She’ll even switch places with a King’s Girl, one of many penniless young noblewomen destined to be shipped to the savage French colonies. It’s a dangerous masquerade that comes with a high price: Once in Quebec, Genny must marry a stranger....

    Marston isn’t so sure about this arrangement. Will he finally cave-in…just in time for a Christmas wedding? Greta Samuelson was only fourteen the year Kansas bled, but by the time the Civil War had ended, she was a woman of steel. The war had left only broken pieces of men for single women to comb through, so there wasn’t much for her in Atchison, Kansas. She longs to go west where her brother is. When the wagon train driver arrives in town, he’s got a letter he wants her to see. It’s from a schoolteacher announcing his desire for a wife, primarily asking for a woman of good composure, strong sensibilities and sufficient education to assist him. Greta has not had a great deal of formal education, but she has a good writing hand, and sends back a letter saying she is interested. When Marston first meets Greta, he is disappointed. He had expected a mature, scholarly woman, not a mere slip of a twenty-year-old girl. Greta, however, sets out to prove she is a woman to contend with, even for a thirty-two-year-old teacher. She rolls up her sleeves and takes on the Wild West with as much fortitude as she had shown while living through the Civil War. But can she win Marston’s heart in time to be a Christmas bride? Or will he decide she is too young for him… AUTHOR’S NOTE: Enjoy this clean historical western romance short story! I have plans to turn it into a series to keep you happily reading. Also included are 3 bonus stories! Don’t miss out on this one…it’s one of my best written stories yet!

    Hemingway reveals the explosive love triangles that wrecked each of Hemingway's marriages.The Paris Wife was only the beginning of the story... Paula McLain's New York Times bestselling novel piqued readers' interest about Ernest Hemingway's romantic life. But Hadley was only one of four women married, in turn, to the legendary writer. Just as T.C. Boyle's bestseller The Women completed the picture begun by Nancy Horan's Loving Frank, Naomi Wood's Mrs. Hemingway tells the story of how it was to love, and be loved by, the most famous and dashing writer of his generation. Hadley, Pauline, Martha and Mary: each Mrs. Hemingway thought their love would last forever; each one was wrong. Told in four parts and based on real love letters and telegrams, Mrs. Hemingway reveals the explosive love triangles that wrecked each of Hemingway's marriages. Spanning 1920s bohemian Paris through 1960s Cold War America, populated with members of the fabled "Lost Generation," Mrs. Heminway is a riveting tale of passion, love, and heartbreak.

    Timothy and The Pale Blue Eye comes Courting Mr. Lincoln, the page-turning and surprising story of a young Abraham Lincoln and the two people who loved him best: a sparky, marriageable Mary Todd and Lincoln’s best friend, Joshua Speed.When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's shortlist to be president. Rough and reticent, he’s a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. “I can only hope,” she tells his roommate, the handsome, charming Joshua Speed, “that his waters being so very still, they also run deep.”It's not long, though, before she sees the Lincoln that Speed knows: a man who, despite his awkwardness, is amiable and profound, with a gentle wit to match his genius and a respect for her keen political mind. But as her relationship with Lincoln deepens, she must confront his inseparable friendship with Speed, who has taught his roommate how to dance, dress, and navigate the polite society of Springfield.Told in the alternating voices of Mary Todd and Joshua Speed, and rich with historical detail, Courting Mr. Lincoln creates a sympathetic and complex portrait of Mary unlike any that has come before; a moving portrayal of the deep and very real connection between the two men; and most of all, an evocation of the unformed man who would grow into one of the nation’s most beloved presidents.

    But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May.Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession.Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her?So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely The Other Alcott.

    One an underground resistance fighter, a bold young woman determined to vanquish the enemy occupiers; the other a prisoner of war, a man longing to escape the confines of the camp so he can battle again. A crumpled note passes between these two strangers, slipped through the wire of the compound, and sets them on a course that will change their lives forever.Woven through their tales of great bravery, daring escapes, betrayal, torture, and retaliation is their remarkable love story that survived against all odds. This is an extraordinary account of two ordinary people who found love during the unimaginable hardships of Hitler’s barbaric regime as told by their son-in-law Doug Gold, who decided to tell their story from the moment he heard about their remarkable tale of bravery, resilience, and resistance.

    My older sister, Helen, came to my room, took me by the hand, and sat me down on the bed. She opened her mouth to say something, but then her face flushed, and she turned her head to look out the window. After a second, she squeezed my hand and looked back in my eyes. She said, “You’ve always been a good girl, Maude, and done what I told you. Now, you’re going to be a married woman, and he will be the head of the house. When you go home tonight after your party, no matter what he wants to do to you, you have to let him do it. Do you understand?"I didn’t understand, but I nodded my head anyway. It sounded strange to me, the way so many things did. I would do what she told me. I didn’t have a choice, any more than I had a choice in being born.

    Olivia assumed that bigotry was the product of her mother's loyalty to long-dead relatives, an allegiance to maintain the family's white blood line. After Emma's death though, Olivia finds a letter and an old journal among her belongings. Soon she discovers the secret that prompted Emma to irrationally blame an entire race -- a secret that had nothing to do with family history, although it strongly paralleled another tragic event from the past. 1846, Marianne Witherell's journal: Before Lincoln and the American Civil War, slavery is at its peak in South Carolina. A young slave girl named Willa suddenly arrives at Heavenly Plantation with her mother Heddie, destined to serve the wealthy plantation family as house servants. Right away, two of the Master's children-Marianne and Seth-forge a bond with Willa, in spite of their older brother Foster's warnings about the evils of mixing with the "darkies." Although she grows up in the "big house" treated like family by her pair of white friends, Willa cannot forget that she is still a slave. Never is that fact made clearer than when Foster cruelly taunts and threatens her in secret. As it threads through the lives of its diverse characters, this novel captures the complicated and often violent nature of life in the antebellum South. As Willa's story is told, a dramatic tapestry is woven, binding the Witherell family to a web of secrets that include forbidden love and faithful friendships alongside dangerous obsessions, mental instability, and even murder.

    When circumstances become unbearable, she determines to find a safe haven for her sisters.So begins their journey to America, the land of dreams and second chances.But as hardship becomes their constant companion, Elin, Kirsten, and Sofia question their decision to immigrate to Chicago. Will their hopes for the future ever be realized?

    With meticulous, beautiful detail, Trigiani paints a rich, historical landscape of 1930s Los Angeles, where European and American artisans flocked to pursue the ultimate dream: to tell stories on the silver screen. The movie business is booming in 1935 when twenty-one-year-old Loretta Young meets thirty-four-year-old Clark Gable on the set of The Call of the Wild. Though he’s already married, Gable falls for the stunning and vivacious young actress instantly. Far from the glittering lights of Hollywood, Sister Alda Ducci has been forced to leave her convent and begin a new journey that leads her to Loretta. Becoming Miss Young’s assistant, the innocent and pious young Alda must navigate the wild terrain of Hollywood with fierce determination and a moral code that derives from her Italian roots. Over the course of decades, she and Loretta encounter scandal and adventure, choose love and passion, and forge an enduring bond of love and loyalty that will be put to the test when they eventually face the greatest obstacle of their lives.Anchored by Trigiani’s masterful storytelling that takes you on a worldwide ride of adventure from Hollywood to the shores of southern Italy, this mesmerizing epic is, at its heart, a luminous tale of the most cherished ties that bind. Brimming with larger-than-life characters both real and fictional—including stars Spencer Tracy, Myrna Loy, David Niven, Hattie McDaniel and more—it is it is the unforgettable story of one of cinema’s greatest love affairs during the golden age of American movie making.

    As he grows older, he finds his kind nature exploited by others—including an alluring young woman named Lucy—until he gets swept away by the conflict that divides a nation.After the bloody siege of Petersburg, Joseph floats in and out of consciousness at a Union army hospital. Keeping vigil at his side is Rebecca Walker, a nurse and widow all too familiar with the horrors of war. As Joseph fights for his life and Rebecca struggles to follow her heart, both face a devastating choice: whether to hang on to the wounds of the past or move on to an uncertain future.From the fields of Ireland to the metropolis of Quebec to the battlefields of Virginia, Going Home follows one man’s quest for his place in a world still healing from the wreckage of war.

    He lived his dream in clashing cultures—that of Native American vitality and that of high European society. He mastered both worlds, but was ultimately forced to choose between them. The son of Sacajawea, guide for Lewis and Clark, Charbonneau was born on the adventure, and born to explore. As an infant, he infant traveled from North Dakota to the Pacific Ocean and back, carried along in the expedition's boats or upon his mother's back. As a child, Sacajawea sent her son to William Clark. There Charbonneau was raised in Clark’s posh society, had Jesuit schooling in St. Louis, and was later educated in Europe—he became the welcome guest of kings. Throughout his life, Charbonneau and Clark maintained an extraordinary relationship. Charbonneau became a cultured man, at ease in the gentile civilization of European courts. But he was a man of two dreams, and the Western wilderness pulled at his heart. Charbonneau became an American explorer, guide, fur trapper-trader, military scout during the Mexican-American War, alcalde (mayor) of Mission San Luis Rey de Francia, and a gold prospector and hotel operator in Northern California. He spoke French and English, and learned German and Spanish during his six years in Europe. He also spoke Shoshone and other western Native American languages, which he learned first from his family and then during his years of trapping and guiding.

    Louis respond to a series of meetings conducted by a land speculator who lures them west by promising "prime homesteads" in a "booming community." Unbeknownst to them, the speculator's true motive is to find an excuse to bring women to the fledging community of Plum Grove, Nebraska, in hopes they will accept marriage proposals shortly after their arrival!Sparks fly when these unsuspecting widows meet the men who are waiting for them. These women are going to need all the courage and faith they can muster to survive these unwanted circumstances--especially when they begin to discover that none of them is exactly who she appears to be.

    For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.Losing her husband to Cora’s indiscretion is another hardship for stoic Nettie Mae. But as a brutal Wyoming winter bears down, Cora and Nettie Mae have no choice but to come together as one family—to share the duties of working the land and raising their children. There’s Nettie Mae’s son, Clyde—no longer a boy, but not yet a man—who must navigate the road to adulthood without a father to guide him, and Cora’s daughter, Beulah, who is as wild and untamable as her prairie home.Bound by the uncommon threads in their lives and the challenges that lie ahead, Cora and Nettie Mae begin to forge an unexpected sisterhood. But when a love blossoms between Clyde and Beulah, bonds are once again tested, and these two resilient women must finally decide whether they can learn to trust each other—or else risk losing everything they hold dear.

    Their encounter seems fated: Eleanor, a teacher and recent Vassar graduate, needs a job. Patricia’s difficult thirteen-year-old daughter Margaux, recovering from polio, needs a private tutor.Though she feels out of place in the Bellamys’ rarefied and elegant Park Avenue milieu, Eleanor forms an instant bond with Margaux. Soon the idealistic young woman is filling the bright young girl’s mind with Shakespeare and Latin. Though her mother, a hat maker with a little shop on Second Avenue, disapproves, Eleanor takes pride in her work, even if she must use the name “Moss” to enter the Bellamys’ restricted doorman building each morning, and feels that Patricia’s husband, Wynn, may have a problem with her being Jewish.Invited to keep Margaux company at the Bellamys’ country home in a small town in Connecticut, Eleanor meets Patricia’s unreliable, bohemian brother, Tom, recently returned from Europe. The spark between Eleanor and Tom is instant and intense. Flushed with new romance and increasingly attached to her young pupil, Eleanor begins to feel more comfortable with Patricia and much of the world she inhabits. As the summer wears on, the two women’s friendship grows—until one hot summer evening, a line is crossed, and both Eleanor and Patricia will have to make important decisions—choices that will reverberate through their lives.Gripping and vividly told, Not Our Kind illuminates the lives of two women on the cusp of change—and asks how much our pasts can and should define our futures.