seems to be the main reason smart, talented, twenty-four-year-old Eric is staying in town, though her mom, a centerfold-quality beauty, would have it otherwise. When Jill, the lost love of his life, returns to Pinely in the same week that the town goes nuts in preparation for the high school football team's Big Game, life unexpectedly shifts into high gear, and Eric must blunder his way toward enlightenment—fast. Authentic and refreshingly unpredictable, Small Town Odds is written with an acute sense of place and character reminiscent of Richard Russo.

    

    She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next--taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother's life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

    progresses with the pandemonium of ever changing twists, secrets, lies, and love in Pretty Lips That Thugs Love 3, the final book of the series. Ashanti McNeal finally walked away from the only relationship that she had ever known with Kentay Mills. However, Kentay vowed to never let his wife Ashanti go, especially to his brother Ahmad. But, is he fighting a losing battle? Despite Kentay’s protests, Ashanti has moved on with her life to delve in new beginnings with the only man who has shown her what true love is about, Ahmad Jones. Just when Ashanti and Ahmad thought their footings were on solid ground, life came blazing in a flash to interrupt their fresh start. Will the new couple’s life together end before it really had a chance to begin? Fate had a way of testing the new couple’s commitment and love to each other. Will the tests proved to be too much? Or, will Ahmad and Ashanti stand strong in their love for one another? Karma finally came crashing into Kentay Mills’ life and sent him to the place that he didn’t want to go, prison. However, his circumstances didn’t prevent him from hoping to see the outside world again. Kentay still behaved and acted like the boss that he was, even behind those prison walls. Due to negligence on behalf of the police department, Kentay received word that his sentence would be cut short. Unfortunately, an unexpected brawl sent him to the infirmary that led him to come face to face with his past. Kentay had no choice but to succumb to the shocking secret from his past. How will this new eye-opener affect him? Will Kentay become a changed man after his stint in prison? Or, will he continue down the same old path that led to heartache and destruction? Ashanti’s world is rocked upside down when lies and secrets are discovered. These revelations will undoubtedly have a crucial impact on her life. Can she still trust the people who were always supposed to be straightforward and honest with her? Kentay and Ashanti. Ashanti and Ahmad. Brother versus Brother. Revelation after revelation. Will the turmoil ever cease? Will love win in the end? Find out in this final installment of the Pretty Lips That Thugs Love.

    Theatre script, playbook

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    In Lovely Things in Ugly Places, he invites us to come with him as he revisits the moments in his ministry (some incredible, some hilarious, and some tragic), that shaped him most substantially. Known for his bold and fearless proclamation of the Gospel, Montgomery writes with vulnerability and transparency, beckoning the Body of Christ into a radical lifestyle of love. He challenges his readers to lay down the labels we use to identify people, and to see them (and ourselves) as God does, reminding us that if we are willing to look, we too will find Lovely Things in Ugly Places.